{"title":"Mobile Fidelity | Vinyl Sound Toronto Canada","description":"\u003cp\u003eMoFi (Mobile Fidelity) is a distinguished American-audiophile brand revered for its ultra-high-quality vinyl pressings and premium electronics crafted for serious music lovers. Founded in 1977, MoFi Audio gear and “Original Master Recording” vinyl reissues set benchmarks in musical detail, dynamic precision and analog warmth. Their electronics range incorporates turntables, speakers, phono stages and other reference-grade components engineered to deliver immersive playback for both vinyl collectors and discerning stereo enthusiasts. If you seek the ultimate in analog fidelity or cutting-edge streaming and component solutions, MoFi offers a legacy of excellence and sonic integrity. Explore the full MoFi collection available in Canada at Vinyl Sound Toronto and experience listening as the artists intended.\u003c\/p\u003e","products":[{"product_id":"mobile-fidelity-studiodeck-turntable-1","title":"Mobile Fidelity Ultradeck Turntable","description":"\u003ch1\u003eMobile Fidelity Electronics UltraDeck Turntable at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe UltraDeck is a 2-speed belt-drive turntable from Mobile Fidelity Electronics (MoFi Electronics, USA), available at Vinyl Sound in Toronto, Canada. Custom-designed and manufactured in the USA, the UltraDeck embodies Mobile Fidelity Sound Lab's decades-long pursuit of faithful reproduction of recorded music — the same philosophy behind MoFi's legendary Original Master Recordings and UltraDisc One-Step limited-edition vinyl pressings. At its foundation is MoFi's \u003cstrong\u003e10-inch Ultra Tonearm\u003c\/strong\u003e, a straight aluminum gimbaled-bearing assembly custom-built for low-friction, accurate tracking, paired with a \u003cstrong\u003e6.8-lb Delrin platter\u003c\/strong\u003e for a low noise floor and stable rotation. An isolated \u003cstrong\u003e300 RPM AC synchronous motor\u003c\/strong\u003e delivers measured wow and flutter of just 0.017% to 0.025%, and Harmonic Resolution Systems anti-vibration feet decouple the plinth from environmental vibration for clean, uncolored playback of every groove.\u003c\/p\u003e\n\n\u003ch2\u003e10-Inch MoFi Ultra Tonearm\u003c\/h2\u003e\n\u003cp\u003eThe UltraDeck is fitted with MoFi's 10-inch Ultra Tonearm, custom-designed and manufactured in the USA as a straight aluminum tube on a gimbaled bearing system using precision ball bearings in both the vertical and horizontal planes. The gimbaled architecture delivers consistent, low-friction tracking stability across both axes without the setup sensitivity associated with unipivot designs, allowing the stylus to follow groove modulations accurately from the outermost band to the lead-out groove. An 18mm overhang and 22.8-degree offset angle — adjustable plus or minus 2 degrees — place the stylus on a geometry that minimizes tracking error across the playing surface, and the arm accepts cartridges weighing between 5g and 10g, covering a broad range of moving-magnet designs and lighter moving-coil cartridges. The 10-inch effective length reduces the angular tracking error inherent in shorter arms, making the Ultra Tonearm a meaningful upgrade over the 8.6-inch and 9-inch arms found on many competing belt-drive turntables at this tier.\u003c\/p\u003e\n\n\u003ch2\u003eIsolated AC Synchronous Motor, Delrin Platter, and HRS Isolation\u003c\/h2\u003e\n\u003cp\u003eThe UltraDeck's 300 RPM AC synchronous motor is mechanically isolated from the plinth to prevent motor-borne vibration from reaching the platter bearing or tonearm. The synchronous motor design locks rotational speed to the frequency of the AC supply, producing the measured wow and flutter performance of 0.017% to 0.025% — figures that reflect tight speed stability across both 33.3 and 45 RPM playback rates. The 6.8-lb Delrin platter spins on a precision bearing and provides the playing surface for both standard LPs and MoFi's own UltraDisc One-Step pressings. Delrin, an acetal resin developed by DuPont, is chosen for its highly crystalline molecular structure, which presents an acoustic impedance closely matched to vinyl and efficiently dissipates groove-generated vibration into the platter mass rather than reflecting it back through the stylus as noise. Harmonic Resolution Systems anti-vibration feet beneath the plinth decouple the entire assembly from floor-borne vibration and acoustic feedback, preventing spurious stylus modulation that would otherwise mask low-level musical detail. Power supply compatibility spans 120V 60Hz, 220-230V 50Hz, and 100V 50Hz, making the UltraDeck usable worldwide with no voltage conversion required.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e10-Inch MoFi Ultra Tonearm:\u003c\/strong\u003e A custom-designed, USA-manufactured straight aluminum gimbaled-bearing tonearm with precision ball bearings in both axes for low-friction, stable cartridge tracking and reduced angular tracking error compared to shorter arm designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6.8-Lb Delrin Platter:\u003c\/strong\u003e A high-mass DuPont Delrin platter matched to vinyl's acoustic impedance absorbs groove-generated vibration and provides a stable, low-noise playing surface for standard LPs and MoFi UltraDisc One-Step pressings alike.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIsolated 300 RPM AC Synchronous Motor:\u003c\/strong\u003e A mechanically isolated AC synchronous motor locks speed to the supply frequency for stable, low-drift rotation, achieving measured wow and flutter of 0.017% to 0.025%.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarmonic Resolution Systems Anti-Vibration Feet:\u003c\/strong\u003e HRS-engineered isolation feet decouple the plinth and tonearm from floor-borne vibration and acoustic feedback, ensuring the stylus responds only to groove modulations rather than environmental interference.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCustom Designed and Manufactured in the USA:\u003c\/strong\u003e The tonearm and turntable assembly are custom-designed and built domestically, reflecting MoFi Electronics' commitment to American engineering and quality control.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e33.3 and 45 RPM Belt Drive:\u003c\/strong\u003e A precision belt-drive system isolates the motor from the bearing and platter for quiet, low-noise rotation at both standard LP and 45 RPM single speeds.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e0.017% to 0.025% Wow and Flutter:\u003c\/strong\u003e Measured speed stability at this level ensures pitch accuracy and temporal precision across all music types, from solo piano to orchestral works.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e74 dB Signal-To-Noise Ratio:\u003c\/strong\u003e A high signal-to-noise ratio reflects the combined contribution of the isolated motor, HRS feet, and Delrin platter in keeping spurious noise well below the musical signal.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUniversal Power Supply Compatibility:\u003c\/strong\u003e Accepts 120V 60Hz, 220-230V 50Hz, and 100V 50Hz mains supplies for worldwide use without a voltage converter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUnder 5 Watts Power Consumption:\u003c\/strong\u003e Extremely low power draw reflects the efficiency of the AC synchronous motor and its associated control electronics.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAdjustable Tonearm Geometry:\u003c\/strong\u003e Offset angle adjustment of plus or minus 2 degrees around the 22.8-degree nominal allows fine cartridge alignment optimization for individual cartridges and stylus profiles.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDrive System\u003c\/td\u003e\n      \u003ctd\u003eBelt drive\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMotor\u003c\/td\u003e\n      \u003ctd\u003e300 RPM AC synchronous, mechanically isolated\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSpeeds\u003c\/td\u003e\n      \u003ctd\u003e33.3 RPM, 45.0 RPM\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePlatter\u003c\/td\u003e\n      \u003ctd\u003e6.8 lb Delrin (1.3-inch thickness)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWow and Flutter\u003c\/td\u003e\n      \u003ctd\u003e0.017% to 0.025%\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSignal-To-Noise Ratio\u003c\/td\u003e\n      \u003ctd\u003e74 dB\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eIsolation Feet\u003c\/td\u003e\n      \u003ctd\u003eHarmonic Resolution Systems (HRS) anti-vibration feet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTonearm Type\u003c\/td\u003e\n      \u003ctd\u003e10-inch straight aluminum, gimbaled bearing\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOverhang\u003c\/td\u003e\n      \u003ctd\u003e0.71 inches (18 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOffset Angle\u003c\/td\u003e\n      \u003ctd\u003e22.8 degrees (plus or minus 2 degrees adjustable)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCartridge Weight Range\u003c\/td\u003e\n      \u003ctd\u003e5g to 10g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePower Supply\u003c\/td\u003e\n      \u003ctd\u003e120V 60Hz, 220-230V 50Hz, 100V 50Hz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePower Consumption\u003c\/td\u003e\n      \u003ctd\u003eLess than 5 Watts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n      \u003ctd\u003e19.69 x 5.375 x 14.25 inches\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e23.1 lbs\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n      \u003ctd\u003eUSA\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eManufacturer\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics (MoFi Electronics), USA\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi Electronics UltraDeck turntable?\u003c\/h3\u003e\n\u003cp\u003eThe UltraDeck is a 2-speed belt-drive turntable from Mobile Fidelity Electronics, custom-designed and manufactured in the USA. It features a 10-inch straight aluminum gimbaled-bearing Ultra Tonearm, a 6.8-lb Delrin platter, a mechanically isolated 300 RPM AC synchronous motor, and Harmonic Resolution Systems anti-vibration feet. Measured wow and flutter of 0.017% to 0.025% and a signal-to-noise ratio of 74 dB reflect its precision engineering, and it is compatible with power supplies worldwide. It is available at Vinyl Sound in Toronto, Canada.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the UltraDeck compare to the Pro-Ject X2 B and the Rega Planar 3?\u003c\/h3\u003e\n\u003cp\u003eThe UltraDeck holds meaningful technical advantages over both competitors. Against the Pro-Ject X2 B, which uses a 10-inch carbon-fiber sandwich tonearm, a 1.4kg aluminum platter, and a DC motor with electronic speed control, the UltraDeck counters with a heavier 6.8-lb Delrin platter for greater rotational inertia and lower noise floor, HRS isolation feet versus the Pro-Ject's standard rubber feet, and a USA-manufactured tonearm rather than an imported assembly. Against the Rega Planar 3, which uses a lightweight phenolic plinth, a 24V AC motor, and Rega's own RB330 tonearm in a 9-inch geometry, the UltraDeck offers a longer 10-inch arm for reduced angular tracking error, a substantially heavier Delrin platter, and HRS vibration isolation that the Planar 3's lightweight philosophy explicitly avoids. Neither the X2 B nor the Planar 3 is designed with MoFi's UltraDisc One-Step pressings specifically in mind, making the UltraDeck the natural partner for owners of MoFi's own high-resolution vinyl releases.\u003c\/p\u003e\n\n\u003ch3\u003eCan the UltraDeck play MoFi UltraDisc One-Step records?\u003c\/h3\u003e\n\u003cp\u003eYes, the UltraDeck is specifically suited to playing MoFi UltraDisc One-Step limited-edition pressings. Mobile Fidelity designed the UltraDeck to be the ideal playback partner for its own high-resolution vinyl releases, and the combination of a 6.8-lb Delrin platter, isolated AC synchronous motor, and 10-inch Ultra Tonearm provides the speed stability, low noise floor, and precise tracking geometry needed to retrieve the full resolution encoded in UltraDisc One-Step records. Standard 33.3 and 45 RPM LPs are equally well served by the same engineering.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the difference between the UltraDeck and the MasterDeck?\u003c\/h3\u003e\n\u003cp\u003eThe MasterDeck sits above the UltraDeck as MoFi Electronics' reference-grade turntable, adding several significant engineering upgrades. The MasterDeck uses a three-phase brushless DC motor with optical speed regulation for active real-time speed correction, versus the UltraDeck's 300 RPM AC synchronous motor that relies on supply frequency stability. The MasterDeck also adds 78 RPM capability with fine-speed trim adjustment, a heavier 14.35-lb hybrid Aluminum-Delrin platter versus the UltraDeck's 6.8-lb Delrin platter, an Encapsulated Spiral Groove Inverted Bearing versus the UltraDeck's standard bearing, a dual-pivot unipivot\/gimbal hybrid tonearm with Cardas Audio wiring versus the UltraDeck's straight gimbaled arm, and a solid wood frame finished in Walnut or Black Ash. The UltraDeck delivers the core MoFi engineering philosophy at a more accessible level, while the MasterDeck represents the company's no-compromise reference statement.\u003c\/p\u003e\n\n\u003ch3\u003eWhat cartridge should I use with the UltraDeck?\u003c\/h3\u003e\n\u003cp\u003eThe UltraDeck's 10-inch Ultra Tonearm accepts cartridges weighing between 5g and 10g, covering the majority of moving-magnet designs and lighter moving-coil cartridges. MoFi Electronics' own UltraGold and UltraTracker moving-magnet cartridges are voiced to complement the UltraDeck's tonearm and Delrin platter, and both are available at Vinyl Sound in Toronto alongside the turntable itself. The adjustable 22.8-degree offset angle allows precise stylus alignment for any compatible cartridge to minimize distortion across the playing surface.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi Electronics UltraDeck in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Electronics UltraDeck turntable is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer in Toronto, Canada. Vinyl Sound stocks the full MoFi Electronics turntable lineup including the UltraDeck, MasterDeck, and the MoFi x Fender American Vintage, and can assist customers across Toronto and Canada with cartridge selection, phono stage pairing, and setup guidance.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the UltraDeck work outside North America?\u003c\/h3\u003e\n\u003cp\u003eYes, the UltraDeck includes a universal power supply compatible with 120V 60Hz, 220-230V 50Hz, and 100V 50Hz mains voltages, making it usable in North America, Europe, Japan, and most other regions without a voltage converter or step-down transformer. Power consumption is under 5 watts, so the turntable places negligible demand on any standard household circuit regardless of regional voltage standard.\u003c\/p\u003e\n\n\u003ch3\u003eHow should I set up and position the UltraDeck for best performance?\u003c\/h3\u003e\n\u003cp\u003eThe UltraDeck performs best when placed on a level, rigid surface — a dedicated equipment rack or solid shelf — with adequate clearance on all sides for ventilation and access to the tonearm. The Harmonic Resolution Systems isolation feet handle the majority of floor-borne vibration decoupling, but the turntable benefits from being positioned away from loudspeakers to minimize acoustic feedback from the room. Cartridge alignment should be checked using the 18mm overhang and 22.8-degree offset angle as the starting point, with the offset angle adjusted within the available plus or minus 2-degree range to optimize stylus geometry for the specific cartridge in use. Vinyl Sound in Toronto can provide setup assistance and cartridge alignment guidance for customers purchasing the UltraDeck.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"UltraDeck with no Cartridges","offer_id":35595208392872,"sku":"UltraDeck","price":2299.0,"currency_code":"CAD","in_stock":true},{"title":"UltraDeck + with factory aligned UltraTracker cartridge","offer_id":35595208425640,"sku":"UltraDeck+","price":2699.0,"currency_code":"CAD","in_stock":true},{"title":"UltraDeck +M with factory aligned MasterTracker cartridge","offer_id":35595208458408,"sku":"UltraDeck+M","price":2999.0,"currency_code":"CAD","in_stock":true},{"title":"UltraDeck +UG With UltraGold MC","offer_id":42323668893948,"sku":"UltraDeck+UG","price":3699.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/MOBILE-FIDELITY-ULTRADECK-TURNTABLE-FRONT-VINYLSOUND.jpg?v=1652361671"},{"product_id":"mobile-fidelity-studiotracker-cartridges","title":"Mobile Fidelity Studiotracker Cartridge","description":"\u003ch1\u003eMobile Fidelity StudioTracker MM Phono Cartridge at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe StudioTracker is a dual moving-magnet stereo phono cartridge from Mobile Fidelity (Sebastopol, California, USA), precision-crafted in Japan and available at Vinyl Sound in Toronto, Canada. Developed in collaboration with Allen Perkins of Spiral Groove and Mobile Fidelity Sound Lab engineers, the StudioTracker features a proprietary \u003cstrong\u003eV-Twin dual-magnet generator\u003c\/strong\u003e, an elliptical diamond stylus, and an output of \u003cstrong\u003e3.5 mV\u003c\/strong\u003e across a frequency response of \u003cstrong\u003e20 Hz to 20,000 Hz\u003c\/strong\u003e. As the entry-level cartridge in the MoFi Electronics Tracker Series, it brings the same cutting-head-inspired generator geometry shared by the UltraTracker and MasterTracker, housed in a resonance-treated polymer body. Ed Kobesky of Positive Feedback described it as rich, fun, and highly listenable, shortchanging almost nothing at its price point.\u003c\/p\u003e\n\n\u003ch2\u003eV-Twin Dual-Magnet Generator: The Logic of the Cutting Head\u003c\/h2\u003e\n\u003cp\u003eEvery cartridge in the MoFi Electronics Tracker Series begins with a fundamental question: how was this record made? The answer lives at the cutting lathe, and the StudioTracker's V-Twin dual-magnet generator is built around that insight. Two low-mass, powerful magnets are arranged in a V formation running parallel with the stereo record grooves, directly mirroring the orientation of the cutting stylus at the Mobile Fidelity Sound Lab mastering studio. This form-follows-function geometry means the StudioTracker's signal-generating structure reads groove walls with the same angular relationship used to inscribe them, giving it an inherent channel separation advantage and a more direct mechanical coupling to the information embedded in vinyl. Developed with Spiral Groove founder Allen Perkins, the V-Twin design ensures that even at the entry point of the Tracker Series, the StudioTracker brings a degree of groove-matched accuracy unavailable in conventional single-magnet cartridges at this price.\u003c\/p\u003e\n\n\u003ch2\u003eElliptical Stylus, Resonance-Treated Polymer Body, and Next-Generation Damping\u003c\/h2\u003e\n\u003cp\u003eThe StudioTracker's elliptical diamond stylus is shaped to trace both the lateral and vertical groove walls simultaneously, retrieving more information from inner grooves and complex passages than a spherical tip can access. A proprietary resonance-absorbing material is applied inside the polymer headshell body to control unwanted vibration, tighten the bass, and smooth the top end. Mobile Fidelity and Allen Perkins invested considerable time tuning the StudioTracker's damping elements and generator control, resulting in a sonic character that Hi-Fi+ described as a well-illuminated and well-rounded midrange that delivers an analogue experience exceeding expectations for its modest price. The StudioTracker is manufactured in Japan to the same precision standards applied across the full MoFi Electronics cartridge lineup.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eV-Twin Dual-Magnet Generator:\u003c\/strong\u003e Two low-mass magnets aligned in a V formation parallel with record grooves, mirroring the cutting head of the Mobile Fidelity Sound Lab mastering lathe for accurate channel separation and groove-matched signal extraction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElliptical Diamond Stylus:\u003c\/strong\u003e A diamond stylus that traces lateral and vertical groove walls simultaneously, retrieving fine inner-groove detail and handling complex dynamic passages with greater accuracy than a spherical profile.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eResonance-Treated Polymer Body:\u003c\/strong\u003e A proprietary damping material applied inside the headshell body minimizes unwanted resonance, controls the stylus-cantilever-generator assembly, and contributes to the StudioTracker's solidified bass and smooth top end.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3.5 mV Output:\u003c\/strong\u003e A high output voltage fully compatible with every standard moving-magnet phono input, with no need for additional gain from a dedicated MC phono stage or step-up transformer.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExtremely Well-Balanced Frequency Response:\u003c\/strong\u003e Tuned for accurate dynamic swings and a slightly forgiving, musical top end that makes the StudioTracker easy to live with across a wide variety of records and phono stages.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVoiced by Allen Perkins of Spiral Groove:\u003c\/strong\u003e Fine-tuned in collaboration with Allen Perkins, whose decades of experience at Spiral Groove inform every aspect of the MoFi Electronics cartridge lineup.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePrecision-Crafted in Japan:\u003c\/strong\u003e Manufactured to MoFi's precise specifications in Japan, ensuring consistent quality and reliable performance across the Tracker Series.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eType\u003c\/td\u003e\n      \u003ctd\u003eDual Magnet (MM) Stereo\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStylus\u003c\/td\u003e\n      \u003ctd\u003eElliptical Diamond\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOutput Voltage\u003c\/td\u003e\n      \u003ctd\u003e3.5 mV\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Response\u003c\/td\u003e\n      \u003ctd\u003e20 Hz to 20,000 Hz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e6.4 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTracking Force\u003c\/td\u003e\n      \u003ctd\u003e1.8 to 2.2 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eImpedance\u003c\/td\u003e\n      \u003ctd\u003e47 kOhm\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCapacitance\u003c\/td\u003e\n      \u003ctd\u003e100 pF\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStatic Compliance\u003c\/td\u003e\n      \u003ctd\u003e35 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDynamic Compliance\u003c\/td\u003e\n      \u003ctd\u003e8 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eGenerator Type\u003c\/td\u003e\n      \u003ctd\u003eV-Twin Dual-Magnet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBody Material\u003c\/td\u003e\n      \u003ctd\u003eResonance-Treated Polymer\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n      \u003ctd\u003eJapan\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Mobile Fidelity StudioTracker?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity StudioTracker is a dual moving-magnet phono cartridge precision-crafted in Japan, featuring a V-Twin dual-magnet generator, an elliptical diamond stylus, and a resonance-treated polymer body. It outputs 3.5 mV across a frequency response of 20 Hz to 20,000 Hz and is the entry-level model in the MoFi Electronics Tracker Series. Developed with Allen Perkins of Spiral Groove and described by Positive Feedback as rich, fun, and highly listenable, it is available in Toronto, Canada through Vinyl Sound.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the StudioTracker compare to the UltraTracker and Ortofon 2M Red?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi StudioTracker shares the same V-Twin dual-magnet generator philosophy as the mid-tier UltraTracker and flagship MasterTracker, but uses a polymer body rather than the billet aluminum housing of its stablemates, and mounts with standard nuts and bolts rather than threaded inserts. Compared to the Ortofon 2M Red, which uses a conventional single-magnet moving-magnet design with a bonded elliptical stylus, the StudioTracker's V-Twin generator provides a distinct channel separation advantage born from its cutting-head-inspired geometry. Positive Feedback noted that the StudioTracker carries a tune with the best of its competitors and glows at its price point, delivering a rich and forgiving presentation that suits a wide range of turntables and systems.\u003c\/p\u003e\n\n\u003ch3\u003eCan the StudioTracker be used with a standard moving-magnet phono input?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi StudioTracker is fully compatible with any standard moving-magnet phono input. Its 3.5 mV output and 47 kOhm impedance match the universal MM phono specification found on virtually every integrated amplifier, stereo receiver, and dedicated phono preamplifier with an MM input. No step-up transformer or dedicated MC phono stage is required, making the StudioTracker a completely plug-and-play solution for entry-level and mid-range analog systems.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the V-Twin dual-magnet generator and how does it differ from a conventional MM design?\u003c\/h3\u003e\n\u003cp\u003eThe V-Twin dual-magnet generator uses two low-mass magnets arranged in a V formation aligned parallel with the stereo record grooves, directly mirroring the orientation of the cutting stylus used to press those grooves on a mastering lathe. A conventional moving-magnet cartridge uses a single magnet mounted perpendicular to the groove rather than parallel to it, creating a less direct mechanical relationship with the groove geometry. The V-Twin approach, developed by Mobile Fidelity in collaboration with Allen Perkins of Spiral Groove, yields superior channel separation and a more accurate, lower-coloration extraction of stereo information from vinyl.\u003c\/p\u003e\n\n\u003ch3\u003eWhat capacitance setting should I use with the StudioTracker?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi StudioTracker specifies a recommended capacitance of 100 pF, which represents the target total capacitance including the phono cable and phono stage input combined. In practice, most phono preamplifiers set to their 100 pF input position, combined with a typical tonearm cable's inherent capacitance of around 100 to 150 pF, will produce a total of approximately 200 to 250 pF. This falls comfortably within the range that delivers a balanced, accurate top end from the StudioTracker without tipping into excessive brightness or roll-off.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mobile Fidelity StudioTracker in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity StudioTracker is available in Toronto and across Canada through Vinyl Sound, an authorized Mobile Fidelity dealer in Toronto, Canada. Vinyl Sound carries the complete MoFi Electronics Tracker Series and can assist with cartridge selection, tonearm compatibility, and phono stage recommendations for your analog setup.\u003c\/p\u003e\n\n\u003ch3\u003eIs the StudioTracker a good upgrade from a stock cartridge on an entry-level turntable?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi StudioTracker is a meaningful upgrade from the generic bonded stylus cartridges supplied with most entry-level turntables. Its V-Twin dual-magnet generator, proprietary resonance-damping body, and elliptical diamond stylus represent a level of engineering investment that most stock cartridges in this category do not attempt. The StudioTracker's extremely well-balanced frequency response and solidified bottom end bring a more accurate and more musically satisfying presentation to any turntable capable of tracking at 1.8 to 2.2 g, and its 3.5 mV output ensures compatibility with every MM phono input encountered in entry-level and mid-range systems.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the StudioTracker's polymer body affect its sound compared to the metal-bodied Tracker models?\u003c\/h3\u003e\n\u003cp\u003eThe StudioTracker's polymer body incorporates a proprietary resonance-absorbing material applied inside the headshell enclosure, which works to control generator vibration and smooth the high-frequency response in a manner similar to the billet aluminum damping used in the UltraTracker and MasterTracker. The polymer construction results in a slightly warmer, more forgiving top end compared to the aluminum-bodied models, which tend toward greater bass tightness and background silence. For listeners pairing the StudioTracker with brighter-sounding phono stages or turntables with lively platters, this inherent tonal character can be an advantage rather than a limitation.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"StudioTracker Cartridge","offer_id":35595276550312,"sku":"MOFI ST-C","price":279.0,"currency_code":"CAD","in_stock":true},{"title":"StudioTracker Cartridge with Trade-In","offer_id":35595276583080,"sku":"MOFI ST-C-TI","price":0.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/MOFISTUDIOTRACKERCARTRIDGESSIDEVINYLSOUND.jpg?v=1706801018"},{"product_id":"mobile-fidelity-ultratracker-cartridges","title":"Mobile Fidelity Ultratracker Cartridge","description":"\u003ch1\u003eMobile Fidelity UltraTracker MM Phono Cartridge at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe UltraTracker is a dual moving-magnet stereo phono cartridge from Mobile Fidelity (Sebastopol, California, USA), hand-built in Japan and available at Vinyl Sound in Toronto, Canada. Developed in collaboration with Allen Perkins of Spiral Groove, the UltraTracker features a proprietary \u003cstrong\u003eV-Twin dual-magnet generator\u003c\/strong\u003e, a nude elliptical diamond stylus for low tip mass and superior groove tracking, and an output of \u003cstrong\u003e3.5 mV\u003c\/strong\u003e across a frequency response of \u003cstrong\u003e20 Hz to 25,000 Hz\u003c\/strong\u003e. Its generator layout mirrors the cutting head of the Mobile Fidelity Sound Lab mastering lathe, and its billet aluminum body is milled in the USA for superior resonance control. The UltraTracker is the mid-tier MM cartridge in the MoFi Electronics Tracker Series, sitting above the StudioTracker and below the flagship MasterTracker.\u003c\/p\u003e\n\n\u003ch2\u003eV-Twin Dual-Magnet Generator: Built From the Blueprint of a Cutting Head\u003c\/h2\u003e\n\u003cp\u003eLike every cartridge in the MoFi Electronics Tracker Series, the UltraTracker begins with the same question Mobile Fidelity has been asking for over four decades: where does a record actually start? The answer is the cutting lathe, and the V-Twin dual-magnet generator in the UltraTracker is a direct architectural response. Two low-mass, powerful magnets are aligned in a V formation running parallel with the stereo record grooves, mirroring the physical layout of the cutting head used at the Mobile Fidelity Sound Lab studio that produces the label's world-famous Original Master Recordings. This geometry gives the UltraTracker an innate mechanical advantage: its generator is aligned to read groove walls with the same angular relationship used to cut them, resulting in outstanding channel separation and detail retrieval that most cartridges at this price cannot match. The V-Twin design also reduces generator mass compared to conventional single-magnet moving-magnet architectures, contributing to the UltraTracker's characteristically open, dynamic presentation.\u003c\/p\u003e\n\n\u003ch2\u003eNude Elliptical Stylus and Billet Aluminum Body\u003c\/h2\u003e\n\u003cp\u003eThe UltraTracker's nude elliptical diamond stylus is mounted directly on the cantilever without bonding adhesive, keeping tip mass to a minimum and maximizing energy transfer from groove to generator. A nude stylus traces groove walls more accurately than an equivalent bonded design and distributes groove contact pressure more evenly across the diamond's contact surface, improving tracking of complex dynamic passages and reducing long-term stylus and record wear. The well-damped billet aluminum body is milled from solid aluminum in the USA and engineered to control resonance, yielding taut, edge-free bass reproduction and a consistently black background across all program material. The aluminum enclosure also features threaded screw inserts for simplified, tool-efficient headshell mounting. Allen Perkins of Spiral Groove invested considerable time tuning the UltraTracker's damping materials and resonance control to achieve the wide-bandwidth, no-smearing sonic character that defines the MoFi Electronics cartridge lineup.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eV-Twin Dual-Magnet Generator:\u003c\/strong\u003e Two low-mass magnets in a V formation aligned parallel with record grooves, mirroring the cutting head layout of the Mobile Fidelity Sound Lab mastering lathe for inherent channel separation advantages and accurate stereo retrieval.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNude Elliptical Stylus:\u003c\/strong\u003e A diamond stylus mounted directly on the cantilever without bonding adhesive, delivering low tip mass, superior groove tracking, reduced coloration, and better long-term stylus and record preservation compared to bonded equivalents.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWell-Damped Billet Aluminum Body (USA-Milled):\u003c\/strong\u003e The cartridge housing is machined from solid aluminum billet in the United States, providing tight resonance control, superior bass definition, and a consistently silent background under the music.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3.5 mV Output:\u003c\/strong\u003e A high output voltage compatible with every standard moving-magnet phono input, eliminating the need for a dedicated MC phono stage or step-up transformer.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThreaded Screw Inserts:\u003c\/strong\u003e Threaded mounting holes allow secure headshell installation using just two screws and no separate nuts, simplifying setup compared to bolt-and-nut cartridge mounting systems.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVoiced by Allen Perkins of Spiral Groove:\u003c\/strong\u003e Fine-tuned by Allen Perkins, the designer behind Spiral Groove turntables and tonearms, ensuring the UltraTracker's sonic character reflects decades of high-end analog expertise.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHand-Built in Japan:\u003c\/strong\u003e Assembled under rigorous quality-control conditions in Japan for consistent mechanical tolerances and long-term reliability.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eType\u003c\/td\u003e\n      \u003ctd\u003eDual Magnet (MM) Stereo\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStylus\u003c\/td\u003e\n      \u003ctd\u003eNude Elliptical Diamond\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOutput Voltage\u003c\/td\u003e\n      \u003ctd\u003e3.5 mV\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Response\u003c\/td\u003e\n      \u003ctd\u003e20 Hz to 25,000 Hz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e9.7 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTracking Force\u003c\/td\u003e\n      \u003ctd\u003e1.8 to 2.2 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eImpedance\u003c\/td\u003e\n      \u003ctd\u003e47 kOhm\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCapacitance\u003c\/td\u003e\n      \u003ctd\u003e100 pF\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStatic Compliance\u003c\/td\u003e\n      \u003ctd\u003e35 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDynamic Compliance\u003c\/td\u003e\n      \u003ctd\u003e10 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eGenerator Type\u003c\/td\u003e\n      \u003ctd\u003eV-Twin Dual-Magnet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBody Material\u003c\/td\u003e\n      \u003ctd\u003eBillet Aluminum (USA-milled)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Assembly\u003c\/td\u003e\n      \u003ctd\u003eJapan\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Mobile Fidelity UltraTracker?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity UltraTracker is a dual moving-magnet phono cartridge hand-built in Japan, featuring a V-Twin dual-magnet generator, a nude elliptical diamond stylus, and a billet aluminum body milled in the USA. It outputs 3.5 mV across a frequency response of 20 Hz to 25,000 Hz and sits in the mid-tier position of the MoFi Electronics Tracker Series, above the StudioTracker and below the flagship MasterTracker. Developed with Allen Perkins of Spiral Groove and available in Toronto, Canada through Vinyl Sound.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the UltraTracker compare to the MasterTracker and Audio-Technica AT-VM540ML?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi UltraTracker uses a nude elliptical stylus, while the flagship MasterTracker steps up to a Micro-Linear diamond profile and adds Ohno continuous-cast copper coils for enhanced low-level detail retrieval. Both share the same V-Twin dual-magnet generator and billet aluminum body. Compared to the Audio-Technica AT-VM540ML, which also uses a nude MicroLine stylus on a VM dual-magnet system, the UltraTracker differentiates itself through its V-Twin generator geometry and resonance-tuned aluminum housing, delivering the bass definition and dynamic openness that Audio Advisor describes as excelling across the entire frequency spectrum with particular strength in the low frequencies.\u003c\/p\u003e\n\n\u003ch3\u003eCan the UltraTracker be used with a standard moving-magnet phono input?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi UltraTracker is fully compatible with any standard moving-magnet phono input. Its 3.5 mV output and 47 kOhm impedance match the universal MM phono specification found on virtually every integrated amplifier, stereo receiver, and phono preamplifier with an MM input. No step-up transformer or dedicated MC phono stage is required, making the UltraTracker straightforward to integrate into both entry-level and high-end systems.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a nude elliptical stylus and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eA nude elliptical stylus has the diamond mounted directly on the cantilever without bonding adhesive, as opposed to a bonded stylus where the diamond tip is glued to a metal shank. The nude mounting keeps effective tip mass lower, which improves tracking accuracy, transient speed, and high-frequency resolution. An elliptical diamond profile also traces both sides of the groove more completely than a spherical tip, retrieving more inner-groove detail and reducing distortion on complex passages. In the UltraTracker, the nude elliptical stylus provides a meaningful performance step up over bonded equivalents at its price point.\u003c\/p\u003e\n\n\u003ch3\u003eWhat capacitance setting should I use with the MoFi UltraTracker?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi UltraTracker is specified with a recommended capacitance of 100 pF. This total includes the combined capacitance of your tonearm wiring, phono cable, and phono stage input. If your phono preamplifier offers selectable capacitance loading, set it as close to 100 pF total as possible to achieve the flattest high-frequency response. Exceeding this value significantly can cause a slight treble peak, while too little capacitance may result in a subtly rolled-off top end.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mobile Fidelity UltraTracker in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity UltraTracker is available in Toronto and across Canada through Vinyl Sound, an authorized Mobile Fidelity dealer in Toronto, Canada. Vinyl Sound carries the full MoFi Electronics Tracker Series and can help with tonearm matching, phono stage recommendations, and setup guidance for your system.\u003c\/p\u003e\n\n\u003ch3\u003eIs the MoFi UltraTracker a good upgrade from the StudioTracker?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi UltraTracker is a meaningful step up from the StudioTracker in several key areas. It replaces the StudioTracker's polymer body with a billet aluminum housing milled in the USA for superior resonance damping, adds threaded screw inserts for easier headshell mounting, and upgrades to a nude elliptical diamond stylus with lower tip mass and better groove tracing than the StudioTracker's bonded elliptical. The V-Twin dual-magnet generator is shared across the Tracker Series, but the UltraTracker's aluminum body and nude stylus deliver noticeably tighter bass, a blacker background, and greater fine-detail retrieval on demanding program material.\u003c\/p\u003e\n\n\u003ch3\u003eIs the UltraTracker compatible with most tonearms?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi UltraTracker is compatible with a wide range of tonearms. Its dynamic compliance of 10 x 10e-6 cm\/dyne suits medium-mass tonearms, which are the most common type on contemporary audiophile turntables from brands including Rega, Pro-Ject, and MoFi Electronics themselves. The 9.7 g body weight is typical for cartridges in this class and will balance correctly on any tonearm with standard counterweight capacity.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"UltraTracker Cartridge","offer_id":35595422466216,"sku":"MOFI-UT-C","price":449.0,"currency_code":"CAD","in_stock":true},{"title":"UltraTracker Cartridge with Trade-In","offer_id":35595422498984,"sku":"MOFI-UT-C-TI","price":0.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/MOFIULTRATRACKERCARTRIDGESSIDEVINYLSOUND.jpg?v=1706801074"},{"product_id":"mobile-fidelity-mastertracker-cartridges","title":"Mobile Fidelity Mastertracker Cartridge","description":"\u003ch1\u003eMobile Fidelity MasterTracker MM Phono Cartridge at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe MasterTracker is a dual moving-magnet stereo phono cartridge from Mobile Fidelity (Sebastopol, California, USA), hand-built in Japan and available at Vinyl Sound in Toronto, Canada. Developed in collaboration with Allen Perkins of Spiral Groove, the MasterTracker features a proprietary \u003cstrong\u003eV-Twin dual-magnet generator\u003c\/strong\u003e, a Micro-Linear diamond stylus on a tapered cantilever, and an output of \u003cstrong\u003e3 mV\u003c\/strong\u003e, covering a frequency response of \u003cstrong\u003e20 Hz to 25,000 Hz\u003c\/strong\u003e. Its generator layout mirrors the cutting head of the Mobile Fidelity Sound Lab mastering lathe in Sebastopol, California, making it the only moving-magnet cartridge in its class conceived from the perspective of how records are made. Stereophile awarded the MasterTracker Class B Recommended Component status, and it is the flagship MM cartridge of the MoFi Electronics Tracker Series.\u003c\/p\u003e\n\n\u003ch2\u003eV-Twin Dual-Magnet Generator: Designed Like a Cutting Head\u003c\/h2\u003e\n\u003cp\u003eThe MasterTracker's defining innovation is its V-Twin dual-magnet generator, which mirrors the physical layout of the stereo cutting head used at the Mobile Fidelity Sound Lab mastering studio that produces the label's world-renowned Original Master Recordings. Two low-mass, powerful magnets are aligned in a V formation running parallel with the stereo record grooves, exactly as they are oriented in the cutting stylus that originally inscribed those grooves. This form-follows-function geometry is unique among moving-magnet cartridges and results in a generator that is, in the most literal sense, built to live inside record grooves. The payoff is outstanding channel separation, exceptional detail retrieval, and a direct mechanical relationship between the signal-generating structure and the vinyl it was designed to read. MasterTracker is afforded the lightest-weight magnets of any cartridge in the MoFi Tracker Series, allowing it to achieve the kind of open, dynamic, low-coloration performance more commonly associated with high-end moving-coil designs.\u003c\/p\u003e\n\n\u003ch2\u003eMicro-Linear Stylus, Tapered Cantilever, and Billet Aluminum Body\u003c\/h2\u003e\n\u003cp\u003eThe MasterTracker's trademarked Micro-Linear diamond stylus is shaped to mirror the profile of a mastering lathe's cutting head, allowing it to trace vinyl groove walls with the same geometry used to cut them. A tapered cantilever reduces effective mass toward the stylus tip, improving transient speed and high-frequency accuracy. The cartridge housing is machined from solid billet aluminum in the USA, a construction choice that effectively damps resonance and delivers taut, controlled bass reproduction with no overhang or edge. Ohno continuous-cast copper (OCC) coils provide a low-distortion signal path that preserves low-level detail with a clarity Stereophile's Herb Reichert described as the music-rendering equal of any high-output cartridge at any price. TONEAudio noted that the grain and loss of low-level resolution that affects most MM cartridges regardless of price is remarkably absent in the MasterTracker.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eV-Twin Dual-Magnet Generator:\u003c\/strong\u003e Two low-mass magnets aligned in a V formation parallel with record grooves, mirroring the cutting head layout of the Mobile Fidelity Sound Lab mastering lathe for innate channel separation and groove-matched signal extraction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMicro-Linear Diamond Stylus:\u003c\/strong\u003e A trademarked stylus profile shaped like the cutting head of a record lathe, enabling microscopic groove tracing with exceptional detail retrieval and reduced groove wear.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTapered Cantilever:\u003c\/strong\u003e A cantilever that reduces mass toward the stylus tip, improving tracking speed, transient response, and accuracy at high frequencies.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBillet Aluminum Body (USA-Milled):\u003c\/strong\u003e The cartridge housing is machined from solid aluminum billet in the United States, providing superior resonance damping compared to moulded or cast alternatives, and resulting in tight, edge-free bass reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOhno Continuous Cast Copper Coils:\u003c\/strong\u003e OCC copper wire minimizes grain boundaries in the signal path, preserving micro-detail and lowering distortion across the full frequency range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLightest Magnets in the Tracker Series:\u003c\/strong\u003e The reduced magnet mass allows the generator to respond with the speed, openness, and dynamic range typically reserved for moving-coil designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThreaded Body for Easy Mounting:\u003c\/strong\u003e Threaded screw holes eliminate the need for separate nuts, simplifying installation on any standard headshell or integral tonearm.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHand-Built in Japan:\u003c\/strong\u003e Assembled under strict quality-control conditions in Japan for exacting precision and unit-to-unit consistency across the Tracker Series.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eType\u003c\/td\u003e\n      \u003ctd\u003eDual Magnet (MM) Stereo\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStylus\u003c\/td\u003e\n      \u003ctd\u003eMicro-Linear Diamond\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCantilever\u003c\/td\u003e\n      \u003ctd\u003eTapered\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOutput Voltage\u003c\/td\u003e\n      \u003ctd\u003e3 mV\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Response\u003c\/td\u003e\n      \u003ctd\u003e20 Hz to 25,000 Hz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e9.7 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTracking Force\u003c\/td\u003e\n      \u003ctd\u003e1.8 to 2.2 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eImpedance\u003c\/td\u003e\n      \u003ctd\u003e47 kOhm\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCapacitance\u003c\/td\u003e\n      \u003ctd\u003e100 pF\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStatic Compliance\u003c\/td\u003e\n      \u003ctd\u003e40 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDynamic Compliance\u003c\/td\u003e\n      \u003ctd\u003e10 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCoil Material\u003c\/td\u003e\n      \u003ctd\u003eOhno Continuous Cast Copper (OCC)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eGenerator Type\u003c\/td\u003e\n      \u003ctd\u003eV-Twin Dual-Magnet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBody Material\u003c\/td\u003e\n      \u003ctd\u003eBillet Aluminum (USA-milled)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Assembly\u003c\/td\u003e\n      \u003ctd\u003eJapan\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eClass B Recommended Component, Stereophile (Herb Reichert)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Mobile Fidelity MasterTracker?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity MasterTracker is a dual moving-magnet phono cartridge hand-built in Japan, featuring a V-Twin dual-magnet generator, a Micro-Linear diamond stylus, and a billet aluminum body milled in the USA. It outputs 3 mV across a frequency response of 20 Hz to 25,000 Hz and is the flagship MM cartridge of the MoFi Electronics Tracker Series. Developed with Allen Perkins of Spiral Groove and awarded Stereophile Class B Recommended Component status, it is available in Toronto, Canada through Vinyl Sound.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the MasterTracker compare to the Audio-Technica AT-VM760SLC and Ortofon 2M Black?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi MasterTracker occupies the same flagship MM segment as the Audio-Technica AT-VM760SLC and Ortofon 2M Black, but distinguishes itself through its unique V-Twin dual-magnet generator, which mirrors a mastering lathe's cutting head layout rather than using a conventional single-magnet design. The 2M Black uses a Shibata stylus for extended high-frequency reach, while the AT-VM760SLC employs a Shibata on a VM dual-moving-magnet system. The MasterTracker's Micro-Linear stylus and OCC coils are specifically voiced for the musical character of Mobile Fidelity Sound Lab Original Master Recordings, and Herb Reichert of Stereophile rated it the music-rendering equal of any high-output cartridge at any price.\u003c\/p\u003e\n\n\u003ch3\u003eCan the MasterTracker be used with a standard moving-magnet phono input?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi MasterTracker is fully compatible with any standard moving-magnet phono input. Its 3 mV output and 47 kOhm impedance match the universal MM phono stage specification found on virtually every integrated amplifier, stereo receiver, and dedicated phono preamplifier that includes an MM input. No step-up transformer or dedicated MC phono stage is required, making the MasterTracker one of the easiest high-performance cartridges to integrate into an existing system.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a V-Twin dual-magnet generator and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eA V-Twin dual-magnet generator uses two low-mass magnets aligned in a V formation running parallel with the stereo record grooves, mirroring the orientation of the cutting stylus used to inscribe those grooves on a mastering lathe. Unlike a conventional single-magnet moving-magnet generator, the V-Twin geometry creates a more direct mechanical relationship between the signal-generating structure and the groove walls it reads, resulting in superior channel separation, more accurate stereo imaging, and a closer sonic approximation of the original master recording. Mobile Fidelity developed this layout by studying the cutting head of their own mastering lathe at Mobile Fidelity Sound Lab in Sebastopol, California.\u003c\/p\u003e\n\n\u003ch3\u003eWhat capacitance setting should I use with the MasterTracker?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi MasterTracker is specified with a recommended capacitance of 100 pF. This value includes the combined capacitance of the phono cable and the phono stage input, so the ideal setting on an adjustable phono stage will depend on the capacitance of the tonearm wiring and interconnect in use. Many modern phono preamplifiers offer selectable capacitance; setting as close to 100 pF total as possible will yield the flattest high-frequency response and the most accurate tonal balance from the MasterTracker.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mobile Fidelity MasterTracker in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity MasterTracker is available in Toronto and across Canada through Vinyl Sound, an authorized Mobile Fidelity dealer in Toronto, Canada. Vinyl Sound carries the full MoFi Electronics cartridge lineup and can assist with tonearm compatibility, phono stage matching, and setup guidance for your analog system.\u003c\/p\u003e\n\n\u003ch3\u003eIs the MasterTracker a good match for Mobile Fidelity Original Master Recordings?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi MasterTracker was specifically conceived to play back Mobile Fidelity Original Master Recordings with the greatest possible fidelity. Its V-Twin generator mirrors the cutting head of the Mobile Fidelity Sound Lab mastering lathe, and its Micro-Linear stylus profile is shaped to match the geometry of the cutting stylus used to press those records. The result is a cartridge that extracts groove information with the same mechanical framework used to inscribe it, making the MasterTracker an exceptionally well-matched partner for MoFi LPs and demanding reference pressings alike.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the MasterTracker perform compared to moving-coil cartridges?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi MasterTracker was engineered to close the performance gap between moving-magnet and moving-coil designs. Its V-Twin generator uses the lightest-weight magnets in the MoFi Tracker Series, granting it the openness, dynamic range, and transient speed more commonly associated with low-output MC cartridges. Herb Reichert of Stereophile noted it proved the music-rendering equal of any high-output cartridge at any price, while Jason Thorpe of SoundStage! Ultra highlighted a sophistication that belied its moving-magnet topology. For listeners who want MC-level performance without the need for a dedicated MC phono stage, the MasterTracker is a compelling alternative.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"MasterTracker Cartridge","offer_id":35595577000104,"sku":"MOFI-MT-C","price":799.0,"currency_code":"CAD","in_stock":true},{"title":"MasterTracker Cartridge with Trade-In","offer_id":35595577032872,"sku":"MOFI-MT-C-TI","price":0.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/MOFIMASTERTRACKERCARTRIDGESTOPVINYLSOUND.jpg?v=1706800860"},{"product_id":"mobile-fidelity-ultraphono","title":"Mobile Fidelity Ultraphono Phono Stage","description":"\u003ch1\u003eMobile Fidelity Electronics UltraPhono Phono Stage at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe UltraPhono is a reference-grade phono preamplifier from Mobile Fidelity Electronics (MoFi Electronics, USA), available at Vinyl Sound in Toronto, Canada. Its internal circuitry was developed with the assistance of Tim de Paravicini — the legendary British electronics engineer responsible for designing Mobile Fidelity Sound Lab's Gain2 Ultra Analog cutting system, the mastering chain used to cut MoFi's acclaimed Original Master Recording and UltraDisc One-Step vinyl releases. The UltraPhono brings that same wide-bandwidth transparency to home playback, with \u003cstrong\u003eselectable gain from 40 dB to 66 dB\u003c\/strong\u003e accommodating both moving-magnet and moving-coil cartridges, \u003cstrong\u003eadjustable loading from 75 ohms to 47 kilohms\u003c\/strong\u003e for precise cartridge matching, and a built-in \u003cstrong\u003eClass A headphone amplifier\u003c\/strong\u003e delivering up to 8V RMS with a 31-step volume control. An external power supply isolates the sensitive analog circuitry from mains-borne noise, and switchable mono mode and a subsonic filter complete a feature set designed to serve serious vinyl playback at the highest level.\u003c\/p\u003e\n\n\u003ch2\u003eTim de Paravicini Circuitry and Wide-Bandwidth Design\u003c\/h2\u003e\n\u003cp\u003eThe defining characteristic of the UltraPhono is its lineage: Tim de Paravicini, whose work on the MoFi Gain2 Ultra Analog cutting lathe established the signal chain through which Mobile Fidelity's most celebrated vinyl pressings were created, contributed directly to the UltraPhono's internal circuit topology. The goal was to replicate at the playback stage the same wide-bandwidth transparency that MoFi's mastering engineers require when cutting lacquers — a standard that demands vanishingly low noise, accurate RIAA equalization, and the ability to resolve the full dynamic and tonal content buried in the groove without editorial coloration. THD measures below 0.006% in moving-magnet mode and below 0.055% in moving-coil mode, confirming that the UltraPhono's amplification stages introduce minimal harmonic distortion across the gain range. Four gain settings — 40 dB, 46 dB, 60 dB, and 66 dB — cover the output range of virtually every moving-magnet and moving-coil cartridge in current production, from high-output MM designs at 5mV and above to the lowest-output MC cartridges at 0.2mV and below.\u003c\/p\u003e\n\n\u003ch2\u003eAdjustable Loading, Subsonic Filter, Mono Mode, and External Power Supply\u003c\/h2\u003e\n\u003cp\u003eCartridge loading is fully adjustable for moving-coil cartridges across six settings — 75, 100, 500, 1000, 10,000, and 47,000 ohms — allowing the UltraPhono to be tuned to the optimal termination impedance for any MC cartridge, which directly affects frequency response, channel balance, and the dynamic character of the cartridge's output. Moving-magnet cartridges are fixed at the industry-standard 47,000-ohm load with 100pF input capacitance. A switchable subsonic filter attenuates low-frequency rumble below the audio band — warp frequencies and turntable bearing noise — preventing woofer over-excursion and intermodulation distortion that subsonic energy causes in the downstream amplifier and loudspeakers. A mono mode switch sums the left and right channels electrically, enabling proper playback of mono LPs without the channel-difference noise and lateral groove noise that stereo playback of a mono record introduces. The external power supply separates the mains conversion stage from the phono and headphone amplifier circuits, eliminating the most significant source of noise ingress in phono stage design and providing a regulated, clean DC feed to the sensitive low-level gain stages inside the UltraPhono chassis.\u003c\/p\u003e\n\n\u003ch2\u003eClass A Headphone Amplifier\u003c\/h2\u003e\n\u003cp\u003eThe UltraPhono incorporates a dedicated Class A headphone amplifier stage — a circuit topology in which the output devices conduct continuously throughout the full signal cycle rather than switching on and off, eliminating the crossover distortion that characterizes Class AB designs. With a maximum output of 8V RMS at 62 ohms and 1.5 watts per channel, the headphone amplifier drives demanding high-impedance headphones — including planar magnetic designs and 300-ohm dynamic transducers — to reference listening levels without clipping or compression. Volume is controlled in 31 discrete 2 dB steps across a 62 dB range for precise level setting, and a mute switch provides at least minus 90 dB of attenuation for silent source switching. Minimum recommended headphone impedance is 10 ohms, making the UltraPhono compatible with virtually all current headphone designs from sensitive in-ear monitors to full-size open-back reference headphones.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTim de Paravicini Circuit Assistance:\u003c\/strong\u003e Internal circuitry developed with input from Tim de Paravicini, the engineer behind MoFi's Gain2 Ultra Analog cutting system, replicating the wide-bandwidth transparency of the MoFi mastering chain in a home phono stage.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFour Selectable Gain Settings:\u003c\/strong\u003e 40 dB, 46 dB, 60 dB, and 66 dB cover the full output range of moving-magnet and moving-coil cartridges from high-output MM to ultra-low-output MC designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSix MC Loading Options:\u003c\/strong\u003e Moving-coil cartridge loading adjustable across 75, 100, 500, 1000, 10,000, and 47,000 ohms for optimal cartridge termination and frequency response tuning.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e47,000-Ohm MM Loading with 100pF Input Capacitance:\u003c\/strong\u003e Standard moving-magnet termination at the industry-accepted values for accurate frequency response and compatibility with all MM cartridges.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eClass A Headphone Amplifier:\u003c\/strong\u003e A dedicated Class A output stage delivers up to 8V RMS and 1.5 watts per channel into a 62-ohm load, driving high-impedance and planar magnetic headphones to reference levels without crossover distortion.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e31-Step Volume Control:\u003c\/strong\u003e Discrete 2 dB per step attenuation across a 62 dB range provides precise, repeatable headphone level setting without channel imbalance at low volumes.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMute Switch with Minus 90 dB Attenuation:\u003c\/strong\u003e A deep mute function allows silent source switching and system changes without audible signal breakthrough.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSwitchable Subsonic Filter:\u003c\/strong\u003e Attenuates warp and rumble frequencies below the audio band to prevent woofer over-excursion and downstream intermodulation distortion.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMono Mode Switch:\u003c\/strong\u003e Electrically sums left and right channels for proper mono LP playback, eliminating channel-difference and lateral groove noise inherent in stereo playback of mono records.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExternal Power Supply:\u003c\/strong\u003e A separate power supply chassis isolates mains conversion noise from the phono and headphone amplifier circuits for a lower noise floor and cleaner analog output.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTHD Below 0.006% MM \/ 0.055% MC:\u003c\/strong\u003e Low harmonic distortion figures across both cartridge modes confirm minimal coloration from the gain stages across the full operating range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompatible with Headphones from 10 Ohms and Above:\u003c\/strong\u003e Wide impedance compatibility accommodates everything from sensitive in-ear monitors to full-size 300-ohm reference headphones.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eGain Settings\u003c\/td\u003e\n      \u003ctd\u003e40 dB, 46 dB, 60 dB, 66 dB (selectable)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTHD (MM)\u003c\/td\u003e\n      \u003ctd\u003eLess than 0.006%\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTHD (MC)\u003c\/td\u003e\n      \u003ctd\u003eLess than 0.055%\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMM Load Impedance\u003c\/td\u003e\n      \u003ctd\u003e47,000 Ohms\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMC Load Impedance Options\u003c\/td\u003e\n      \u003ctd\u003e75, 100, 500, 1,000, 10,000, 47,000 Ohms\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eInput Capacitance\u003c\/td\u003e\n      \u003ctd\u003e100 pF\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eHeadphone Output\u003c\/td\u003e\n      \u003ctd\u003e8V RMS maximum, 62 Ohms, 1.5 watts per channel\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eHeadphone Volume Control\u003c\/td\u003e\n      \u003ctd\u003e31 steps, 2 dB per step, 62 dB total range\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMute Switch Attenuation\u003c\/td\u003e\n      \u003ctd\u003eMinus 90 dB minimum\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMinimum Headphone Impedance\u003c\/td\u003e\n      \u003ctd\u003e10 Ohms\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eHeadphone Amplifier Class\u003c\/td\u003e\n      \u003ctd\u003eClass A\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSubsonic Filter\u003c\/td\u003e\n      \u003ctd\u003eSwitchable\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMono Mode\u003c\/td\u003e\n      \u003ctd\u003eSwitchable\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePower Supply\u003c\/td\u003e\n      \u003ctd\u003eExternal (included)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCircuit Designer\u003c\/td\u003e\n      \u003ctd\u003eTim de Paravicini (assisted)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eManufacturer\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics (MoFi Electronics), USA\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi Electronics UltraPhono?\u003c\/h3\u003e\n\u003cp\u003eThe UltraPhono is a reference-grade phono preamplifier from Mobile Fidelity Electronics, with internal circuitry developed in collaboration with Tim de Paravicini — the engineer behind MoFi's Gain2 Ultra Analog cutting system. It offers selectable gain from 40 dB to 66 dB for both MM and MC cartridges, six MC loading options from 75 to 47,000 ohms, a switchable subsonic filter, mono mode, an external power supply, and a built-in Class A headphone amplifier delivering 8V RMS and 1.5 watts per channel with a 31-step volume control. It is available at Vinyl Sound in Toronto, Canada.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the UltraPhono compare to the Musical Fidelity M6 Vinyl and the Parks Audio Budgie?\u003c\/h3\u003e\n\u003cp\u003eThe UltraPhono holds meaningful advantages over both competitors. Against the Musical Fidelity M6 Vinyl, a dual-mono phono stage with fixed MM and MC gain stages and a separate power supply, the UltraPhono adds a built-in Class A headphone amplifier with 1.5 watts per channel — an entire second component's worth of functionality — plus Tim de Paravicini's circuit involvement and direct lineage to the MoFi mastering chain that cut the records the stage is designed to play. Against the Parks Audio Budgie, a tube-based MM-only phono stage without MC capability or headphone output, the UltraPhono offers full MM and MC compatibility across four gain settings, six MC loading options, mono mode, and subsonic filtering in a solid-state design with measured THD below 0.006% in MM mode. Neither competitor combines the Gain2 mastering heritage, Class A headphone amplification, full MM and MC flexibility, and an external power supply in a single chassis at the UltraPhono's specification level.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does Tim de Paravicini's involvement mean for the UltraPhono?\u003c\/h3\u003e\n\u003cp\u003eTim de Paravicini was one of the most respected analog electronics engineers of the modern era, responsible for designing amplifiers, tape machines, and cutting systems for clients including EAR Yoshino, Esoteric Audio Research, and Mobile Fidelity Sound Lab. His work on MoFi's Gain2 Ultra Analog cutting system established the mastering signal chain used to produce MoFi's Original Master Recording and UltraDisc One-Step vinyl pressings. His assistance with the UltraPhono's circuit topology means the stage is designed to the same wide-bandwidth, low-coloration standard that MoFi's mastering engineers require when cutting lacquers — a benchmark derived from professional mastering practice rather than consumer audio convention.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I choose the right gain setting on the UltraPhono for my cartridge?\u003c\/h3\u003e\n\u003cp\u003eThe correct gain setting on the UltraPhono depends on the output voltage of the cartridge in use and the sensitivity of the connected integrated amplifier or preamplifier. Moving-magnet cartridges typically output between 3mV and 6mV and work best with the 40 dB or 46 dB settings, which bring the signal to a standard line-level output without over-driving the downstream component. High-output moving-coil cartridges outputting 1.5mV to 2.5mV also suit the 40 dB or 46 dB settings. Low-output MC cartridges outputting 0.2mV to 0.5mV require the 60 dB or 66 dB settings to reach the same line level. MoFi Electronics' cartridge loading guide, included with the UltraPhono, provides a reference table matching gain and loading settings to specific cartridge models.\u003c\/p\u003e\n\n\u003ch3\u003eCan the UltraPhono drive planar magnetic headphones?\u003c\/h3\u003e\n\u003cp\u003eYes, the UltraPhono's Class A headphone amplifier delivers up to 8V RMS and 1.5 watts per channel, providing sufficient voltage swing and current output to drive most planar magnetic headphones to reference listening levels. Planar magnetic designs from Audeze, HiFiMAN, and Meze Audio — which typically present impedances between 20 and 100 ohms and require more current than high-impedance dynamic headphones — fall well within the UltraPhono's minimum 10-ohm impedance specification and output power capability. The 31-step volume control provides precise level setting without the channel imbalance that resistive volume controls exhibit at low attenuation levels.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the subsonic filter on the UltraPhono and when should I use it?\u003c\/h3\u003e\n\u003cp\u003eThe subsonic filter on the UltraPhono attenuates very low frequency energy — typically below 20 Hz — that enters the phono signal chain as warp noise, turntable bearing rumble, and acoustic feedback. This infrasonic content is inaudible directly but causes the woofers of loudspeakers to move visibly and consumes amplifier headroom, raising the noise floor and introducing intermodulation distortion that masks musical detail in the audible band. The subsonic filter should be engaged when playing warped records, when using a turntable in a room with significant floor-borne vibration, or whenever visible woofer movement is observed during playback. For flat, well-pressed records on a well-isolated turntable, the filter can be switched out to preserve the widest possible bandwidth.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi Electronics UltraPhono in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Electronics UltraPhono phono stage is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer in Toronto, Canada. Vinyl Sound carries the complete MoFi Electronics electronics lineup and can assist customers across Toronto and Canada with cartridge and turntable matching, gain and loading configuration advice, and system integration for both analog and headphone listening setups.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the UltraPhono work as a standalone headphone amplifier without a turntable?\u003c\/h3\u003e\n\u003cp\u003eThe UltraPhono's headphone amplifier is integrated into the phono stage chassis and operates in conjunction with the phono circuitry rather than as a fully independent line-level headphone amplifier. It is designed primarily to allow intimate headphone listening from a vinyl source without requiring a separate headphone amplifier component. For headphone listening from digital sources — a DAC, streamer, or CD player — a dedicated headphone amplifier or the headphone output of an integrated amplifier would be the more appropriate solution, and Vinyl Sound in Toronto can advise on suitable pairings for a complete analog and digital headphone system built around MoFi Electronics components.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Default Title","offer_id":35596285771944,"sku":"MOFI-UP","price":699.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/MOBILEFIDELITYULTRAPHONOPHONOSTAGESFRONTVINYLSOUND.jpg?v=1706800653"},{"product_id":"mobile-fidelity-studiophono-phonostages","title":"Mobile Fidelity Studiophono Phono Stage","description":"\u003ch1\u003eMobile Fidelity Electronics StudioPhono Phono Stage at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe StudioPhono is a high-performance phono preamplifier from Mobile Fidelity Electronics (MoFi Electronics, USA), available at Vinyl Sound in Toronto, Canada. Like its sibling the UltraPhono, its internal circuitry was developed with the assistance of Tim de Paravicini — the legendary British electronics engineer behind Mobile Fidelity Sound Lab's Gain2 Ultra Analog cutting system, the mastering chain used to produce MoFi's Original Master Recording and UltraDisc One-Step vinyl pressings. The StudioPhono brings that same wide-bandwidth mastering-grade transparency to home analog playback, with \u003cstrong\u003eselectable gain from 40 dB to 66 dB\u003c\/strong\u003e for both moving-magnet and moving-coil cartridges, \u003cstrong\u003esix MC loading options from 75 to 47,000 ohms\u003c\/strong\u003e, a switchable subsonic filter, mono mode, and an \u003cstrong\u003eexternal power supply\u003c\/strong\u003e that isolates the sensitive gain stages from mains-borne interference. THD measures below 0.01% in MM mode and below 0.012% in MC mode, reflecting a phono stage engineered to resolve the full content of the groove without editorial coloration.\u003c\/p\u003e\n\n\u003ch2\u003eTim de Paravicini Circuit Design and Mastering-Grade Transparency\u003c\/h2\u003e\n\u003cp\u003eThe StudioPhono shares its core design philosophy with the UltraPhono: both were developed with circuit input from Tim de Paravicini, whose work on the MoFi Gain2 Ultra Analog cutting lathe established the signal standard against which MoFi's most celebrated vinyl pressings were created. The goal in both cases is to replicate at the playback stage the wide-bandwidth, low-noise transparency that MoFi mastering engineers require when cutting lacquers from original master tapes — a standard that demands accurate RIAA equalization, minimal gain stage coloration, and the ability to resolve low-level musical detail without obscuring it in noise or harmonic distortion. The StudioPhono delivers THD below 0.01% in moving-magnet mode and below 0.012% in moving-coil mode, figures that confirm the amplification stages introduce negligible harmonic distortion across the full gain range. Four selectable gain settings — 40 dB, 46 dB, 60 dB, and 66 dB — accommodate the output range of virtually every MM and MC cartridge in current production, from standard high-output moving-magnet designs at 4mV to 6mV through to ultra-low-output moving-coil cartridges at 0.2mV and below.\u003c\/p\u003e\n\n\u003ch2\u003eAdjustable Loading, Mono Mode, Subsonic Filter, and External Power Supply\u003c\/h2\u003e\n\u003cp\u003eMoving-coil cartridge loading is adjustable across six discrete settings — 75, 100, 500, 1,000, 10,000, and 47,000 ohms — allowing the StudioPhono to be tuned to the optimal termination impedance for any MC cartridge. Load impedance directly affects the frequency response, channel balance, and dynamic character of a moving-coil cartridge's output, and having six options ensures the StudioPhono can be matched precisely to cartridges across the full range of MC designs from low-impedance moving-coil to high-impedance designs that prefer a near-MM loading. Moving-magnet cartridges operate at the fixed industry-standard 47,000-ohm load with 100pF input capacitance. A switchable subsonic filter attenuates warp noise and turntable bearing rumble below the audio band, preventing woofer over-excursion and intermodulation distortion that infrasonic energy causes in the downstream amplifier and loudspeakers. Mono mode sums the left and right channels electrically, enabling accurate playback of mono LPs without the channel-difference noise and lateral groove noise that stereo playback of a mono record introduces. The external power supply separates mains conversion from the phono amplifier circuit, eliminating the primary source of noise ingress in sensitive low-level phono stage design and delivering a clean, regulated DC feed to the gain stages.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTim de Paravicini Circuit Assistance:\u003c\/strong\u003e Internal circuitry developed with input from Tim de Paravicini, the engineer behind MoFi's Gain2 Ultra Analog cutting system, bringing mastering-grade wide-bandwidth transparency to home phono playback.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFour Selectable Gain Settings:\u003c\/strong\u003e 40 dB, 46 dB, 60 dB, and 66 dB accommodate moving-magnet and moving-coil cartridges across the full range of output voltages in current production.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSix MC Loading Options:\u003c\/strong\u003e Moving-coil loading adjustable across 75, 100, 500, 1,000, 10,000, and 47,000 ohms for precise cartridge termination and frequency response optimization.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e47,000-Ohm MM Loading with 100pF Input Capacitance:\u003c\/strong\u003e Industry-standard moving-magnet termination for accurate frequency response and compatibility with all MM cartridges.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSwitchable Subsonic Filter:\u003c\/strong\u003e Attenuates warp noise and turntable rumble below the audio band to prevent woofer over-excursion and downstream intermodulation distortion.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMono Mode Switch:\u003c\/strong\u003e Electrically sums left and right channels for accurate mono LP playback, eliminating channel-difference and lateral groove noise inherent in stereo playback of mono records.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExternal Power Supply:\u003c\/strong\u003e A separate power supply chassis isolates mains conversion noise from the phono amplifier circuit for a lower noise floor and cleaner analog output.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTHD Below 0.01% MM \/ 0.012% MC:\u003c\/strong\u003e Low harmonic distortion across both cartridge modes confirms minimal coloration from the gain stages throughout the full operating range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCompatible with MM and MC Cartridges:\u003c\/strong\u003e Full MM and MC support in a single chassis eliminates the need for a separate step-up transformer or MC head amplifier.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMoFi Mastering Heritage:\u003c\/strong\u003e Designed to the transparency standard of Mobile Fidelity Sound Lab's studio chain, making it a natural partner for MoFi Original Master Recording and UltraDisc One-Step vinyl pressings.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eGain Settings\u003c\/td\u003e\n      \u003ctd\u003e40 dB, 46 dB, 60 dB, 66 dB (selectable)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTHD (MM)\u003c\/td\u003e\n      \u003ctd\u003eLess than 0.01%\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTHD (MC)\u003c\/td\u003e\n      \u003ctd\u003eLess than 0.012%\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMM Load Impedance\u003c\/td\u003e\n      \u003ctd\u003e47,000 Ohms\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMC Load Impedance Options\u003c\/td\u003e\n      \u003ctd\u003e75, 100, 500, 1,000, 10,000, 47,000 Ohms\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eInput Capacitance\u003c\/td\u003e\n      \u003ctd\u003e100 pF\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSubsonic Filter\u003c\/td\u003e\n      \u003ctd\u003eSwitchable\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMono Mode\u003c\/td\u003e\n      \u003ctd\u003eSwitchable\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePower Supply\u003c\/td\u003e\n      \u003ctd\u003eExternal (included)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCircuit Designer\u003c\/td\u003e\n      \u003ctd\u003eTim de Paravicini (assisted)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eManufacturer\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics (MoFi Electronics), USA\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi Electronics StudioPhono?\u003c\/h3\u003e\n\u003cp\u003eThe StudioPhono is a phono preamplifier from Mobile Fidelity Electronics, with internal circuitry developed in collaboration with Tim de Paravicini — the engineer behind MoFi's Gain2 Ultra Analog cutting system. It supports both moving-magnet and moving-coil cartridges with four selectable gain settings from 40 dB to 66 dB, six MC loading options from 75 to 47,000 ohms, a switchable subsonic filter, mono mode, and an external power supply. THD measures below 0.01% in MM mode and below 0.012% in MC mode. It is available at Vinyl Sound in Toronto, Canada.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the difference between the StudioPhono and the UltraPhono?\u003c\/h3\u003e\n\u003cp\u003eThe StudioPhono and UltraPhono share the same Tim de Paravicini circuit heritage, identical gain settings, identical MC loading options, identical subsonic filter and mono mode switches, and identical external power supply topology. The primary difference is that the UltraPhono adds a built-in Class A headphone amplifier delivering up to 8V RMS and 1.5 watts per channel with a 31-step volume control and mute switch — a complete second component integrated into the same chassis. The UltraPhono also achieves marginally lower THD figures of below 0.006% in MM mode versus the StudioPhono's below 0.01%, and below 0.055% in MC mode versus below 0.012%. The StudioPhono is the more focused, phono-only solution for listeners who have a separate headphone amplifier or do not require headphone listening from their analog source.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the StudioPhono compare to the Pro-Ject Phono Box DS3 B and the iFi Audio ZEN Phono?\u003c\/h3\u003e\n\u003cp\u003eThe StudioPhono holds clear advantages in circuit pedigree and feature depth over both competitors. Against the Pro-Ject Phono Box DS3 B, which offers MM and MC support with adjustable loading and a built-in rechargeable battery power supply, the StudioPhono counters with Tim de Paravicini's direct circuit involvement, a mono mode switch absent from the DS3 B, and the direct lineage to MoFi's mastering chain that no Pro-Ject product can claim. Against the iFi Audio ZEN Phono, a compact MM and MC stage with three gain settings and switchable loading, the StudioPhono offers a fourth gain setting for finer cartridge matching, six MC loading options versus the ZEN Phono's fewer choices, an external rather than internal power supply for lower noise, and mono mode for accurate playback of vintage mono LPs. Neither competitor can trace its circuit topology to the engineer who designed the mastering system used to cut the records the stage is intended to play.\u003c\/p\u003e\n\n\u003ch3\u003eHow do I select the correct gain setting on the StudioPhono?\u003c\/h3\u003e\n\u003cp\u003eThe correct gain setting on the StudioPhono depends on the output voltage of the cartridge and the input sensitivity of the connected amplifier. Moving-magnet cartridges outputting 3mV to 6mV and high-output MC cartridges outputting 1.5mV to 2.5mV are best served by the 40 dB or 46 dB settings, which bring the phono signal to a standard line level without over-driving the downstream component. Low-output MC cartridges outputting 0.4mV to 1mV typically suit the 60 dB setting, while ultra-low-output MC cartridges below 0.3mV require the 66 dB setting. MoFi Electronics provides a cartridge loading guide that cross-references gain and loading settings against specific cartridge models, and Vinyl Sound in Toronto can assist with gain configuration for any cartridge and system combination.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does the mono mode switch do on the StudioPhono?\u003c\/h3\u003e\n\u003cp\u003eThe mono mode switch on the StudioPhono electrically sums the left and right input channels into a single mono signal before amplification, which is the correct way to play mono LP records pressed before approximately 1968. Mono records were cut with a purely lateral groove modulation and contain identical information in both channels, so playing them in stereo causes channel-difference noise — any slight difference between the two cartridge channels — to become audible as added noise and coloration. Summing the channels mono eliminates this channel-difference noise and also cancels vertical groove noise and stylus irregularities that are common-mode between channels, producing a quieter, cleaner playback of mono records than stereo mode can achieve.\u003c\/p\u003e\n\n\u003ch3\u003eWhen should I use the subsonic filter on the StudioPhono?\u003c\/h3\u003e\n\u003cp\u003eThe subsonic filter on the StudioPhono should be engaged when playing warped records, when the turntable is subject to floor-borne vibration, or when visible woofer pumping is observed during playback. Warp frequencies and turntable bearing rumble typically occupy the 2 Hz to 15 Hz range — well below the audible threshold — but cause woofers to move through large excursions that consume amplifier headroom and generate intermodulation distortion products that fall within the audible band and mask fine musical detail. The filter attenuates this infrasonic content before it reaches the amplifier and loudspeakers. For flat, well-pressed records on a well-isolated turntable such as the MoFi MasterDeck or UltraDeck, the filter can be switched out to preserve the widest possible low-frequency bandwidth.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi Electronics StudioPhono in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Electronics StudioPhono phono stage is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer in Toronto, Canada. Vinyl Sound carries the complete MoFi Electronics analog electronics lineup — including the StudioPhono, UltraPhono, MasterPhono, and the full turntable range — and can assist customers across Toronto and Canada with cartridge matching, gain and loading configuration, and complete analog system integration.\u003c\/p\u003e\n\n\u003ch3\u003eIs the StudioPhono suitable for playing MoFi UltraDisc One-Step records?\u003c\/h3\u003e\n\u003cp\u003eYes, the StudioPhono is an ideal partner for MoFi UltraDisc One-Step pressings. Its Tim de Paravicini circuit heritage and wide-bandwidth design philosophy are rooted in the same mastering standard used to cut UltraDisc One-Step lacquers, meaning the StudioPhono is voiced to preserve exactly the resolution and tonal character that MoFi's mastering engineers encoded into those pressings. Combined with a MoFi turntable — the UltraDeck or MasterDeck — and a compatible moving-magnet or moving-coil cartridge, the StudioPhono forms a coherent source-to-output chain aligned with Mobile Fidelity's studio heritage from the original master tape to the listening room.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Default Title","offer_id":35596447678632,"sku":"MOFI-SP","price":499.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/MOBILEFIDELITYSTUDIOPHONOPHONOSTAGESFRONTVINYLSOUND.jpg?v=1706800716"},{"product_id":"mobile-fidelity-super-heavyweight-champion","title":"Mobile Fidelity Super Heavyweight Accessories","description":"\u003ch1\u003eMobile Fidelity Super HeavyWeight Noise Dissipation Record Weight at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe Super HeavyWeight is a universal noise-dissipation record weight from Mobile Fidelity (USA), developed with Mike Latvis of Harmonic Resolution Systems (HRS), and available at Vinyl Sound in Toronto, Canada. Unlike conventional record weights that simply couple an LP to the platter, the Super HeavyWeight actively drains groove noise, motor vibration, and bearing resonance away from the stylus during playback. Weighing \u003cstrong\u003e367.4 g\u003c\/strong\u003e and built from \u003cstrong\u003ebillet-machined 6061 aluminum\u003c\/strong\u003e with a proprietary HRS noise-absorbing polymer interior, it is the universal-compatibility model in the MoFi Electronics record weight lineup, optimized to deliver maximum noise reduction without placing any strain on the motor, bearing, or suspension of virtually any turntable. Thom Moon of SoundStage! Access noted it consistently delivered greater solidity and dead-silent backgrounds across multiple turntable and LP combinations.\u003c\/p\u003e\n\n\u003ch2\u003eActive Noise Dissipation: The HRS Polymer Technology\u003c\/h2\u003e\n\u003cp\u003eThe Super HeavyWeight was conceived with Mike Latvis of Harmonic Resolution Systems, the Buffalo, New York company whose isolation platforms and damping technologies are found in some of the most demanding audiophile and professional audio installations in the world. At the core of the Super HeavyWeight is Latvis' proprietary polymer material, engineered specifically for its exceptional noise-absorption characteristics. Rather than merely pressing the LP against the platter, the HRS polymer actively absorbs and dissipates three distinct sources of noise that degrade vinyl playback: groove noise generated by stylus-groove contact, motor vibration conducted through the platter bearing, and bearing resonance that would otherwise be transmitted back into the record. The result is a substantially blacker background between musical events, revealing increased inner detail, improved clarity, enhanced microdynamics, and greater bass impact that a conventional coupling weight cannot achieve.\u003c\/p\u003e\n\n\u003ch2\u003eBillet 6061 Aluminum Shell and Universal Compatibility\u003c\/h2\u003e\n\u003cp\u003eThe outer shell of the Super HeavyWeight is machined from billet 6061 aluminum, the same aerospace-grade alloy used throughout high-performance audio manufacturing for its rigidity and low intrinsic resonance. The machined exterior provides a secure, confident grip for placement and removal without slipping. The 367.4 g total mass was carefully calculated to deliver the HRS polymer's full noise-dissipation benefit while remaining within the load tolerance of virtually every turntable motor, platter bearing, and suspension system on the market, from entry-level belt-drive designs to heavy reference decks. The non-threaded drop-on design requires no tools, clamps, or adapters, making the Super HeavyWeight immediately usable on any spindle-equipped platter. A soft polymer underside ensures the weight makes firm, stable contact with the LP label area without risk of scratching or damage.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDeveloped with Mike Latvis of Harmonic Resolution Systems (HRS):\u003c\/strong\u003e Co-designed with the founder of HRS, whose vibration isolation and noise-damping technology sets the standard for high-performance audio accessories worldwide.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eProprietary HRS Noise-Absorbing Polymer Core:\u003c\/strong\u003e Latvis' proprietary polymer material actively absorbs and dissipates groove noise, motor vibration, and bearing resonance, going far beyond the coupling function of a conventional record weight.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e367.4 g Optimized Mass for Universal Compatibility:\u003c\/strong\u003e Precisely calculated to deliver maximum noise-dissipation performance without placing strain on the motor, bearing, or suspension of any turntable, from entry-level to reference designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBillet-Machined 6061 Aluminum Outer Shell:\u003c\/strong\u003e An aerospace-grade aluminum enclosure machines to a rigid, resonance-resistant form with an easy-grip exterior surface for safe, confident handling.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUniversal Non-Threaded Drop-On Design:\u003c\/strong\u003e Drops directly onto any standard turntable spindle with no tools, clamps, or adapters required, making it compatible with all makes and models of turntable.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLabel-Safe Soft Polymer Underside:\u003c\/strong\u003e A soft polymer contact surface protects LP labels from abrasion or damage during every listening session.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAudible Improvements Across All Turntables:\u003c\/strong\u003e Designed to pay instant sonic dividends regardless of turntable brand, price level, or platter material, delivering blacker backgrounds, increased inner detail, and greater bass impact on any compatible system.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e367.4 g (12.96 oz)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDiameter\u003c\/td\u003e\n      \u003ctd\u003e76.2 mm (3.0 inches)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eHeight\u003c\/td\u003e\n      \u003ctd\u003e34.4 mm (1.355 inches)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMaximum Spindle Allowance\u003c\/td\u003e\n      \u003ctd\u003e7\/8 inch\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOuter Shell Material\u003c\/td\u003e\n      \u003ctd\u003eBillet-Machined 6061 Aluminum\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eInternal Damping Core\u003c\/td\u003e\n      \u003ctd\u003eProprietary HRS Noise-Absorbing Polymer\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eUnderside Material\u003c\/td\u003e\n      \u003ctd\u003eSoft Polymer (Label-Safe)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMounting Type\u003c\/td\u003e\n      \u003ctd\u003eUniversal Non-Threaded Drop-On\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTurntable Compatibility\u003c\/td\u003e\n      \u003ctd\u003eUniversal (all makes and models)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCo-Developed With\u003c\/td\u003e\n      \u003ctd\u003eMike Latvis, Harmonic Resolution Systems (HRS)\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Mobile Fidelity Super HeavyWeight?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity Super HeavyWeight is a 367.4 g noise-dissipation record weight co-developed with Mike Latvis of Harmonic Resolution Systems (HRS), featuring a proprietary HRS noise-absorbing polymer core inside a billet 6061 aluminum shell. It is the universal-compatibility model in the MoFi Electronics record weight lineup, designed for use with all makes of turntable, and delivers blacker backgrounds, increased inner detail, improved clarity, and greater bass impact beyond what conventional coupling weights achieve. Available in Toronto, Canada through Vinyl Sound.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Super HeavyWeight differ from the Super HeavyWeight Champion?\u003c\/h3\u003e\n\u003cp\u003eBoth the Super HeavyWeight and the Super HeavyWeight Champion use Mike Latvis' proprietary HRS polymer technology and share the same billet 6061 aluminum outer shell design. The key difference is mass and target application. The Super HeavyWeight weighs 367.4 g and is optimized for universal turntable compatibility, including entry-level and mid-range designs whose motors and bearings may not tolerate a heavier load. The Super HeavyWeight Champion weighs 495 g, features eight separate internal polymer chambers for increased damping surface area, and is specifically designed for mid-to-high-mass platters of approximately 5 lbs or heavier, where its greater mass unlocks a higher level of noise reduction.\u003c\/p\u003e\n\n\u003ch3\u003eWill the Super HeavyWeight work with my turntable?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Super HeavyWeight is designed for universal turntable compatibility and will work with virtually any spindle-equipped turntable. Its 367.4 g mass was specifically chosen as the optimum weight for delivering meaningful noise reduction without placing any strain on the motor, bearing, or suspension of any turntable, from affordable belt-drive designs to high-mass reference decks. The non-threaded drop-on design fits any standard spindle up to 7\/8 inch in diameter and requires no tools or adapters.\u003c\/p\u003e\n\n\u003ch3\u003eWhat types of noise does the Super HeavyWeight reduce?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Super HeavyWeight targets three distinct noise sources that degrade vinyl playback. First, groove noise: the mechanical friction and micro-resonance generated at the stylus-groove interface. Second, motor noise: vibration transmitted from the turntable's drive motor through the platter bearing and into the record. Third, bearing noise: resonance produced within the platter bearing itself during rotation. The HRS polymer core absorbs and dissipates all three, resulting in the blacker backgrounds, increased inner detail, enhanced microdynamics, and stronger bass definition that SoundStage! Access reviewer Thom Moon observed consistently across multiple LP and turntable combinations.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the Super HeavyWeight damage LP labels?\u003c\/h3\u003e\n\u003cp\u003eNo, the Mobile Fidelity Super HeavyWeight will not damage LP labels. The underside is finished in soft polymer rather than bare metal or hard plastic, making the contact surface between the weight and the record label non-abrasive and non-adhesive. The weight can be placed and removed safely on any standard 12-inch LP without risk of scratching, peeling, or leaving any residue on the label area.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mobile Fidelity Super HeavyWeight in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity Super HeavyWeight is available in Toronto and across Canada through Vinyl Sound, an authorized Mobile Fidelity dealer in Toronto, Canada. Vinyl Sound carries both the Super HeavyWeight and the heavier Super HeavyWeight Champion, and can advise on which model is the better match for your specific turntable and listening priorities.\u003c\/p\u003e\n\n\u003ch3\u003eIs the Super HeavyWeight worth using on an entry-level turntable?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi Super HeavyWeight is designed to deliver audible improvements on any turntable, including entry-level models. Its 367.4 g mass is calculated precisely to stay within the load tolerance of motors, bearings, and suspensions across the full range of turntable designs, and the HRS polymer noise-absorption technology operates independently of platter mass or material. Users upgrading from Pro-Ject, Rega, Audio-Technica, and similar entry-level and mid-range turntables have reported consistent improvements in background silence and bass definition comparable to those documented by Thom Moon of SoundStage! Access during his evaluation on the MoFi StudioDeck.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Default Title","offer_id":35596524650664,"sku":"MOFI-SHW","price":299.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/MOBILEFIDELITYSUPERHEAVYWEIGHTSIDEACCESSORIESVINYLSOUND.jpg?v=1619729490"},{"product_id":"mobile-fidelity-super-heavyweight-champion-noise-dissipation-record-weight","title":"Mobile Fidelity Super Heavyweight Champion Noise Dissipation Record Weight","description":"\u003ch1\u003eMobile Fidelity Super HeavyWeight Champion Noise Dissipation Record Weight at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe Super HeavyWeight Champion is a premium noise-dissipation record weight from Mobile Fidelity (USA), developed in collaboration with Mike Latvis of Harmonic Resolution Systems (HRS), and available at Vinyl Sound in Toronto, Canada. Engineered specifically for mid-to-high-mass turntable platters, it goes far beyond the coupling function of a conventional record weight by actively draining groove, motor, and bearing noise away from the stylus during playback. Weighing \u003cstrong\u003e495 g\u003c\/strong\u003e and machined from \u003cstrong\u003ebillet 6061 aluminum\u003c\/strong\u003e with a proprietary HRS polymer core containing \u003cstrong\u003eeight separate damping chambers\u003c\/strong\u003e, the Super HeavyWeight Champion delivers blacker backgrounds, improved clarity, enhanced microdynamics, and greater bass impact. Its non-threaded drop-on design and label-safe soft polymer underside make it immediately compatible with virtually any spindle-equipped turntable platter of sufficient mass.\u003c\/p\u003e\n\n\u003ch2\u003eBeyond Coupling: Active Noise Dissipation via HRS Polymer Technology\u003c\/h2\u003e\n\u003cp\u003eThe vast majority of record weights on the market perform a single mechanical function: pressing the LP against the platter to improve contact and reduce record warp. The Super HeavyWeight Champion performs this function and then goes considerably further. Developed with Mike Latvis of Harmonic Resolution Systems, a company whose isolation and damping platforms are used in some of the world's most demanding audiophile and professional audio installations, the Super HeavyWeight Champion houses a proprietary ultra-dense polymer formulated specifically for its noise-absorption characteristics. This polymer is precision-molded into eight separate internal chambers within the body of the weight, maximizing the surface area of the damping material in contact with the mechanical signal chain. The result is a weight that actively absorbs and dissipates groove noise, motor vibration, and bearing resonance before they can travel back up through the platter and into the stylus, reducing the noise floor and allowing previously obscured low-level musical detail to emerge.\u003c\/p\u003e\n\n\u003ch2\u003eBillet 6061 Aluminum Shell, Precision Balance, and Label-Safe Underside\u003c\/h2\u003e\n\u003cp\u003eThe outer shell of the Super HeavyWeight Champion is machined from billet 6061 aluminum, the same alloy widely used in high-tolerance aerospace and audio applications for its combination of rigidity, machinability, and resistance to resonance-inducing flex. The black anodized top cap features a laser-etched MoFi logo, and the overall shape is designed for easy, confident gripping during placement and removal. The precision transfer molding process used to integrate the HRS polymer into the aluminum shell ensures exact alignment and balance, so the weight spins concentrically on the spindle without introducing rotational imbalance. The underside is finished in soft polymer that makes firm contact with the label area of the LP without risk of damage, scratching, or adhesion. A bamboo storage box is supplied for safe keeping between listening sessions.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDeveloped with Mike Latvis of Harmonic Resolution Systems:\u003c\/strong\u003e Co-designed with the founder of HRS, whose isolation and damping technology is used in elite audiophile systems worldwide, bringing professional-grade noise management to turntable playback.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEight-Chamber HRS Polymer Core:\u003c\/strong\u003e A proprietary ultra-dense, precision-molded polymer distributed across eight internal chambers maximizes noise-absorption surface area, actively draining groove noise, motor vibration, and bearing resonance from the signal chain.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBillet 6061 Aluminum Outer Shell:\u003c\/strong\u003e Machined from aerospace-grade 6061 aluminum for rigidity, resonance resistance, and an easy-grip exterior with a black anodized finish and laser-etched MoFi logo.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e495 g Optimized Mass:\u003c\/strong\u003e Carefully calculated to deliver maximum noise-dissipation performance on mid-to-high-mass platters (approximately 5 lbs and heavier) without straining the turntable's motor, bearing, or suspension.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePrecision Transfer Molding for Balanced Rotation:\u003c\/strong\u003e The manufacturing process ensures exact alignment of all internal components for concentric, wobble-free rotation at any platter speed.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLabel-Safe Soft Polymer Underside:\u003c\/strong\u003e A soft polymer contact surface protects LP labels from scratching or damage during every use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUniversal Non-Threaded Drop-On Design:\u003c\/strong\u003e Drops straight onto any standard turntable spindle without requiring threading, clamps, or tools, making it quick and easy to use with any compatible turntable.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSupplied Bamboo Storage Box:\u003c\/strong\u003e A dedicated bamboo box is included for safe, damage-free storage of the weight when not in use.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e495 g (495.1 g)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDiameter\u003c\/td\u003e\n      \u003ctd\u003e76.2 mm (3.0 inches)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eHeight\u003c\/td\u003e\n      \u003ctd\u003e34.4 mm (1.355 inches)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOuter Shell Material\u003c\/td\u003e\n      \u003ctd\u003eBillet-machined 6061 Aluminum\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFinish\u003c\/td\u003e\n      \u003ctd\u003eBlack Anodized with Laser-Etched MoFi Logo\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eInternal Damping Core\u003c\/td\u003e\n      \u003ctd\u003eProprietary HRS Polymer, Eight Chambers\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eUnderside Material\u003c\/td\u003e\n      \u003ctd\u003eSoft Polymer (Label-Safe)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMounting Type\u003c\/td\u003e\n      \u003ctd\u003eUniversal Non-Threaded Drop-On\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eRecommended Platter Mass\u003c\/td\u003e\n      \u003ctd\u003eMid-to-High Mass (approximately 5 lbs and heavier)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eIncludes\u003c\/td\u003e\n      \u003ctd\u003eBamboo Storage Box\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCo-Developed With\u003c\/td\u003e\n      \u003ctd\u003eMike Latvis, Harmonic Resolution Systems (HRS)\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Mobile Fidelity Super HeavyWeight Champion?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity Super HeavyWeight Champion is a 495 g noise-dissipation record weight co-developed with Mike Latvis of Harmonic Resolution Systems (HRS), featuring a proprietary eight-chamber HRS polymer core inside a billet 6061 aluminum shell. It is engineered for mid-to-high-mass turntable platters and goes beyond conventional record weights by actively draining groove noise, motor vibration, and bearing resonance from the playback chain. Available in Toronto, Canada through Vinyl Sound.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Super HeavyWeight Champion differ from a standard record weight?\u003c\/h3\u003e\n\u003cp\u003eA standard record weight couples the LP to the platter to reduce warping and improve contact uniformity. The Super HeavyWeight Champion does this and additionally functions as a noise-dissipation device, using a proprietary HRS polymer distributed across eight internal chambers to absorb and drain groove noise, motor vibration, and bearing resonance before they can travel through the platter into the stylus. The audible result is blacker backgrounds, improved microdynamic resolution, enhanced clarity, and greater bass impact that a simple coupling weight cannot achieve.\u003c\/p\u003e\n\n\u003ch3\u003eWhat turntables is the Super HeavyWeight Champion compatible with?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Super HeavyWeight Champion is optimized for turntables with mid-to-high-mass platters, generally those with a platter mass of approximately 5 lbs or heavier. Its non-threaded drop-on design makes it compatible with any standard spindle-equipped turntable platter in this category, including high-mass designs from manufacturers such as VPI, SME, Clearaudio, Brinkmann, and similar premium turntable brands. It is not recommended for lightweight suspended-chassis turntables where the combined weight of the record and the weight may exceed the design limits of the platter bearing or suspension.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is Harmonic Resolution Systems and why does the collaboration matter?\u003c\/h3\u003e\n\u003cp\u003eHarmonic Resolution Systems (HRS), based in Buffalo, New York, is one of the most respected names in audio isolation and vibration management, producing equipment racks, isolation platforms, and damping products used by audiophiles and recording studios worldwide. Mike Latvis, the founder of HRS, brings decades of expertise in the science of mechanical noise absorption to the Super HeavyWeight Champion. His involvement means the HRS polymer formulation and eight-chamber internal geometry are not generic damping materials but are engineered specifically for the noise frequencies and mechanical characteristics of vinyl playback, resulting in a measurably and audibly lower noise floor during use.\u003c\/p\u003e\n\n\u003ch3\u003eWill the Super HeavyWeight Champion damage my LP labels?\u003c\/h3\u003e\n\u003cp\u003eNo, the Mobile Fidelity Super HeavyWeight Champion will not damage LP labels. Its underside is finished in soft polymer rather than bare metal, ensuring that the contact surface between the weight and the record label is non-abrasive and non-adhesive. The weight can be placed and removed safely on any standard LP without risk of scratching, tearing, or leaving residue on the label area.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mobile Fidelity Super HeavyWeight Champion in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity Super HeavyWeight Champion is available in Toronto and across Canada through Vinyl Sound, an authorized Mobile Fidelity dealer in Toronto, Canada. Vinyl Sound carries the full MoFi Electronics accessories lineup, including both the Super HeavyWeight Champion and the standard Super HeavyWeight, and can advise on the appropriate model for your specific turntable and platter mass.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the Super HeavyWeight Champion compare to the standard Super HeavyWeight?\u003c\/h3\u003e\n\u003cp\u003eThe Super HeavyWeight Champion and the standard Super HeavyWeight share the same fundamental HRS polymer noise-dissipation technology and non-threaded drop-on design, but the Champion is heavier and features eight separate internal polymer chambers compared to the standard model's construction, increasing the total damping surface area and making it better suited to mid-to-high-mass platters. The standard Super HeavyWeight is designed for universal turntable compatibility including lighter-platformed designs, while the Champion's greater mass and expanded polymer core deliver a higher level of noise reduction on turntables whose bearings and motors can comfortably accommodate the additional load.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Default Title","offer_id":39794683969704,"sku":"MOFI-SHWC","price":579.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/MoFi_Electronics_Super_HeavyWeight_Champion_Record_Weight_02_Angle_Low_1500x_b53926f8-da36-453d-bdc3-9f1d73fd18b1.jpg?v=1619729416"},{"product_id":"mobile-fidelity-ultragold-mc-cartridge","title":"Mobile Fidelity UltraGold MC Cartridge","description":"\u003ch1\u003eMobile Fidelity UltraGold MC Cartridge at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe UltraGold MC is a dual moving-coil stereo phono cartridge from Mobile Fidelity (Chicago, USA), precision-crafted in Japan and available at Vinyl Sound in Toronto, Canada. Voiced by Allen Perkins, founder of Spiral Groove, this audiophile MC delivers a \u003cstrong\u003efrequency response of 20 Hz to 35,000 Hz\u003c\/strong\u003e, an output voltage of \u003cstrong\u003e0.4 mV\u003c\/strong\u003e, and a tracking force range of \u003cstrong\u003e1.8 to 2.2 g\u003c\/strong\u003e. Combining a nude Shibata stylus, boron cantilever, neodymium magnet, Permendur yoke, and PCOCC coils, the UltraGold MC brings true-to-the-source faithfulness, lifelike separation, and surgical accuracy to every vinyl playback session.\u003c\/p\u003e\n\n\u003ch2\u003eNude Shibata Stylus and Boron Cantilever\u003c\/h2\u003e\n\u003cp\u003eThe UltraGold MC pairs a nude Shibata diamond profile stylus with a rigid boron cantilever, a combination that delivers palpable low-end reproduction, high transient responsiveness, and a robust midrange. The Shibata profile traces the finest groove detail with exceptional precision, resulting in remarkable depth, immersion, and fullness from both standard LPs and demanding high-resolution pressings such as Mobile Fidelity Original Master Recordings. Because the stylus is nude rather than bonded, it sits directly on the cantilever with no adhesive layer to color the signal, preserving maximum integrity from groove to phono stage.\u003c\/p\u003e\n\n\u003ch2\u003eNeodymium Magnet, Permendur Yoke, and PCOCC Coils\u003c\/h2\u003e\n\u003cp\u003eDriving the UltraGold MC's generator is a neodymium magnet paired with a Permendur yoke, a magnetically efficient iron-cobalt alloy chosen specifically for its ability to concentrate and sustain high magnetic flux. This combination delivers powerful, consistent energy transfer to the Pure Copper by Ohno Continuous Casting (PCOCC) coils. PCOCC copper is produced through a single-crystal drawing process that virtually eliminates grain boundaries in the wire, reducing signal distortion and preserving micro-detail. Together, these materials account for the cartridge's stunning dynamics and incredibly rich detail across the full frequency range.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNude Shibata Stylus:\u003c\/strong\u003e A diamond stylus mounted without bonding adhesive for direct, low-coloration contact with the cantilever, optimizing transient accuracy and groove tracing.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBoron Cantilever:\u003c\/strong\u003e Extremely stiff and lightweight, boron transmits stylus motion to the generator with minimal energy loss, resulting in fast, accurate dynamics.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeodymium Magnet and Permendur Yoke:\u003c\/strong\u003e A high-flux magnetic circuit that maximizes energy transfer to the PCOCC coils for exceptional output consistency and dynamic headroom.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePCOCC Coils:\u003c\/strong\u003e Pure Copper by Ohno Continuous Casting wire minimizes grain boundaries within the copper, reducing distortion and preserving low-level musical detail.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminum Cartridge Body with Threaded Inserts:\u003c\/strong\u003e An ultra-low resonance aluminum body with threaded mounting holes allows tool-free installation using just two screws, with no loose nuts or bolts required.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eVoiced by Allen Perkins of Spiral Groove:\u003c\/strong\u003e The UltraGold MC was tuned and voiced by Allen Perkins, a designer renowned for his work at Spiral Groove and his deep expertise in analog playback system design.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePrecision-Crafted in Japan:\u003c\/strong\u003e Manufactured under strict quality-control measures in Japan, ensuring consistency and exacting tolerances in every unit.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eType\u003c\/td\u003e\n      \u003ctd\u003eDual Moving Coil Stereo\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStylus\u003c\/td\u003e\n      \u003ctd\u003eNude Shibata\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCantilever\u003c\/td\u003e\n      \u003ctd\u003eBoron\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOutput Voltage\u003c\/td\u003e\n      \u003ctd\u003e0.4 mV\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Response\u003c\/td\u003e\n      \u003ctd\u003e20 Hz to 35,000 Hz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e7.3 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTracking Force\u003c\/td\u003e\n      \u003ctd\u003e1.8 to 2.2 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eRecommended Load\u003c\/td\u003e\n      \u003ctd\u003e100 Ohm or greater\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStatic Compliance\u003c\/td\u003e\n      \u003ctd\u003e40 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDynamic Compliance\u003c\/td\u003e\n      \u003ctd\u003e10 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCoil Material\u003c\/td\u003e\n      \u003ctd\u003ePure Copper by Ohno Continuous Casting (PCOCC)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMagnet\u003c\/td\u003e\n      \u003ctd\u003eNeodymium\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eYoke\u003c\/td\u003e\n      \u003ctd\u003ePermendur\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBody Material\u003c\/td\u003e\n      \u003ctd\u003eAluminum with threaded inserts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n      \u003ctd\u003eJapan\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eOutstanding Product Award, Hi-Fi News (UK)\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Mobile Fidelity UltraGold MC?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity UltraGold MC is a dual moving-coil stereo phono cartridge precision-crafted in Japan, featuring a nude Shibata stylus, boron cantilever, and PCOCC coils. It covers a frequency response of 20 Hz to 35,000 Hz and outputs 0.4 mV, placing it firmly in the audiophile low-output MC category. It was voiced by Allen Perkins of Spiral Groove and is available in Toronto, Canada exclusively through Vinyl Sound.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the MoFi UltraGold MC compare to the Hana SL and Ortofon Quintet Black S?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi UltraGold MC competes directly with cartridges such as the Hana SL and Ortofon Quintet Black S in the low-output MC segment. Where the Hana SL uses a Shibata stylus on an aluminum cantilever and the Ortofon Quintet Black S pairs a Nude Shibata with a Boron cantilever at a similar output of 0.5 mV, the UltraGold MC distinguishes itself through its PCOCC coil wiring, Permendur yoke, and the direct voicing input of Allen Perkins, resulting in a particularly musical, warm, and dynamically expressive character that reviewers at Hi-Fi News have singled out for its trackability and tonal richness.\u003c\/p\u003e\n\n\u003ch3\u003eWhat phono stage load impedance does the UltraGold MC require?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi UltraGold MC requires a phono stage with a minimum load impedance of 100 Ohms. Most dedicated moving-coil phono stages and step-up transformers support this setting. Reviewer Ken Kessler of Hi-Fi News noted that the cartridge consistently performed best when loaded at exactly 100 Ohms across multiple phono stages during his evaluation.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a Shibata stylus and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eA Shibata stylus is a line-contact diamond profile originally developed for four-channel quadraphonic vinyl in the 1970s, capable of tracing the fine inner groove detail of high-frequency recordings up to 50 kHz and beyond. Its elongated contact patch reduces groove wear and retrieves more information from the record groove compared to elliptical or conical profiles. In the UltraGold MC, the nude Shibata diamond is mounted directly on the boron cantilever without bonding adhesive, maximizing energy transfer and minimizing coloration.\u003c\/p\u003e\n\n\u003ch3\u003eCan the MoFi UltraGold MC be used with a moving-magnet phono input?\u003c\/h3\u003e\n\u003cp\u003eNo, the MoFi UltraGold MC cannot be used directly with a standard moving-magnet phono input. Its 0.4 mV output is typical of low-output moving-coil cartridges and requires either a dedicated MC phono stage or a step-up transformer (SUT) before connecting to an MM input. Using it without proper MC gain will result in insufficient volume and a poor signal-to-noise ratio.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mobile Fidelity UltraGold MC in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity UltraGold MC is available in Toronto and across Canada through Vinyl Sound, an authorized Mobile Fidelity dealer located in Toronto, Canada. Vinyl Sound carries the full MoFi Electronics lineup and can assist with cartridge selection, setup guidance, and system matching for your turntable and phono stage.\u003c\/p\u003e\n\n\u003ch3\u003eIs the MoFi UltraGold MC compatible with most tonearms?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi UltraGold MC is compatible with a wide range of tonearms. Its dynamic compliance of 10 x 10e-6 cm\/dyne is suited to medium-mass tonearms, which are the most common type found on contemporary audiophile turntables. The aluminum body features threaded inserts, so it mounts securely to a standard headshell or integral tonearm using only two screws, with no loose nuts required, making installation straightforward even for first-time MC users.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the MoFi UltraGold MC a good match for Mobile Fidelity Original Master Recordings?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi UltraGold MC was specifically designed to extract the full sonic content of demanding, high-resolution pressings such as Mobile Fidelity Original Master Recordings and UltraDisc One-Step releases. Its extended frequency response to 35,000 Hz, the precision groove-tracing of the nude Shibata stylus, and the low-distortion PCOCC coils combine to retrieve ultra-fine groove modulations that standard MM cartridges and bonded-stylus MCs cannot fully resolve. The result is a listening experience with greater depth, air, and presence than most cartridges at this level can deliver.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Default Title","offer_id":42323687473404,"sku":"MOFI-UG-MC-C","price":1995.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/VINYLSOUND-MoFi_Electronics_UltraGold_MC_Cartridge_Profile_Side.jpg?v=1706800923"},{"product_id":"mobile-fidelity-fender-precisiondeck-turntable","title":"Mobile Fidelity Electronics x Fender American Vintage Turntable","description":"\u003ch1\u003eMobile Fidelity Electronics x Fender American Vintage Turntable at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe MoFi x Fender American Vintage is a limited-edition belt-drive turntable from Mobile Fidelity Electronics (MoFi Electronics, USA), created in collaboration with Fender Musical Instruments (Scottsdale, Arizona, USA), available at Vinyl Sound in Toronto, Canada. This landmark collaboration brings together Fender's California hand-sprayed three-color sunburst finish — the same iconic livery that first appeared on the Stratocaster and Telecaster in the 1950s — with MoFi Electronics' audiophile-grade engineering on a hand-selected real alder-wood plinth. At its core is MoFi's custom \u003cstrong\u003e10-inch Ultra Tonearm\u003c\/strong\u003e with Cardas Audio internal wiring, a \u003cstrong\u003e6.8-lb Delrin platter\u003c\/strong\u003e on a hardened-steel inverted bearing, and an electronically regulated belt-drive motor mounted on \u003cstrong\u003eHarmonic Resolution Systems anti-vibration feet\u003c\/strong\u003e. The result is a turntable that functions as both a high-performance vinyl playback instrument and a gallery-worthy objet d'art paying direct homage to rock and roll's visual heritage.\u003c\/p\u003e\n\n\u003ch2\u003e10-Inch Ultra Tonearm with Cardas Audio Wiring\u003c\/h2\u003e\n\u003cp\u003eThe American Vintage is fitted with MoFi's 10-inch Ultra Tonearm, custom-designed and manufactured in the USA as a straight aluminum gimbaled-bearing assembly using smooth, high-quality ball bearings in both the vertical and horizontal planes. The gimbaled bearing architecture provides rock-solid lateral and vertical stability with minimal friction, allowing the stylus to track groove modulations accurately without the setup sensitivity of a unipivot design. An 18mm overhang and a 22.8-degree offset angle — adjustable plus or minus 2 degrees — optimize stylus geometry across the playing surface for minimum tracking error, and the arm accommodates cartridges weighing between 5g and 10g. Internal signal wiring is supplied by Cardas Audio, whose litz copper conductors carry the low-level cartridge output from the headshell leads through to gold-plated RCA output connectors, preserving signal purity at every point in the chain between stylus and phono stage.\u003c\/p\u003e\n\n\u003ch2\u003eFender Alder-Wood Plinth, Delrin Platter, and Inverted Bearing\u003c\/h2\u003e\n\u003cp\u003eThe plinth of the American Vintage is crafted from hand-selected real alder wood — the same species Fender's master builders have used for Stratocaster and Telecaster bodies since the 1950s — chosen not only for its visual character but for its natural tonal resonance properties, which provide a warm, organically damped foundation for the precision bearing and tonearm above. Each plinth receives Fender's California hand-sprayed three-color sunburst finish, the same process used on Fender's American Vintage guitar series, making every unit subtly unique. The 6.8-lb Delrin platter sits on a hardened-steel inverted bearing system combining steel, bronze, and sapphire contact surfaces held to extremely low tolerances for smooth, quiet rotation and long-term stability. Delrin — an acetal resin developed by DuPont — is chosen for its highly crystalline molecular structure, which presents an acoustic impedance closely matched to vinyl, effectively dissipating groove-generated noise into the platter mass rather than allowing it to re-radiate through the stylus. An electronically regulated belt-drive motor mounted on Harmonic Resolution Systems anti-vibration feet isolates the plinth and tonearm from motor-borne and floor-borne vibration, and a hinged smoked amber acrylic dust cover completes the package.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFender Three-Color Sunburst Alder-Wood Plinth:\u003c\/strong\u003e A hand-selected real alder-wood plinth finished by Fender's California craftsmen in the iconic three-color sunburst livery first used on the 1950s Stratocaster and Telecaster, chosen for both its visual character and natural acoustic damping properties.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e10-Inch MoFi Ultra Tonearm:\u003c\/strong\u003e A custom-designed, USA-manufactured straight aluminum gimbaled-bearing tonearm using high-quality ball bearings in both axes for low-friction, stable cartridge tracking with minimal setup sensitivity.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCardas Audio Internal Wiring:\u003c\/strong\u003e Litz copper conductors from Cardas Audio carry the cartridge signal from headshell leads through to gold-plated RCA output connectors for maximum signal purity and minimum coloration.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e6.8-Lb Delrin Platter:\u003c\/strong\u003e A high-mass Delrin platter matched to vinyl's acoustic impedance dissipates groove noise into the platter body, producing a lower noise floor and blacker sonic backgrounds.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHardened-Steel Inverted Bearing:\u003c\/strong\u003e A precision combination of steel, bronze, and sapphire held to extremely low tolerances delivers smooth, quiet platter rotation and long-term mechanical reliability.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eElectronically Regulated Belt-Drive Motor:\u003c\/strong\u003e A precision electronic motor with push-button speed switching maintains stable 33.3 and 45 RPM playback speeds with low wow and flutter.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarmonic Resolution Systems Anti-Vibration Feet:\u003c\/strong\u003e HRS-engineered isolation feet decouple the plinth and tonearm from floor-borne vibration and acoustic feedback, preventing spurious stylus modulation that masks musical detail.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePush-Button Speed Control:\u003c\/strong\u003e Instant electronic switching between 33.3 and 45 RPM at the touch of a button eliminates manual belt repositioning for convenient multi-format playback.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHinged Smoked Amber Acrylic Dust Cover:\u003c\/strong\u003e A period-appropriate smoked amber hinged dust cover protects the platter and tonearm when the turntable is not in use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGold-Plated RCA Output Connectors:\u003c\/strong\u003e High-quality gold-plated RCA outputs resist oxidation and maintain a clean, low-resistance connection to the phono stage over the long term.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCustom Designed and Manufactured in the USA:\u003c\/strong\u003e The tonearm and core turntable assembly are custom-designed and manufactured domestically, reflecting MoFi Electronics' commitment to American craftsmanship.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDrive System\u003c\/td\u003e\n      \u003ctd\u003eBelt drive, electronically regulated motor\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSpeeds\u003c\/td\u003e\n      \u003ctd\u003e33.3 RPM, 45.0 RPM (push-button switchable)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePlatter\u003c\/td\u003e\n      \u003ctd\u003e6.8 lb Delrin (1.3-inch thickness)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBearing\u003c\/td\u003e\n      \u003ctd\u003eHardened-steel inverted bearing (steel, bronze, sapphire)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eIsolation Feet\u003c\/td\u003e\n      \u003ctd\u003eHarmonic Resolution Systems (HRS) anti-vibration feet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTonearm Type\u003c\/td\u003e\n      \u003ctd\u003e10-inch straight aluminum, gimbaled bearing\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTonearm Wiring\u003c\/td\u003e\n      \u003ctd\u003eCardas Audio internal wiring\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOutput Connectors\u003c\/td\u003e\n      \u003ctd\u003eGold-plated RCA\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOverhang\u003c\/td\u003e\n      \u003ctd\u003e0.71 inches (18 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOffset Angle\u003c\/td\u003e\n      \u003ctd\u003e22.8 degrees (plus or minus 2 degrees adjustable)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCartridge Weight Range\u003c\/td\u003e\n      \u003ctd\u003e5g to 10g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePlinth Material\u003c\/td\u003e\n      \u003ctd\u003eHand-selected real alder wood\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePlinth Finish\u003c\/td\u003e\n      \u003ctd\u003eFender three-color sunburst, California hand-sprayed\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDust Cover\u003c\/td\u003e\n      \u003ctd\u003eHinged smoked amber acrylic\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n      \u003ctd\u003e20.75 x 6.0 x 15.5 inches\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e25.5 lbs\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n      \u003ctd\u003eUSA\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCollaboration Partners\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics and Fender Musical Instruments\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi x Fender American Vintage turntable?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi x Fender American Vintage is a limited-edition belt-drive turntable co-created by Mobile Fidelity Electronics and Fender Musical Instruments, designed and manufactured in the USA. It features a hand-selected real alder-wood plinth with Fender's California hand-sprayed three-color sunburst finish, MoFi's 10-inch Ultra Tonearm with Cardas Audio wiring, a 6.8-lb Delrin platter on a hardened-steel inverted bearing, and Harmonic Resolution Systems anti-vibration feet. It plays 33.3 and 45 RPM records via push-button electronic speed switching and is available at Vinyl Sound in Toronto, Canada.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the American Vintage compare to the Pro-Ject Debut Carbon EVO and the Audio-Technica AT-LP7?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi x Fender American Vintage occupies a substantially higher technical and material tier than both competitors. Against the Pro-Ject Debut Carbon EVO, which uses an 8.6-inch carbon-fiber tonearm, a felt-mat aluminum platter, and a basic DC motor without active speed regulation, the American Vintage counters with a longer 10-inch gimbaled Ultra Tonearm for reduced tracking error, a heavier 6.8-lb Delrin platter for greater rotational stability and lower noise floor, Cardas Audio internal wiring versus the Debut's standard copper, and HRS isolation feet in place of basic rubber feet. Against the Audio-Technica AT-LP7, a fully manual direct-drive design with a J-shaped tonearm and aluminum platter, the American Vintage differs fundamentally in drive topology, using a precision belt-drive system to isolate the motor from the bearing and tonearm, a 10-inch straight arm geometry for lower distortion at the outer and inner groove, and a collaboratively crafted alder-wood plinth that no production Audio-Technica model approaches in material quality or finish.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the American Vintage turntable include a cartridge?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi x Fender American Vintage is sold without a cartridge pre-installed, allowing the buyer to select a cartridge matched to their phono stage and listening preferences. The 10-inch Ultra Tonearm accepts cartridges weighing between 5g and 10g, covering a wide range of moving-magnet and lighter moving-coil designs. MoFi Electronics' own cartridge lineup — including the UltraGold and UltraTracker moving-magnet models — is voiced to complement the American Vintage's tonearm and Delrin platter, and Vinyl Sound in Toronto can advise on compatible cartridge pairings for the system.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is Delrin and why does MoFi use it for the platter?\u003c\/h3\u003e\n\u003cp\u003eDelrin is an acetal resin polymer developed by DuPont, characterized by a highly crystalline molecular structure that gives it a specific acoustic impedance closely matched to vinyl. In a turntable context, this impedance match means that groove-generated vibrations passing from the record into the platter surface are efficiently absorbed and dissipated as heat rather than reflected back through the stylus as noise. The result is a lower noise floor and blacker sonic backgrounds compared to platters made from aluminum or glass, which reflect rather than absorb acoustic energy. The 6.8-lb mass of the American Vintage's Delrin platter adds further rotational stability and resistance to speed perturbations caused by stylus drag during dynamic passages.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does the Harmonic Resolution Systems isolation do on the American Vintage?\u003c\/h3\u003e\n\u003cp\u003eThe Harmonic Resolution Systems anti-vibration feet beneath the American Vintage decouple the alder-wood plinth and tonearm from mechanical energy arriving through the supporting surface — including footfall, floor resonance, and acoustic feedback from loudspeakers in the listening room. Any vibration that reaches the platter or tonearm is picked up by the stylus as spurious signal, masking low-level musical detail and raising the noise floor. The HRS feet prevent this energy transfer at the point of contact between turntable and furniture, ensuring the stylus responds only to the groove modulations in the record rather than to the acoustic environment around it.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi x Fender American Vintage turntable in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi x Fender American Vintage turntable is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer in Toronto, Canada. Vinyl Sound carries the American Vintage alongside the full MoFi Electronics turntable and electronics lineup, and can assist customers in the Toronto area and across Canada with cartridge matching, phono stage pairing, and system setup advice.\u003c\/p\u003e\n\n\u003ch3\u003eWhat phono stage works best with the American Vintage?\u003c\/h3\u003e\n\u003cp\u003eThe American Vintage's 10-inch Ultra Tonearm with Cardas Audio wiring outputs a clean, low-noise signal that rewards pairing with a quality phono stage matched to the chosen cartridge. For moving-magnet cartridges, MoFi Electronics' own MasterPhono preamplifier offers voiced compatibility with the American Vintage's signal chain and supports both MM and MC loading. Third-party options from manufacturers including Parasound, Pro-Ject, and Sutherland also pair well depending on cartridge output level and budget. Vinyl Sound in Toronto can recommend phono stage pairings tailored to the complete system being assembled around the American Vintage.\u003c\/p\u003e\n\n\u003ch3\u003eIs the three-color sunburst finish on every American Vintage identical?\u003c\/h3\u003e\n\u003cp\u003eNo, and that is by design. The three-color sunburst finish on the American Vintage is applied by hand in California using the same spraying process Fender uses on its American Vintage guitar series, meaning each plinth receives a slightly unique application of the burst gradient and interacts differently with the individual grain pattern of the hand-selected alder wood beneath. This means no two American Vintage turntables are visually identical, giving each unit a degree of individuality that mass-finished products cannot offer and reinforcing the instrument-grade craftsmanship philosophy shared by both Fender and MoFi Electronics.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"American Vintage","offer_id":48262405325052,"sku":"MF-PDT-LE-1","price":4299.0,"currency_code":"CAD","in_stock":true},{"title":"American Vintage + M","offer_id":48262405357820,"sku":"MF-PDT-LE-2","price":4995.0,"currency_code":"CAD","in_stock":true},{"title":"American Vintage + UG","offer_id":48262405390588,"sku":"MF-PDT-LE-3","price":5795.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/MoFi_Electronics_Fender_American_Vintage_Turntable_Left.webp?v=1760727938"},{"product_id":"mobile-fidelity-sourcepoint-10-bookshelf-speakers","title":"Mobile Fidelity SourcePoint 10 Bookshelf Speakers (Pair)","description":"\u003ch1\u003eMobile Fidelity Electronics SourcePoint 10 Bookshelf Speakers at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe SourcePoint 10 is a 2-way standmount bookshelf loudspeaker from Mobile Fidelity Electronics (MoFi Electronics, USA), available at Vinyl Sound in Toronto, Canada. Designed by Andrew Jones — whose 40-plus-year career encompasses KEF, Infinity, Pioneer, TAD, and ELAC — the SourcePoint 10 was developed over two years from a blank sheet of paper and represents the most accomplished loudspeaker of his decorated career. Built around a custom-tooled \u003cstrong\u003e10-inch concentric driver\u003c\/strong\u003e with a 1.25-inch soft-dome tweeter at its acoustic center, the SourcePoint 10 delivers a \u003cstrong\u003e42 Hz to 30 kHz\u003c\/strong\u003e frequency range and a high \u003cstrong\u003e91 dB sensitivity\u003c\/strong\u003e from a one-inch-thick real-wood veneer cabinet weighing 46.2 lbs. Stereophile awarded the SourcePoint 10 Recommended Component status for 2025, and The Absolute Sound recognized it with a Golden Ear Award.\u003c\/p\u003e\n\n\u003ch2\u003eCustom-Tooled 10-Inch Concentric Driver and Twin-Drive Magnet System\u003c\/h2\u003e\n\u003cp\u003eThe SourcePoint 10 is built around a purpose-designed 10-inch paper-cone concentric driver developed by Andrew Jones and MoFi Electronics from a custom paper pulp mix. The cone geometry simultaneously optimizes resonant behavior and functions as a precision waveguide for the 1.25-inch soft-dome tweeter mounted concentrically at its center, matching the directivity of both drivers across the crossover region and boosting tweeter efficiency without additional components. Because both drivers share a single acoustic center, the SourcePoint 10 operates as a true point-source system, eliminating the time-arrival errors and lobing artifacts that plague conventional separated tweeter\/midrange arrangements. A corrugated surround allows for improved linear excursion while minimizing diffraction corruption of the tweeter's wave expansion. Driving both the woofer and tweeter is Jones's Twin-Drive magnet system: high-flux neodymium magnets precisely coupled so each reinforces the other's flux across the respective voice-coil gap, creating a fully symmetrical magnetic field that eliminates flux modulation and achieves extremely low intermodulation distortion. Copper sleeves further reduce nonlinear inductance, keeping the drive force clean and linear at all frequencies and listening levels.\u003c\/p\u003e\n\n\u003ch2\u003eCabinet Design, Crossover, and Bass Architecture\u003c\/h2\u003e\n\u003cp\u003eThe SourcePoint 10 cabinet is constructed from one-inch-thick real-wood veneer panels with extensive internal bracing and a sculpted two-inch-thick front baffle whose swept-back facets scatter edge diffraction and eliminate the comb-filtering reflections common to flat-fronted enclosures. Two large rear-firing vents permit high bass output with low turbulence, extending low-frequency response to 42 Hz from a standmount enclosure — a figure typically associated with much larger floorstanding designs. The crossover is a two-way design using laminated-steel core inductors chosen for smooth on- and off-axis response, with a crossover point set at 1.6 kHz where the wide-roll surround and large-diameter voice coil of the soft-dome tweeter allow it to operate comfortably. Jones designed the crossover slopes to seamlessly blend woofer and tweeter output and minimize the audibility of out-of-band anomalies. At 91 dB sensitivity with a nominal 8-ohm impedance, the SourcePoint 10 mates with a minimum recommended power of 30 watts and scales gracefully up to its 200-watt maximum power handling rating.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCustom 10-Inch Concentric Driver:\u003c\/strong\u003e A purpose-built paper-cone concentric driver developed from a proprietary pulp mix acts simultaneously as a midrange\/woofer and as a precision waveguide for the tweeter, matching directivity and maximizing efficiency across the crossover region.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1.25-Inch Soft-Dome Tweeter:\u003c\/strong\u003e A wide-roll surround and large-diameter voice coil allow the tweeter to operate at the 1.6 kHz crossover point with extended low- and high-frequency response; the waveguide loading of the cone provides additional efficiency at the low end of the tweeter's range.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin-Drive Neodymium Magnet System:\u003c\/strong\u003e High-flux neodymium magnets for both the woofer and tweeter are precisely coupled to create a compound, fully symmetrical magnetic field that eliminates flux modulation, dramatically reducing intermodulation distortion and improving dynamic accuracy.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePoint-Source Acoustic Architecture:\u003c\/strong\u003e With both drivers radiating from the same acoustic center, the SourcePoint 10 delivers wide, consistent dispersion, a broad sweet spot, and stable stereo imaging at all listening positions.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCorrugated Woofer Surround:\u003c\/strong\u003e A corrugated surround design improves linear excursion capability and minimizes diffraction corruption of the tweeter's wave expansion at the cone boundary.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwo-Way Crossover with Laminated-Steel Core Inductors:\u003c\/strong\u003e Chosen for smooth on- and off-axis frequency response, the crossover blends woofer and tweeter output seamlessly at 1.6 kHz and minimizes out-of-band anomalies at the transition.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSculpted Two-Inch-Thick Front Baffle:\u003c\/strong\u003e Swept-back multi-faceted baffle geometry scatters edge diffraction and eliminates the comb-filtering reflections produced by conventional flat-fronted enclosures.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual Rear-Firing Vents:\u003c\/strong\u003e Two large rear ports deliver high bass output with low turbulence, extending low-frequency response to 42 Hz from a standmount enclosure.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOne-Inch Real-Wood Veneer Cabinet:\u003c\/strong\u003e Thick veneer panels with extensive internal bracing suppress cabinet resonances and colorations, keeping the sonic focus entirely on the music.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e91 dB Sensitivity, 8-Ohm Nominal Impedance:\u003c\/strong\u003e High sensitivity and a benign impedance load make the SourcePoint 10 compatible with amplifiers from 30 watts upward, including tube designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e200-Watt Maximum Power Handling:\u003c\/strong\u003e Generous power capacity supports dynamic, high-volume listening without mechanical strain or compression.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOptional Dedicated Stands:\u003c\/strong\u003e Custom-designed stands are available to optimize placement height, stability, and coupling to the floor for maximum performance.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSystem Type\u003c\/td\u003e\n      \u003ctd\u003e2-way vented standmount with concentric driver\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Range\u003c\/td\u003e\n      \u003ctd\u003e42 Hz to 30 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSensitivity\u003c\/td\u003e\n      \u003ctd\u003e91 dB (2.83 V \/ 1 m)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eNominal Impedance\u003c\/td\u003e\n      \u003ctd\u003e8 Ohms (6.2 Ohms minimum)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n      \u003ctd\u003e1.6 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMinimum Recommended Power\u003c\/td\u003e\n      \u003ctd\u003e30 Watts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMaximum Power Handling\u003c\/td\u003e\n      \u003ctd\u003e200 Watts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTweeter\u003c\/td\u003e\n      \u003ctd\u003e1.25-inch soft dome, wide-roll surround, large-diameter voice coil\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWoofer \/ Midrange\u003c\/td\u003e\n      \u003ctd\u003e10-inch paper cone (concentric), corrugated surround\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMagnet System\u003c\/td\u003e\n      \u003ctd\u003eTwin-Drive high-flux neodymium (woofer and tweeter), copper sleeves\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCrossover Design\u003c\/td\u003e\n      \u003ctd\u003e2-way, laminated-steel core inductors\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBass Loading\u003c\/td\u003e\n      \u003ctd\u003eDual rear-firing vented ports\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCabinet Construction\u003c\/td\u003e\n      \u003ctd\u003e1-inch real-wood veneer panels, extensive internal bracing, 2-inch sculpted front baffle\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions with Grille (W x H x D)\u003c\/td\u003e\n      \u003ctd\u003e14.5 x 22.5 x 16.6 inches (368 x 572 x 422 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions without Grille (W x H x D)\u003c\/td\u003e\n      \u003ctd\u003e14.5 x 22.5 x 16.0 inches (368 x 572 x 406 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e46.2 lbs (21 kg) per cabinet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStands\u003c\/td\u003e\n      \u003ctd\u003eOptional dedicated custom stands available separately\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDesigner\u003c\/td\u003e\n      \u003ctd\u003eAndrew Jones (formerly KEF, Infinity, Pioneer, TAD, ELAC)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eManufacturer\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics (MoFi Electronics), USA\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSold As\u003c\/td\u003e\n      \u003ctd\u003ePair\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRecommended Component\u003c\/strong\u003e — Stereophile, 2025: John Atkinson confirmed well-controlled dispersion from the concentric driver, flat midrange and low-treble response, precise and stable stereo imaging, and high dynamic range capability.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eGolden Ear Award\u003c\/strong\u003e — The Absolute Sound, March 2025: Dick Olsher praised the seamless crossover region, massive sweet spot, outstanding dynamic performance, and compelling spatial presentation with layers of depth and low-level detail.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutstanding Review\u003c\/strong\u003e — Stereophile, June 2023: Ken Micallef called the SourcePoint 10 an exceptional all-rounder, describing its versatility across music genres and amplifier pairings as remarkable and considering it a serious contender for Loudspeaker of the Year.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePositive Review\u003c\/strong\u003e — Hi-Fi News: Mark Craven described the SourcePoint 10 as a cleverly designed standmount that conjures floorstander-level bass alongside a rich, involving tone and imaging.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi Electronics SourcePoint 10?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 10 is a 2-way vented standmount bookshelf loudspeaker from Mobile Fidelity Electronics (USA), built around a custom 10-inch concentric paper-cone driver with a 1.25-inch soft-dome tweeter at its acoustic center. It delivers a 42 Hz to 30 kHz frequency range, 91 dB sensitivity, and up to 200 watts of power handling from a 46.2-lb real-wood veneer cabinet. It is the work of Andrew Jones, widely regarded as one of the most accomplished loudspeaker designers in the high-end audio industry, and has received Stereophile Recommended Component status and a Golden Ear Award from The Absolute Sound.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the SourcePoint 10 compare to the KEF R3 Meta and the Harbeth M30.2 XD?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 10 holds a distinctive technical advantage over both competitors. Against the KEF R3 Meta, which uses KEF's 12th-generation Uni-Q coaxial driver in a two-and-a-half-way vented enclosure, the SourcePoint 10 employs a larger 10-inch concentric driver that keeps cone displacement lower for equivalent bass output, extends low frequencies further to 42 Hz versus the R3 Meta's 52 Hz, and delivers a higher 91 dB sensitivity versus 87 dB. Against the Harbeth M30.2 XD, a sealed two-way standmount using a 190mm RADIAL2 cone driver and conventional offset tweeter, the SourcePoint 10 offers a point-source concentric architecture, a more extended low-frequency response, and a significantly higher sensitivity that makes it compatible with a wider range of amplifier designs including lower-powered tube amplifiers.\u003c\/p\u003e\n\n\u003ch3\u003eCan the SourcePoint 10 be driven by a low-powered tube amplifier?\u003c\/h3\u003e\n\u003cp\u003eYes, the SourcePoint 10 is well suited to tube amplifiers rated at 30 watts or more. Its 91 dB sensitivity means it reaches high listening levels from modest power, and its nominal 8-ohm impedance with a 6.2-ohm minimum presents a straightforward, easy-to-drive load for tube amplifiers with 8-ohm output taps. Dick Olsher of The Absolute Sound specifically noted the SourcePoint 10's exceptional dynamic performance and ease of drive, making it one of the most amplifier-friendly standmounts in its performance class.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Twin-Drive magnet system in the SourcePoint 10?\u003c\/h3\u003e\n\u003cp\u003eThe Twin-Drive magnet system is Andrew Jones's proprietary approach to driving both the woofer and tweeter in the SourcePoint 10 using high-flux neodymium magnets that are precisely coupled so each reinforces the other's magnetic flux across the respective voice-coil gap. The result is a fully symmetrical magnetic field for both drivers that eliminates flux modulation — the primary source of intermodulation distortion in conventional magnet systems. Copper sleeves are added to further reduce nonlinear inductance, keeping the drive force linear across all listening levels and contributing to the SourcePoint 10's low distortion and accurate dynamic reproduction.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the SourcePoint 10 need dedicated stands?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 10 is designed to be used on stands and performs optimally when its tweeter is positioned at seated ear height, typically between 36 and 42 inches from the floor. Mobile Fidelity Electronics offers optional dedicated custom stands engineered specifically to match the SourcePoint 10's footprint, optimize its placement height and stability, and provide proper coupling to the floor. While third-party stands of appropriate height and mass can work, the dedicated MoFi stands are designed to complement the speaker's acoustic and mechanical characteristics for maximum performance.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi Electronics SourcePoint 10 in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Electronics SourcePoint 10 is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer in Toronto, Canada. Vinyl Sound carries the full MoFi Electronics loudspeaker lineup including the SourcePoint 10, SourcePoint 888, and SourcePoint V10 Master Edition, and can arrange a listening demonstration for customers in the Toronto area and across Canada.\u003c\/p\u003e\n\n\u003ch3\u003eHow should the SourcePoint 10 be positioned in a listening room?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 10 benefits from placement on appropriate stands with the tweeter at seated ear height, at least 18 to 24 inches from the rear wall to allow its dual rear-firing vents to develop full bass output. The concentric driver's wide, controlled dispersion means the speaker is less sensitive to toe-in angle than conventional designs, and its broad sweet spot allows comfortable listening from a range of seating positions. Andrew Jones designed the SourcePoint 10 to be dialed in with ease in any environment, and its 91 dB sensitivity gives it the flexibility to perform well in both smaller dedicated listening rooms and larger open living spaces.\u003c\/p\u003e\n\n\u003ch3\u003eWhat makes the SourcePoint 10 different from other bookshelf speakers at its size?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 10 is unusual among standmount speakers for using a 10-inch driver — a size more commonly associated with floorstanding woofers — as its primary concentric driver. This large cone diameter allows Jones to keep excursion minimal even for demanding low-frequency content, reducing distortion and improving dynamic accuracy at high listening levels. The combination of a 10-inch concentric driver, Twin-Drive neodymium magnet system, two-inch sculpted baffle, dual rear vents, and one-inch real-wood veneer construction produces a standmount that, as Ken Micallef noted in Stereophile, functions as an exceptional all-rounder capable of playing every genre of music with equal authority.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Black \/ With Stand","offer_id":44067852058876,"sku":"MFESP10-B-WST","price":4499.0,"currency_code":"CAD","in_stock":true},{"title":"Black \/ Without Stand","offer_id":45190773768444,"sku":"MFESP10-B","price":4199.0,"currency_code":"CAD","in_stock":true},{"title":"Walnut \/ With Stand","offer_id":44067852091644,"sku":"MFESP10-W-WST","price":4499.0,"currency_code":"CAD","in_stock":true},{"title":"Walnut \/ Without Stand","offer_id":45190773801212,"sku":"MFESP10-W","price":4199.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/MoFi_SourcePoint_10_Loudspeakers_Walnut_01_Pair_VINYLSOUND.jpg?v=1671491225"},{"product_id":"mobile-fidelity-source-point-8-bookshelf-speakers","title":"Mobile Fidelity Source Point 8 Bookshelf Speakers (Pair)","description":"\u003ch1\u003eMobile Fidelity Electronics SourcePoint 8 Bookshelf Speakers at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe SourcePoint 8 is a 2-way vented standmount bookshelf loudspeaker from Mobile Fidelity Electronics (MoFi Electronics, USA), available at Vinyl Sound in Toronto, Canada. Designed by Andrew Jones — the acclaimed engineer behind KEF, Infinity, Pioneer, TAD, and ELAC loudspeakers — the SourcePoint 8 carries the same acoustic DNA as the award-winning SourcePoint 10 into a more compact and room-friendly form factor. At its core is a custom-tooled \u003cstrong\u003e8-inch concentric driver\u003c\/strong\u003e with a 1.25-inch soft-dome tweeter at its acoustic center, delivering a \u003cstrong\u003e47 Hz to 30 kHz\u003c\/strong\u003e frequency range and the same point-source imaging precision that defines the entire SourcePoint family. With a sensitivity of \u003cstrong\u003e87 dB\u003c\/strong\u003e, a nominal 8-ohm impedance, and a minimum recommended power of just 30 watts, the SourcePoint 8 pairs effortlessly with a wide range of amplifiers while bringing high-end audio performance to spaces where the larger SourcePoint 10 would not fit.\u003c\/p\u003e\n\n\u003ch2\u003e8-Inch Concentric Driver and Point-Source Architecture\u003c\/h2\u003e\n\u003cp\u003eThe SourcePoint 8 is built around a purpose-designed 8-inch paper-cone concentric driver developed by Andrew Jones and the engineering team at MoFi Electronics, sharing the same fundamental design philosophy as the 10-inch unit in the SourcePoint 10. The woofer cone is shaped to serve a dual purpose: handling midrange and bass frequencies while simultaneously acting as a precision waveguide for the 1.25-inch wide-roll soft-dome tweeter mounted concentrically at its center. This waveguide function matches the directivity of the tweeter to that of the woofer across the 1.6 kHz crossover region and increases tweeter efficiency at the low end of its operating range without additional components. Because both drivers share a single acoustic center, the SourcePoint 8 operates as a true point-source system, eliminating the phase and time-arrival errors that conventional offset tweeter\/midrange arrangements introduce and producing wide, stable stereo imaging that remains consistent well off the primary listening axis.\u003c\/p\u003e\n\n\u003ch2\u003eTwin-Drive High-Flux Neodymium Magnet System\u003c\/h2\u003e\n\u003cp\u003eDriving both the woofer and tweeter is MoFi Electronics' Twin-Drive high-flux neodymium magnet system, carried over from the SourcePoint 10 and tuned for the geometry of the 8-inch driver. Jones designed the motor structure of both drivers to minimize distortion at its source rather than compensating for it later in the signal chain. High-flux neodymium magnets for the woofer and tweeter are precisely coupled so each reinforces the other's flux across the respective voice-coil gap, creating a fully symmetrical magnetic field that eliminates flux modulation — the primary cause of intermodulation distortion in conventional single-magnet designs. The result is a drive force that remains linear and distortion-free at all signal levels, ensuring that the SourcePoint 8 generates minimal spurious frequencies beyond those present in the original recording. A vented-box enclosure with a crossover set at 1.6 kHz completes the system, extending bass response to 47 Hz and delivering up to 150 watts of clean dynamic headroom.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e8-Inch Concentric Driver:\u003c\/strong\u003e A custom-tooled 8-inch paper-cone concentric driver acts as both a woofer\/midrange and a precision tweeter waveguide, matching directivity and maximizing efficiency across the 1.6 kHz crossover point.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1.25-Inch Wide-Roll Soft-Dome Tweeter:\u003c\/strong\u003e A wide-roll surround extends the low- and high-frequency response of the tweeter, while the waveguide loading of the concentric cone provides additional efficiency at the crossover frequency.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin-Drive High-Flux Neodymium Magnet System:\u003c\/strong\u003e Precisely coupled neodymium magnets for both the woofer and tweeter create a fully symmetrical magnetic field, eliminating flux modulation and achieving extremely low intermodulation distortion for pure, accurate sound reproduction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePoint-Source Acoustic Design:\u003c\/strong\u003e With tweeter and woofer sharing a single acoustic center, the SourcePoint 8 delivers wide, consistent dispersion, a broad sweet spot, and stable imaging at all listening positions in the room.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2-Way Vented Box Enclosure:\u003c\/strong\u003e A tuned rear-vented cabinet extends low-frequency response to 47 Hz, delivering bass output well beyond what its compact dimensions would suggest.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e5-Way Binding Posts:\u003c\/strong\u003e High-quality 5-way binding posts accept spade lugs, banana plugs, bare wire, or pin connectors for flexible and secure amplifier connection.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree Finish Options:\u003c\/strong\u003e Available in Satin Walnut real-wood veneer, Satin Black Ash real-wood veneer, or painted Satin White for compatibility with a wide range of interior styles.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnetic Fabric Grilles:\u003c\/strong\u003e Tool-free magnetic attachment allows quick grille removal for critical listening sessions without tools or fuss.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e87 dB Sensitivity, 8-Ohm Nominal Impedance:\u003c\/strong\u003e A benign impedance load and moderate sensitivity make the SourcePoint 8 compatible with amplifiers from 30 watts upward, including tube designs and integrated amplifiers.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e150-Watt Maximum Power Handling:\u003c\/strong\u003e Generous dynamic headroom supports demanding passages at realistic listening levels without mechanical strain.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFive-Year Parts and Labor Warranty:\u003c\/strong\u003e MoFi Electronics backs the SourcePoint 8 with a comprehensive five-year warranty covering parts and labor.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSystem Type\u003c\/td\u003e\n      \u003ctd\u003e2-way vented standmount with concentric driver\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Range\u003c\/td\u003e\n      \u003ctd\u003e47 Hz to 30 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSensitivity\u003c\/td\u003e\n      \u003ctd\u003e87 dB (2.83 V \/ 1 m)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eNominal Impedance\u003c\/td\u003e\n      \u003ctd\u003e8 Ohms (6.4 Ohms minimum)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCrossover Frequency\u003c\/td\u003e\n      \u003ctd\u003e1.6 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMinimum Recommended Power\u003c\/td\u003e\n      \u003ctd\u003e30 Watts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMaximum Power Handling\u003c\/td\u003e\n      \u003ctd\u003e150 Watts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWoofer \/ Midrange\u003c\/td\u003e\n      \u003ctd\u003e8-inch paper cone (concentric)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTweeter\u003c\/td\u003e\n      \u003ctd\u003e1.25-inch soft dome, wide-roll surround\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMagnet System\u003c\/td\u003e\n      \u003ctd\u003eTwin-Drive high-flux neodymium (woofer and tweeter)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBass Loading\u003c\/td\u003e\n      \u003ctd\u003eVented box (rear port)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBinding Posts\u003c\/td\u003e\n      \u003ctd\u003e5-way\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFinishes\u003c\/td\u003e\n      \u003ctd\u003eSatin Walnut real-wood veneer, Satin Black Ash real-wood veneer, Satin White painted\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions with Grille (W x H x D)\u003c\/td\u003e\n      \u003ctd\u003e11.4 x 18.0 x 13.2 inches (290 x 456 x 335 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions without Grille (W x H x D)\u003c\/td\u003e\n      \u003ctd\u003e11.4 x 18.0 x 12.6 inches (290 x 456 x 320 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e27.9 lbs (12.7 kg) per cabinet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWarranty\u003c\/td\u003e\n      \u003ctd\u003eFive years parts and labor\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDesigner\u003c\/td\u003e\n      \u003ctd\u003eAndrew Jones (formerly KEF, Infinity, Pioneer, TAD, ELAC)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eManufacturer\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics (MoFi Electronics), USA\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSold As\u003c\/td\u003e\n      \u003ctd\u003ePair\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi Electronics SourcePoint 8?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 8 is a 2-way vented standmount bookshelf loudspeaker from Mobile Fidelity Electronics (USA), built around a custom 8-inch concentric driver with a 1.25-inch soft-dome tweeter at its acoustic center. It delivers a 47 Hz to 30 kHz frequency range and 87 dB sensitivity from a compact cabinet weighing 27.9 lbs per speaker. Designed by Andrew Jones as a smaller sibling to the award-winning SourcePoint 10, it shares the same Twin-Drive neodymium magnet system and point-source concentric architecture in a form factor suited to smaller rooms and a broader range of listening spaces.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the SourcePoint 8 compare to the SourcePoint 10 and the KEF R3 Meta?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 8 and SourcePoint 10 share the same concentric driver philosophy and Twin-Drive magnet system, with the primary differences being driver size, sensitivity, and bass extension. The SourcePoint 10's larger 10-inch concentric driver reaches 42 Hz versus the SourcePoint 8's 47 Hz, and its higher 91 dB sensitivity gives it an advantage with lower-powered amplifiers and in larger rooms. The SourcePoint 8 is the better choice where space is limited or where a smaller, lighter cabinet is preferred. Against the KEF R3 Meta, which uses KEF's 12th-generation Uni-Q coaxial driver in a two-and-a-half-way enclosure at 87 dB sensitivity, the SourcePoint 8 offers a comparable point-source concentric architecture with a larger 8-inch cone driver versus the R3 Meta's 6.5-inch Uni-Q unit, giving the MoFi a potential advantage in cone area and low-frequency authority at the same nominal sensitivity.\u003c\/p\u003e\n\n\u003ch3\u003eCan the SourcePoint 8 be driven by a tube amplifier?\u003c\/h3\u003e\n\u003cp\u003eYes, the SourcePoint 8 works well with tube amplifiers rated at 30 watts or more. Its nominal 8-ohm impedance with a 6.4-ohm minimum is a straightforward load for tube amplifiers with 8-ohm output taps, and its 87 dB sensitivity allows it to reach comfortable listening levels from modest power outputs. Solid-state integrated amplifiers and receivers will unlock the full dynamic range up to the speaker's 150-watt maximum power handling capacity.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the Twin-Drive magnet system and why does it matter?\u003c\/h3\u003e\n\u003cp\u003eThe Twin-Drive magnet system is MoFi Electronics' approach to motorizing both the woofer and tweeter of the SourcePoint 8 using high-flux neodymium magnets that are precisely coupled so each reinforces the other's magnetic flux across the voice-coil gap. The design produces a fully symmetrical magnetic field for both drivers, which eliminates flux modulation — a key source of intermodulation distortion in conventional single-magnet motor structures. By minimizing distortion in the motor itself rather than relying on downstream correction, the Twin-Drive system ensures the SourcePoint 8 reproduces only the frequencies present in the original signal, contributing to the clean, detailed, and accurate sound that characterizes the entire SourcePoint lineup.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi Electronics SourcePoint 8 in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Electronics SourcePoint 8 is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer in Toronto, Canada. Vinyl Sound stocks the complete MoFi Electronics SourcePoint loudspeaker family and can arrange a listening demonstration for customers in the Toronto area and across Canada.\u003c\/p\u003e\n\n\u003ch3\u003eWhat finish options are available for the SourcePoint 8?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 8 is available in three finishes: Satin Walnut real-wood veneer, Satin Black Ash real-wood veneer, and painted Satin White. The two veneer options use furniture-grade real wood, while the Satin White painted finish offers a cleaner, more contemporary look suited to modern interiors. All three finishes are applied to the same cabinet construction and carry the same five-year parts and labor warranty.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the SourcePoint 8 fit into a smaller listening room?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 8 is specifically designed to bring the sonic character of the larger SourcePoint family into rooms where the SourcePoint 10 would be impractical. At 11.4 x 18.0 x 12.6 inches without the grille and 27.9 lbs per cabinet, it is significantly more compact and lighter than the SourcePoint 10, making stand placement, positioning adjustments, and everyday handling straightforward. Its 47 Hz bass extension and wide concentric driver dispersion allow it to fill small to medium rooms with a full, engaging soundstage, while its rear-vented enclosure benefits from at least 12 to 18 inches of clearance from the rear wall for optimal bass development.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the SourcePoint 8 require dedicated stands?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 8 is a standmount speaker and performs best when positioned with the tweeter at seated ear height, typically between 32 and 40 inches from the floor depending on the listening seat. Solid, mass-loaded stands in the 24 to 28-inch height range are appropriate for most seating arrangements. Andrew Jones designed the SourcePoint 8 to be straightforward to set up and dial in across a wide range of rooms and stand types, and its concentric driver's wide dispersion reduces the degree of critical positioning required compared to speakers with conventional separated driver arrays.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Black \/ With Stand","offer_id":44431918563580,"sku":"MOFI-SP8-B-WST","price":3794.0,"currency_code":"CAD","in_stock":true},{"title":"Black \/ Without Stand","offer_id":45190778618108,"sku":"MOFI-SP8-B","price":3195.0,"currency_code":"CAD","in_stock":true},{"title":"Satin White \/ With Stand","offer_id":44431918596348,"sku":"MOFI-SP8-SW-WST","price":3794.0,"currency_code":"CAD","in_stock":true},{"title":"Satin White \/ Without Stand","offer_id":45190778650876,"sku":"MOFI-SP8-SW","price":3195.0,"currency_code":"CAD","in_stock":true},{"title":"Walnut \/ With Stand","offer_id":44431918629116,"sku":"MOFI-SP8-W-WST","price":3794.0,"currency_code":"CAD","in_stock":true},{"title":"Walnut \/ Without Stand","offer_id":45190778683644,"sku":"MOFI-SP8-W","price":3195.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/MOBILEFIDELITYSOURCEPOINT8BOOKSHELFSPEAKERSVINYLSOUND0.webp?v=1686692593"},{"product_id":"mobile-fidelity-studiosilver-mc-phono-cartridge","title":"Mobile Fidelity Studiosilver MC Phono Cartridge","description":"\u003ch1\u003eMobile Fidelity StudioSilver MC Phono Cartridge at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe StudioSilver MC is a dual moving-coil stereo phono cartridge from Mobile Fidelity (Chicago, USA), precision-crafted in Japan and available at Vinyl Sound in Toronto, Canada. Voiced under the oversight of Allen Perkins of Spiral Groove, the StudioSilver MC delivers a \u003cstrong\u003efrequency response of 20 Hz to 33,000 Hz\u003c\/strong\u003e, an output voltage of \u003cstrong\u003e0.35 mV\u003c\/strong\u003e, and a tracking force of \u003cstrong\u003e1.8 to 2.2 g\u003c\/strong\u003e. Combining a nude MicroLinear stylus, boron cantilever, neodymium magnet, Permendur yoke, and PCOCC coils inside an ultra-low resonance aluminum body, the StudioSilver MC brings surgical groove tracing, exceptional vocal verisimilitude, and true-to-the-source faithfulness to every vinyl listening session.\u003c\/p\u003e\n\n\u003ch2\u003eNude MicroLinear Stylus and Boron Cantilever\u003c\/h2\u003e\n\u003cp\u003eAt the heart of the StudioSilver MC is a nude MicroLinear diamond stylus mounted on a rigid boron cantilever. The MicroLinear profile traces the fine lateral and vertical modulations in vinyl grooves with exceptional contact precision, retrieving low-level detail that bonded elliptical or conical styli routinely miss. Because the diamond is nude rather than bonded, it sits directly against the boron rod without any adhesive layer between stylus and cantilever, maximizing energy transfer and minimizing coloration at the source. Boron itself is prized for its extraordinary stiffness-to-mass ratio: light enough to track fast transients accurately, yet rigid enough to resist unwanted flex that would smear fine musical detail. The combination results in a cartridge praised by Graig Neville of Part-Time Audiophile for getting vocal timbre and tonality so right that the artist feels present in the room.\u003c\/p\u003e\n\n\u003ch2\u003eNeodymium Magnet, Permendur Yoke, and PCOCC Coils\u003c\/h2\u003e\n\u003cp\u003eThe StudioSilver MC's generator pairs a neodymium magnet with a Permendur yoke, an iron-cobalt alloy chosen for its superior magnetic permeability and ability to concentrate high flux with minimal leakage. This efficient magnetic circuit drives Pure Copper by Ohno Continuous Casting (PCOCC) coils, where the copper is drawn through a single-crystal process that virtually eliminates grain boundaries in the wire. The result is a signal path with exceptionally low distortion and enhanced resolution of micro-detail across the entire frequency band. Reviewer Herb Reichert noted in Stereophile (October 2024) that the StudioSilver's sonic character could easily be mistaken for that of a cartridge costing several times its asking price. Michael Fremer, writing for trackingangle.com in July 2024, highlighted its performance as a genuine bargain delivering far beyond its price point, particularly in vocal realism.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNude MicroLinear Stylus:\u003c\/strong\u003e A precision diamond mounted directly on the cantilever without bonding adhesive, optimizing groove contact, energy transfer, and transient accuracy across the full audio band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBoron Cantilever:\u003c\/strong\u003e Lightweight and exceptionally stiff, boron transmits stylus motion to the generator with minimal mass and virtually no flex, preserving fast dynamics and fine detail retrieval.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eNeodymium Magnet and Permendur Yoke:\u003c\/strong\u003e A high-efficiency magnetic circuit that maximizes flux density and ensures consistent, powerful energy transfer to the PCOCC coils.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePCOCC Coils:\u003c\/strong\u003e Pure Copper by Ohno Continuous Casting wire eliminates grain boundaries within the copper conductor, reducing distortion and maintaining pristine signal purity from groove to phono stage.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAluminum Cartridge Body with Threaded Inserts:\u003c\/strong\u003e An ultra-low resonance aluminum enclosure with threaded mounting holes allows secure, tool-efficient installation using just two screws and no loose hardware.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEasy Setup Design:\u003c\/strong\u003e The stylus protrudes more than most cartridges in this class, improving visibility during alignment, and the parallel body sides simplify protractor use, making setup faster and more accurate.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003ePrecision-Crafted in Japan:\u003c\/strong\u003e Assembled under strict quality-control standards by a specialist Japanese manufacturer, ensuring tight tolerances and unit-to-unit consistency.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eType\u003c\/td\u003e\n      \u003ctd\u003eDual Moving Coil Stereo\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStylus\u003c\/td\u003e\n      \u003ctd\u003eNude MicroLinear\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCantilever\u003c\/td\u003e\n      \u003ctd\u003eBoron\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOutput Voltage\u003c\/td\u003e\n      \u003ctd\u003e0.35 mV\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Response\u003c\/td\u003e\n      \u003ctd\u003e20 Hz to 33,000 Hz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e7.2 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTracking Force\u003c\/td\u003e\n      \u003ctd\u003e1.8 to 2.2 g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eRecommended Load\u003c\/td\u003e\n      \u003ctd\u003e100 Ohm or greater\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eInternal Impedance\u003c\/td\u003e\n      \u003ctd\u003e12 Ohm\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStatic Compliance\u003c\/td\u003e\n      \u003ctd\u003e40 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDynamic Compliance\u003c\/td\u003e\n      \u003ctd\u003e10 x 10e-6 cm\/dyne\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCoil Material\u003c\/td\u003e\n      \u003ctd\u003ePure Copper by Ohno Continuous Casting (PCOCC)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMagnet\u003c\/td\u003e\n      \u003ctd\u003eNeodymium\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eYoke\u003c\/td\u003e\n      \u003ctd\u003ePermendur\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBody Material\u003c\/td\u003e\n      \u003ctd\u003eAluminum with threaded inserts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n      \u003ctd\u003eJapan\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003eReviewers Choice Award, Part-Time Audiophile, 2024 (Graig Neville)\u003c\/li\u003e\n  \u003cli\u003e2024 Best Value Award Nominee, Part-Time Audiophile, 2024\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the Mobile Fidelity StudioSilver MC?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity StudioSilver MC is a dual moving-coil stereo phono cartridge precision-crafted in Japan, featuring a nude MicroLinear stylus, boron cantilever, and PCOCC coils. It offers a frequency response of 20 Hz to 33,000 Hz, an output of 0.35 mV, and an internal impedance of 12 Ohm. Developed under the oversight of Allen Perkins of Spiral Groove and produced by Mobile Fidelity Electronics, it is available in Toronto, Canada through Vinyl Sound.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the MoFi StudioSilver MC compare to the Hana ML and Ortofon Quintet Black S?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi StudioSilver MC competes directly with cartridges such as the Hana ML and Ortofon Quintet Black S in the low-output MC segment. The Hana ML also uses a nude MicroLine stylus on a boron cantilever, while the Ortofon Quintet Black S pairs a Nude Shibata with boron at 0.5 mV output. The StudioSilver MC distinguishes itself through its PCOCC coil wiring, Permendur yoke, and the musical voicing input of Allen Perkins, producing a characteristically smooth, transparent, and vocally expressive performance. Herb Reichert of Stereophile observed in October 2024 that its sonic excitement could be mistaken for cartridges costing several times its asking price.\u003c\/p\u003e\n\n\u003ch3\u003eWhat phono stage does the StudioSilver MC require?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi StudioSilver MC requires a dedicated moving-coil phono stage or a step-up transformer, as its 0.35 mV output is too low for standard moving-magnet inputs. A phono stage with a minimum loading of 100 Ohm is recommended, and its 12 Ohm internal impedance is compatible with a wide range of MC-capable phono preamplifiers. Most standalone MC phono stages and quality integrated amplifiers with dedicated MC inputs will work well with this cartridge.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a MicroLinear stylus and how does it differ from an elliptical tip?\u003c\/h3\u003e\n\u003cp\u003eA MicroLinear stylus is a line-contact diamond profile with a narrower, elongated contact patch compared to a standard elliptical tip. This geometry allows it to trace high-frequency groove modulations more accurately, retrieve finer inner-groove detail, and distribute groove contact pressure more evenly, which reduces long-term stylus and record wear. In the StudioSilver MC, the diamond is nude rather than bonded, meaning it is mounted directly on the boron cantilever rod for maximum mechanical coupling and signal integrity.\u003c\/p\u003e\n\n\u003ch3\u003eCan the MoFi StudioSilver MC be used with a moving-magnet phono input?\u003c\/h3\u003e\n\u003cp\u003eNo, the MoFi StudioSilver MC cannot be used directly with a standard moving-magnet phono input. Its 0.35 mV output falls squarely in the low-output MC range and requires additional gain from a dedicated MC phono stage or a step-up transformer placed ahead of an MM phono input. Using it without the correct gain structure will result in insufficient volume and a compromised signal-to-noise ratio.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mobile Fidelity StudioSilver MC in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity StudioSilver MC is available in Toronto and across Canada through Vinyl Sound, an authorized Mobile Fidelity dealer located in Toronto, Canada. Vinyl Sound carries the complete MoFi Electronics cartridge lineup and can assist with setup recommendations, tonearm matching, and phono stage pairing for your system.\u003c\/p\u003e\n\n\u003ch3\u003eIs the MoFi StudioSilver MC easy to set up on a tonearm?\u003c\/h3\u003e\n\u003cp\u003eYes, the MoFi StudioSilver MC is notably easy to install compared to most cartridges in its class. Its stylus protrudes further from the body than typical designs, improving visibility when lowering the needle during alignment. The parallel body sides simplify the use of alignment protractors, and the threaded aluminum body accepts two screws directly, eliminating the need for separate nuts or bolts. Reviewers at Part-Time Audiophile noted it was among the fastest-to-mount cartridges they had installed, and the included accessory kit further aids the setup process.\u003c\/p\u003e\n\n\u003ch3\u003eWhat break-in period does the StudioSilver MC require?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi StudioSilver MC requires approximately 100 hours of break-in time before it reaches its full sonic potential. During this period the suspension will progressively loosen, and the cartridge's dynamic range, bass extension, and overall tonal balance will continue to open up. It is advisable to play records at the recommended tracking force of 1.8 to 2.2 g throughout this period rather than leaving the stylus stationary for extended intervals.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Default Title","offer_id":44846360428796,"sku":"MOFI-SS-C","price":1499.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/MOBILEFIDELITYSTUDIOSILVERMCPHONOCARTRIDGE_VINYLSOUND1.png?v=1702034733"},{"product_id":"mobile-fidelity-sourcepoint-8-speaker-stands-pair","title":"Mobile Fidelity SourcePoint 8 Speaker Stands (Pair)","description":"\u003ch1\u003eMobile Fidelity SourcePoint 8 Speaker Stands (Pair) at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe Mobile Fidelity SourcePoint 8 Speaker Stands are a dedicated pair of steel speaker stands from MoFi Electronics (USA), exclusively engineered for the Mobile Fidelity SourcePoint 8 bookshelf loudspeaker, and available at Vinyl Sound in Toronto, Canada. Standing \u003cstrong\u003e22 inches tall\u003c\/strong\u003e with a three-pole steel construction, these stands raise the SourcePoint 8 to its optimal listening height for the concentric driver design created by renowned audio engineer Andrew Jones. The \u003cstrong\u003etop plate measures 10 x 10 inches\u003c\/strong\u003e and the \u003cstrong\u003ebase plate measures 12.99 x 12.52 inches\u003c\/strong\u003e, providing a stable, low-resonance foundation matched precisely to the SourcePoint 8's cabinet footprint. Sold as a pair and supplied with spikes, spike plates, neoprene pads, and felt pads for flexible floor surface compatibility.\u003c\/p\u003e\n\n\u003ch2\u003eEngineered Specifically for the SourcePoint 8\u003c\/h2\u003e\n\u003cp\u003eThe Mobile Fidelity SourcePoint 8 is not a standard bookshelf loudspeaker, and its dedicated stands are not generic accessories. The SourcePoint 8's concentric driver design, developed by Andrew Jones, places a 1.25-inch soft-dome tweeter at the center of an 8-inch paper-cone woofer to create a true point-source radiator. The acoustic benefits of this arrangement, including consistent off-axis dispersion, wide sweet spot, and precise three-dimensional imaging, are fully realized only when the tweeter is positioned at the listener's ear height. These 22-inch stands were developed with that listening geometry in mind, setting the SourcePoint 8 at exactly the height at which Stereophile's Kalman Rubinson and other reviewers experienced the speaker's wide, transparent soundstage and engaging, non-fatiguing character. Pairing the SourcePoint 8 with a generic stand of incorrect height risks compromising the imaging precision and tonal balance that make Andrew Jones' concentric driver design so effective.\u003c\/p\u003e\n\n\u003ch2\u003eThree-Pole Steel Construction with Fillable Columns\u003c\/h2\u003e\n\u003cp\u003eThe stands use a three-pole steel design that balances structural rigidity with a minimal footprint, keeping the visual profile unobtrusive while providing the mechanical stability required to support the SourcePoint 8's 27.9-pound cabinet without flex or rocking. The hollow steel poles can be filled with sand or similar damping material to add mass and reduce resonance further, a feature common to reference-grade speaker stands used with demanding audiophile loudspeakers. A thicker base plate at 0.24 inches provides ground-level stability, while the 0.08-inch top plate interfaces directly with the SourcePoint 8's cabinet bottom. The supplied spike set couples the base plate to hard floors for vibration draining, while the included neoprene and felt pads provide a non-damaging alternative for wood floors, tiles, and carpeted surfaces.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eExclusively Designed for the SourcePoint 8:\u003c\/strong\u003e The top plate dimensions, stand height, and structural geometry are matched specifically to the MoFi Electronics SourcePoint 8 bookshelf loudspeaker, ensuring correct listening height and a secure fit for the speaker's cabinet footprint.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e22-Inch Optimal Listening Height:\u003c\/strong\u003e Raises the SourcePoint 8's concentric driver to the seated ear height at which Andrew Jones' point-source design delivers its full imaging, dispersion, and tonal balance performance.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree-Pole Steel Construction:\u003c\/strong\u003e Rigid steel pole assembly resists flex and vibration, maintaining a stable platform under the SourcePoint 8's 27.9-pound cabinet during all listening levels.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFillable Pole Design:\u003c\/strong\u003e The hollow steel columns can be filled with sand or other damping material to increase mass, further reduce resonance, and lower the mechanical noise floor of the stand.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e10 x 10 Inch Top Plate:\u003c\/strong\u003e A 0.08-inch-thick top plate sized to match the SourcePoint 8's cabinet base for a stable, flush contact area with no overhang or instability.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e12.99 x 12.52 Inch Base Plate:\u003c\/strong\u003e A wide, 0.24-inch-thick steel base plate distributes the combined weight of stand and speaker across a generous footprint for maximum floor-level stability.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eComplete Floor Interface Kit:\u003c\/strong\u003e Each pair includes spikes and spike plates for hard floor and carpet use, plus neoprene and felt pads for non-damaging placement on wood, tile, and laminate surfaces.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eSold as a Pair:\u003c\/strong\u003e Supplied as a matched pair, one stand per SourcePoint 8 speaker, ready to accommodate a complete stereo setup.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCompatible Speaker\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity SourcePoint 8\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eStand Height\u003c\/td\u003e\n      \u003ctd\u003e22 inches\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eConstruction\u003c\/td\u003e\n      \u003ctd\u003eThree-Pole Steel\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTop Plate Dimensions (W x D)\u003c\/td\u003e\n      \u003ctd\u003e10 x 10 inches\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTop Plate Thickness\u003c\/td\u003e\n      \u003ctd\u003e0.08 inches\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBase Plate Dimensions (W x D)\u003c\/td\u003e\n      \u003ctd\u003e12.99 x 12.52 inches\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBase Plate Thickness\u003c\/td\u003e\n      \u003ctd\u003e0.24 inches\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFillable Columns\u003c\/td\u003e\n      \u003ctd\u003eYes\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eIncluded Accessories\u003c\/td\u003e\n      \u003ctd\u003eSpikes, spike plates, neoprene pads, felt pads\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSold As\u003c\/td\u003e\n      \u003ctd\u003ePair\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat are the Mobile Fidelity SourcePoint 8 Speaker Stands?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity SourcePoint 8 Speaker Stands are a dedicated pair of three-pole steel speaker stands from MoFi Electronics, exclusively engineered for the SourcePoint 8 bookshelf loudspeaker. They stand 22 inches tall, feature a 10 x 10 inch top plate, a 12.99 x 12.52 inch base plate, and fillable columns for added resonance damping. They are sold as a pair and include spikes, spike plates, neoprene pads, and felt pads, and are available in Toronto, Canada through Vinyl Sound.\u003c\/p\u003e\n\n\u003ch3\u003eWill the SourcePoint 8 stands work with other bookshelf speakers?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity SourcePoint 8 Speaker Stands were designed specifically to match the cabinet dimensions and optimal listening height of the SourcePoint 8. The 10 x 10 inch top plate is sized to the SourcePoint 8's base footprint, and the 22-inch height is calculated to position the SourcePoint 8's concentric driver at seated ear height for the point-source imaging performance Andrew Jones intended. While they may physically support other speakers with a similar cabinet footprint, their engineering rationale and performance case apply specifically to the SourcePoint 8.\u003c\/p\u003e\n\n\u003ch3\u003eCan the stand columns be filled for extra stability?\u003c\/h3\u003e\n\u003cp\u003eYes, the three-pole columns of the SourcePoint 8 Speaker Stands are hollow and can be filled with sand or similar damping material. Filling the columns increases the total mass of the stand assembly, lowers its resonant frequency, and reduces the amount of mechanical energy that feeds back into the speaker cabinet from floor-borne vibrations. This is a common practice with high-performance speaker stands, particularly when pairing with heavier loudspeakers like the SourcePoint 8, which weighs 27.9 pounds per cabinet.\u003c\/p\u003e\n\n\u003ch3\u003eWhat floor surface options do the stands support?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 8 Speaker Stands include a complete floor interface kit for all common surface types. Steel spikes and spike plates are provided for hard floors and carpet, where they mechanically couple the stand to the floor and drain vibration away from the speaker. Neoprene and felt pads are also included for placement on wood, tile, or laminate surfaces where spikes would cause damage. Both options are supplied in the box, allowing listeners to choose the appropriate interface for their specific listening room without requiring additional purchases.\u003c\/p\u003e\n\n\u003ch3\u003eWhy is the 22-inch height important for the SourcePoint 8?\u003c\/h3\u003e\n\u003cp\u003eThe 22-inch stand height is calibrated to bring the SourcePoint 8's concentric tweeter-within-woofer driver to the seated ear height of a typical listener, which is approximately 36 to 38 inches from the floor. This positioning is critical for the SourcePoint 8's point-source concentric driver design, conceived by Andrew Jones, because the acoustic benefits of a single-point radiator, including coherent time alignment, wide dispersion, and stable three-dimensional imaging, are fully realized only when the driver is on-axis with the listener's ears. Stereophile's Kalman Rubinson noted that seated ear height was decisive in unlocking the SourcePoint 8's full soundstage capability during his listening evaluation.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the Mobile Fidelity SourcePoint 8 Stands in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe Mobile Fidelity SourcePoint 8 Speaker Stands are available in Toronto and across Canada through Vinyl Sound, an authorized Mobile Fidelity dealer in Toronto, Canada. Vinyl Sound carries both the SourcePoint 8 loudspeakers and their dedicated stands, and can assist with placement advice and system recommendations for your listening room.\u003c\/p\u003e\n\n\u003ch3\u003eDo the stands come with everything needed for setup?\u003c\/h3\u003e\n\u003cp\u003eYes, the Mobile Fidelity SourcePoint 8 Speaker Stands ship as a complete pair with all hardware needed for setup included in the box. Each pair comes with spikes for hard floor and carpet coupling, spike plates to protect the floor surface beneath the spikes, neoprene pads for non-damaging placement on delicate surfaces, and felt pads for additional floor protection. No separate hardware purchases are required to complete the installation on any standard residential floor surface.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Default Title","offer_id":44846463451388,"sku":"MOFISP8-ST","price":599.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/MOBILEFIDELITYSOURCEPOINT8SPEAKERSTANDS_PAIR_VINYLSOUND_94a06029-ab02-43a8-8dec-413b2f2ceddf.webp?v=1702035676"},{"product_id":"mobile-fedility-masterdeck-turntable","title":"Mobile Fidelity Masterdeck Turntable","description":"\u003ch1\u003eMobile Fidelity Electronics MasterDeck Turntable at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe MasterDeck is a reference-grade belt-drive turntable from Mobile Fidelity Electronics (MoFi Electronics, Ann Arbor, Michigan, USA), available at Vinyl Sound in Toronto, Canada. Designed by Allen Perkins — one of the most respected turntable engineers in the high-end audio industry and founder of Immedia — the MasterDeck is handcrafted in limited batches at MoFi's Ann Arbor factory and represents the most ambitious expression of Mobile Fidelity Sound Lab's decades-long commitment to faithful vinyl reproduction. At its core is a \u003cstrong\u003ethree-phase brushless DC synchronous motor\u003c\/strong\u003e with optical speed regulation, a \u003cstrong\u003e1.75-inch hybrid Aluminum-Delrin platter\u003c\/strong\u003e weighing 14.35 lbs, and an all-new \u003cstrong\u003e10-inch dual-pivot carbon-fiber tonearm\u003c\/strong\u003e with removable headshell and premium Cardas Audio internal wiring. The MasterDeck supports 33.3, 45, and 78 RPM playback with fine-speed trim adjustment and rides on Harmonic Resolution Systems isolation feet engineered to provide 5.5 degrees of vibration freedom.\u003c\/p\u003e\n\n\u003ch2\u003e10-Inch Dual-Pivot Carbon-Fiber Tonearm with Cardas Audio Wiring\u003c\/h2\u003e\n\u003cp\u003eThe MasterDeck's tonearm is a purpose-designed 10-inch dual-pivot carbon-fiber assembly that combines the low-friction bearing characteristics of a unipivot with the lateral stability of a gimbal, resulting in a hybrid unipivot\/gimbal architecture that tracks demanding groove modulations with exceptional precision and composure. Carbon fiber is used throughout the arm tube for its high stiffness-to-mass ratio, keeping the structure rigid against vibration while minimizing the added mass that would otherwise reduce tracking ability at the headshell. A removable headshell allows straightforward cartridge swapping and azimuth optimization without tools, and the arm provides full adjustment of vertical tracking angle, overhang, and anti-skate to accommodate cartridges weighing between 5g and 14g. Internal wiring is supplied by Cardas Audio, a specialist in audiophile-grade litz copper conductors, ensuring that the low-level signal from the cartridge reaches the phono stage with minimum coloration and electrical interference. An 18mm overhang and 22.8-degree offset angle place the stylus on a geometry optimized for the 10-inch effective length, minimizing tracking error across the playing surface of both standard LPs and 78 RPM shellacs.\u003c\/p\u003e\n\n\u003ch2\u003ePrecision Motor, Platter, and Bearing System\u003c\/h2\u003e\n\u003cp\u003eThe MasterDeck is driven by a three-phase brushless DC synchronous motor mounted in an isolated sub-chassis to prevent mechanical noise and vibration from reaching the platter bearing or tonearm. An optical sensor monitors platter rotation in real time and feeds corrections back to the motor controller, maintaining speed accuracy across all three playback rates — 33.3, 45, and 78 RPM — with a fine trim adjustment that allows users to dial in exact speed for individual records or cartridge compliance requirements. The 14.35-lb platter is machined from aluminum and coated with Delrin, an acetal resin chosen for its self-damping properties and acoustic impedance that couples efficiently to vinyl while absorbing platter resonance that would otherwise color playback. The platter spins on an Encapsulated Spiral Groove Inverted Bearing, a precision-machined system in which the spindle is fixed to the plinth and the bearing housing rotates around it, shifting the load-bearing contact point to minimize friction, reduce wear over decades of use, and produce an exceptionally smooth and stable rotational characteristic. The entire assembly sits on Harmonic Resolution Systems isolation feet that provide 5.5 degrees of mechanical freedom, effectively decoupling the MasterDeck from floor-borne vibration and acoustic feedback that would otherwise modulate the stylus in the groove.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHandcrafted in the USA:\u003c\/strong\u003e Each MasterDeck is assembled in limited batches at MoFi Electronics' factory in Ann Arbor, Michigan, with individual quality control at every stage of production.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e10-Inch Dual-Pivot Carbon-Fiber Tonearm:\u003c\/strong\u003e A unipivot\/gimbal hybrid arm in carbon fiber combines low bearing friction with lateral stability for precise, low-distortion cartridge tracking across all groove modulations.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCardas Audio Internal Wiring:\u003c\/strong\u003e Premium litz copper conductors from Cardas Audio carry the cartridge signal from headshell to phono output with minimal resistance, capacitance, and coloration.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRemovable Headshell:\u003c\/strong\u003e Tool-free headshell removal allows quick cartridge changes and facilitates azimuth, VTA, overhang, and anti-skate adjustment for precise cartridge alignment.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree-Speed Playback with Trim Adjustment:\u003c\/strong\u003e Selectable 33.3, 45, and 78 RPM speeds with a precision fine-trim control allow exact speed calibration for every vinyl format from modern LPs to vintage shellac 78s.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree-Phase Brushless DC Synchronous Motor:\u003c\/strong\u003e An isolated three-phase brushless DC motor with optical speed regulation delivers stable, low-noise rotation free from the cogging and speed drift of conventional AC synchronous designs.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e1.75-Inch Hybrid Aluminum-Delrin Platter:\u003c\/strong\u003e A 14.35-lb platter machined from aluminum and coated with Delrin provides a massive, resonance-absorbing playing surface that couples efficiently to vinyl without adding coloration.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEncapsulated Spiral Groove Inverted Bearing:\u003c\/strong\u003e A precision inverted bearing system minimizes friction and wear while delivering exceptionally smooth, stable platter rotation over decades of use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHarmonic Resolution Systems Isolation Feet:\u003c\/strong\u003e HRS-engineered isolation feet provide 5.5 degrees of mechanical freedom, decoupling the turntable from floor vibration and acoustic feedback for a clean, uncolored signal.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eCartridge Weight Range 5g to 14g:\u003c\/strong\u003e The tonearm accommodates a broad range of moving-magnet and moving-coil cartridges from lightweight to medium-high mass for maximum system flexibility.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eWalnut or Black Ash Solid Wood Frame:\u003c\/strong\u003e The MasterDeck plinth is finished in genuine Walnut or Black Ash solid wood, complementing both modern and traditional listening room interiors.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUnder 5 Watts Power Consumption:\u003c\/strong\u003e Extremely low power draw from the precision motor controller reflects the efficiency of the brushless DC drive system.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDrive System\u003c\/td\u003e\n      \u003ctd\u003eBelt drive, DC synchronous\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMotor\u003c\/td\u003e\n      \u003ctd\u003eThree-phase brushless DC with optical speed regulation\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSpeeds\u003c\/td\u003e\n      \u003ctd\u003e33.3 RPM, 45 RPM, 78 RPM with fine trim adjustment\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePlatter\u003c\/td\u003e\n      \u003ctd\u003e1.75-inch hybrid Aluminum-Delrin, 14.35 lbs\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBearing\u003c\/td\u003e\n      \u003ctd\u003eEncapsulated Spiral Groove Inverted Bearing\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eIsolation Feet\u003c\/td\u003e\n      \u003ctd\u003eHarmonic Resolution Systems (HRS), 5.5 degrees of freedom\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTonearm Type\u003c\/td\u003e\n      \u003ctd\u003eUnipivot\/gimbal hybrid dual-pivot\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTonearm Length\u003c\/td\u003e\n      \u003ctd\u003e10 inches\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTonearm Material\u003c\/td\u003e\n      \u003ctd\u003eCarbon fiber\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTonearm Wiring\u003c\/td\u003e\n      \u003ctd\u003eCardas Audio internal wiring\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eHeadshell\u003c\/td\u003e\n      \u003ctd\u003eRemovable\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOverhang\u003c\/td\u003e\n      \u003ctd\u003e0.71 inches (18 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOffset Angle\u003c\/td\u003e\n      \u003ctd\u003e22.8 degrees\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCartridge Weight Range\u003c\/td\u003e\n      \u003ctd\u003e5g to 14g\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eAdjustments\u003c\/td\u003e\n      \u003ctd\u003eAzimuth, VTA, overhang, anti-skate\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDustcover\u003c\/td\u003e\n      \u003ctd\u003eNot included\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePower Consumption\u003c\/td\u003e\n      \u003ctd\u003eLess than 5 Watts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions (W x H x D)\u003c\/td\u003e\n      \u003ctd\u003e20 x 5.125 x 15.125 inches (approx. 6.25 inches height with tonearm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e37.4 lbs\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFinishes\u003c\/td\u003e\n      \u003ctd\u003eWalnut, Black Ash (solid wood frame)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n      \u003ctd\u003eUSA (Ann Arbor, Michigan)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDesigner\u003c\/td\u003e\n      \u003ctd\u003eAllen Perkins\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eManufacturer\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics (MoFi Electronics), USA\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi Electronics MasterDeck turntable?\u003c\/h3\u003e\n\u003cp\u003eThe MasterDeck is a reference-grade belt-drive turntable from Mobile Fidelity Electronics, handcrafted in limited batches in Ann Arbor, Michigan, USA, and designed by Allen Perkins. It features a three-phase brushless DC synchronous motor with optical speed regulation, a 14.35-lb hybrid Aluminum-Delrin platter, a 10-inch dual-pivot carbon-fiber tonearm with Cardas Audio internal wiring, and Harmonic Resolution Systems isolation feet. It plays 33.3, 45, and 78 RPM records with precision fine-speed trim adjustment, and is available at Vinyl Sound in Toronto, Canada.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the MasterDeck compare to the Rega Planar 10 and the Clearaudio Concept?\u003c\/h3\u003e\n\u003cp\u003eThe MasterDeck occupies a distinct position relative to both competitors. Against the Rega Planar 10, which uses a lightweight skeletal plinth philosophy, a hand-selected low-noise AC motor, and Rega's RB Apheta-matched tonearm, the MasterDeck counters with a far heavier 14.35-lb Aluminum-Delrin platter for greater rotational stability, an optically regulated brushless DC motor for active speed correction rather than passive AC frequency dependence, and HRS isolation feet that address floor-borne vibration at a level the Rega's lightweight construction cannot match. Against the Clearaudio Concept, a belt-drive design with a magnetic bearing and Clearaudio's Concept tonearm, the MasterDeck offers a 10-inch arm versus the Concept's typically shorter geometry, a more complex inverted bearing system, three-speed 78 RPM capability, and the prestige of limited-batch USA manufacture by a designer of Allen Perkins' standing. Neither competitor combines optically regulated brushless DC drive, HRS isolation, a 10-inch carbon-fiber dual-pivot arm with Cardas wiring, and 78 RPM support in a single handcrafted package.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is the dual-pivot tonearm design on the MasterDeck?\u003c\/h3\u003e\n\u003cp\u003eThe dual-pivot tonearm on the MasterDeck is a hybrid unipivot\/gimbal design in which the arm pivots on two bearing points rather than one. A conventional unipivot arm balances on a single point, giving it exceptional freedom of movement and low bearing friction but requiring careful setup to prevent lateral instability. A gimbal arm uses two or more bearing points for rock-solid lateral control but can introduce bearing friction. The MasterDeck's dual-pivot architecture combines both approaches, achieving the low-friction, free-moving character of a unipivot in the vertical plane with the lateral stability of a gimbal in the horizontal plane. The result is a tonearm that tracks groove modulations with precision and composure across both axes without the setup sensitivity of a pure unipivot design.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does the Harmonic Resolution Systems isolation do on the MasterDeck?\u003c\/h3\u003e\n\u003cp\u003eThe Harmonic Resolution Systems isolation feet beneath the MasterDeck are purpose-engineered vibration control devices that provide 5.5 degrees of mechanical freedom between the turntable chassis and the supporting surface. This means the feet absorb and dissipate energy arriving from the floor — footfall, low-frequency room modes, and acoustic feedback from speakers — across multiple axes simultaneously rather than in a single plane. In a vinyl playback context, any mechanical energy that reaches the platter or tonearm modulates the stylus in the groove and adds spurious low-level noise to the signal. The HRS feet prevent this energy from reaching the MasterDeck's precision bearing and tonearm, preserving the low-level detail and dynamic range that the MoFi MasterDeck's engineering is designed to retrieve.\u003c\/p\u003e\n\n\u003ch3\u003eCan the MasterDeck play 78 RPM records?\u003c\/h3\u003e\n\u003cp\u003eYes, the MasterDeck supports 78 RPM playback in addition to 33.3 and 45 RPM. A three-position speed selector switches between all three formats, and a precision fine-trim adjustment allows exact speed calibration for individual records. Playing 78 RPM shellac records at correct speed requires a dedicated 78 RPM stylus with a larger tip radius than a standard LP stylus, so a compatible cartridge or a second headshell fitted with a 78-appropriate stylus is recommended. The MasterDeck's removable headshell makes switching between a standard LP cartridge and a 78 RPM setup straightforward.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi Electronics MasterDeck in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Electronics MasterDeck turntable is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer in Toronto, Canada. Vinyl Sound carries the MasterDeck alongside the full MoFi Electronics source component lineup and can arrange a demonstration for customers in the Toronto area and across Canada.\u003c\/p\u003e\n\n\u003ch3\u003eWhat cartridge should I use with the MasterDeck?\u003c\/h3\u003e\n\u003cp\u003eThe MasterDeck tonearm accommodates cartridges weighing between 5g and 14g, covering the majority of high-performance moving-magnet and moving-coil cartridges currently available. MoFi Electronics produces its own cartridge lineup — including the UltraGold and UltraTracker moving-magnet designs and the UltraSilver moving-coil — each of which is voiced to complement the MasterDeck's neutral, high-resolution character. The removable headshell and full azimuth, VTA, overhang, and anti-skate adjustability allow precise alignment of any compatible cartridge to extract maximum performance from the MasterDeck's precision bearing and motor system.\u003c\/p\u003e\n\n\u003ch3\u003eWhat phono stage pairs well with the MasterDeck?\u003c\/h3\u003e\n\u003cp\u003eThe MasterDeck is a reference-grade source component and performs best when paired with a phono stage of matching quality. MoFi Electronics offers the MasterPhono preamplifier, designed specifically to complement the MasterDeck's signal chain and voiced to preserve the low-noise, high-resolution output of both moving-magnet and moving-coil cartridges. Third-party phono stages from manufacturers such as Pass Labs, EAR Yoshino, and Parasound also pair well with the MasterDeck depending on cartridge choice, and Vinyl Sound in Toronto can advise on system-matched phono stage options for customers building around the MasterDeck.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"MasterDeck Turntable + No Cartridge \/ Black","offer_id":44847321350396,"sku":"MF-MDT-B","price":8495.0,"currency_code":"CAD","in_stock":true},{"title":"MasterDeck Turntable + No Cartridge \/ Walnut","offer_id":44847372271868,"sku":"MF-MDT-W","price":8495.0,"currency_code":"CAD","in_stock":true},{"title":"MasterDeck Turntable +Ultra Gold MC Cartridge \/ Black","offer_id":44847321383164,"sku":"MF-MDT-UGC-B","price":9995.0,"currency_code":"CAD","in_stock":true},{"title":"MasterDeck Turntable +Ultra Gold MC Cartridge \/ Walnut","offer_id":44847372304636,"sku":"MF-MDT-UGC-W","price":9995.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/MOBILEFEDILITYMASTERDECKTURNTABLE_VINYLSOUND.png?v=1709615447"},{"product_id":"mofi-electronics-sourcepoint-v10-master-edition-floorstanding-speakers-pair","title":"Mobile Fidelity Electronics SourcePoint V10 Master Edition Floorstanding Speakers [Pair]","description":"\u003ch1\u003eMobile Fidelity Electronics SourcePoint V10 Master Edition Floorstanding Speakers at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe SourcePoint V10 Master Edition is a flagship 3-way floorstanding loudspeaker from Mobile Fidelity Electronics (Mofi Electronics, USA), available at Vinyl Sound in Toronto, Canada. Designed by internationally acclaimed audio engineer Andrew Jones — whose credits span KEF, Pioneer, TAD, and ELAC — this tower represents a ground-up evolution of the celebrated SourcePoint platform. Each cabinet deploys \u003cstrong\u003eten 10-inch drivers\u003c\/strong\u003e, including a concentric midrange\/tweeter, twin woofers, and dual rear-firing passive radiators, delivering bass extension down to \u003cstrong\u003e27 Hz\u003c\/strong\u003e and a sensitivity of \u003cstrong\u003e91 dB\u003c\/strong\u003e. The V10 Master Edition has earned praise from Hi-Fi News (Outstanding Product) and Audiograde (Editor's Pick), cementing its place among the most accomplished floorstanders available today.\u003c\/p\u003e\n\n\u003ch2\u003eConcentric Driver Architecture and Passive Radiator System\u003c\/h2\u003e\n\u003cp\u003eAt the core of each SourcePoint V10 Master Edition cabinet sits Andrew Jones's Twin-Drive concentric assembly: a 10-inch paper-cone midrange with a 1.25-inch soft-dome tweeter mounted concentrically in its throat. Because both drivers share a single acoustic center, they radiate sound from an identical point in space, eliminating the time-arrival errors that plague conventional two-driver baffles and producing a wide, precisely focused soundstage. To handle deep bass without compromising the concentric unit, Jones added twin 10-inch paper-cone woofers per cabinet, each engineered with dual-opposed neodymium magnets, a short-coil\/long-gap underhung motor, and a ribbed roll surround for enhanced linearity. Two 10-inch rear-firing passive radiators — mounted in isolated internal chambers — reinforce low frequencies down to 27 Hz, moving the same air as a large bass port but without the turbulence or port noise that plagues conventional vented designs at high volumes. The result is bass that feels authoritative and articulate even during demanding passages.\u003c\/p\u003e\n\n\u003ch2\u003eMaster Edition Tunable Crossover Network\u003c\/h2\u003e\n\u003cp\u003eThe V10 Master Edition crossover is hand-built with audiophile-grade polypropylene film capacitors, metalized-film resistors, and air-core inductors on separate circuit boards dedicated to the bass, midrange, and high-frequency bands. This triple-board architecture eliminates inter-band interference within the crossover itself, lowering distortion across the entire audible range. A rear-mounted three-position rocker switch lets you dial in treble output — low, mid, or high — with approximately 1 dB of adjustment per step, allowing the V10 Master Edition to integrate precisely with a wide range of room acoustics and personal listening preferences. Crossover points are set at 130 Hz and 1.4 kHz, handing off smoothly between the passive radiator\/woofer section, the 10-inch midrange, and the soft-dome tweeter.\u003c\/p\u003e\n\n\u003ch2\u003eMulti-Faceted Baffle and Cabinet Construction\u003c\/h2\u003e\n\u003cp\u003eThe SourcePoint V10 Master Edition stands 48.8 inches tall in a resonance-free, multi-chambered cabinet constructed from thick MDF with extensive internal bracing. Its sculpted multi-faceted baffle uses strategically angled planes around each driver to scatter edge diffraction and eliminate the comb-filtering reflections that smear imaging on flat-fronted enclosures. Each woofer and passive radiator occupies an isolated internal chamber, preventing bass energy from contaminating the midrange cavity. Magnetic fabric-wrapped grilles clip on quickly for casual listening while preserving the baffle's distinctive contoured profile. Cabinets are finished in genuine book-matched Walnut or Black Ash real-wood veneer, sealed under a durable satin clear coat that protects the natural grain while giving each pair a uniquely matched appearance.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTen 10-Inch Drivers Per Pair:\u003c\/strong\u003e Five drivers per cabinet — one concentric midrange\/tweeter, two woofers, and two passive radiators — ensure every frequency band is handled by a dedicated, optimally sized element.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConcentric Midrange\/Tweeter Assembly:\u003c\/strong\u003e A 10-inch paper-cone midrange with a 1.25-inch soft-dome tweeter mounted at its acoustic center delivers point-source coherence and wide, uniform dispersion across the listening room.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin 10-Inch Woofers with Underhung Motors:\u003c\/strong\u003e Dual-opposed neodymium magnets and a short-coil\/long-gap design minimize distortion and preserve clarity during high-excursion bass passages.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDual Rear-Firing Passive Radiators:\u003c\/strong\u003e Two 10-inch passive radiators extend bass response to 27 Hz with the air-moving capacity of a large port and the low-turbulence character of a sealed enclosure.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eUser-Tunable Treble Control:\u003c\/strong\u003e A rear-mounted three-position switch adjusts high-frequency output by approximately 1 dB per step, adapting the V10 Master Edition to different rooms and amplifier pairings.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eAudiophile Master Edition Crossover:\u003c\/strong\u003e Polypropylene film capacitors, metalized-film resistors, and air-core inductors on separate bass\/mid\/HF boards deliver ultra-low distortion and precise phase alignment at each crossover point.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-Faceted Sculpted Baffle:\u003c\/strong\u003e Angled planes around each driver minimize edge diffraction and unwanted reflections, producing razor-sharp imaging and a wide, even dispersion pattern.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eResonance-Free Multi-Chambered Cabinet:\u003c\/strong\u003e Isolated internal chambers for each driver section, thick MDF walls, and extensive internal bracing eliminate cabinet colorations that obscure fine musical detail.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnetic Fabric Grilles:\u003c\/strong\u003e Tool-free magnetic attachment makes grille removal quick and easy; the form-fitting profile preserves the baffle's distinctive shape when grilles are in place.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eBook-Matched Real-Wood Veneers:\u003c\/strong\u003e Genuine Walnut or Black Ash veneer panels are book-matched for seamless grain flow and sealed under a hard-wearing satin clear coat.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e91 dB Sensitivity:\u003c\/strong\u003e High sensitivity and a benign 6-ohm nominal impedance make the V10 Master Edition compatible with a wide range of amplifiers, from 30-watt tube amplifiers to powerful solid-state designs.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSystem Type\u003c\/td\u003e\n      \u003ctd\u003e3-way passive radiator with concentric driver\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Range\u003c\/td\u003e\n      \u003ctd\u003e27 Hz to 30 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSensitivity\u003c\/td\u003e\n      \u003ctd\u003e91 dB (2.83 V \/ 1 m)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eNominal Impedance\u003c\/td\u003e\n      \u003ctd\u003e6 Ohms (4.5 Ohms minimum)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMaximum Power Handling\u003c\/td\u003e\n      \u003ctd\u003e200 Watts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n      \u003ctd\u003e130 Hz, 1.4 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTweeter\u003c\/td\u003e\n      \u003ctd\u003e1.25-inch soft dome (tunable)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMidrange\u003c\/td\u003e\n      \u003ctd\u003e10-inch paper cone (concentric)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWoofers\u003c\/td\u003e\n      \u003ctd\u003e2 x 10-inch paper cone per cabinet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePassive Radiators\u003c\/td\u003e\n      \u003ctd\u003e2 x 10-inch rear-firing per cabinet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCabinet Construction\u003c\/td\u003e\n      \u003ctd\u003eMulti-chambered, resonance-free MDF with internal bracing\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBaffle Design\u003c\/td\u003e\n      \u003ctd\u003eMulti-faceted sculpted baffle\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCrossover Components\u003c\/td\u003e\n      \u003ctd\u003ePolypropylene film capacitors, metalized-film resistors, air-core inductors\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTreble Adjustment\u003c\/td\u003e\n      \u003ctd\u003e3-position rear-mounted rocker switch (approx. 1 dB steps)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFinishes\u003c\/td\u003e\n      \u003ctd\u003eWalnut, Black Ash (real-wood veneer, book-matched)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions (H x W x D)\u003c\/td\u003e\n      \u003ctd\u003e48.8 x 15.5 x 19.9 inches\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e160 lbs per cabinet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eGrilles\u003c\/td\u003e\n      \u003ctd\u003eMagnetic, fabric-wrapped\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDesigner\u003c\/td\u003e\n      \u003ctd\u003eAndrew Jones (formerly KEF, Pioneer, TAD, ELAC)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eManufacturer\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics (MoFi Electronics), USA\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSold As\u003c\/td\u003e\n      \u003ctd\u003ePair\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eOutstanding Product\u003c\/strong\u003e — Hi-Fi News, 2025: \"MoFi's SourcePoint V10 ME gives you a lot of loudspeaker for the money, and rewards with an authentically large-scale, enveloping, and weighty sound.\"\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEditor's Pick\u003c\/strong\u003e — Audiograde, November 2025: \"Unashamedly big, unashamedly bold and unashamedly brilliant. This is one of the most accomplished loudspeakers I've heard in some time, regardless of price... a game changer for under ten grand.\"\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi Electronics SourcePoint V10 Master Edition?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint V10 Master Edition is a flagship 3-way floorstanding loudspeaker from Mobile Fidelity Electronics (USA), built around ten 10-inch drivers per pair — including a concentric midrange\/tweeter, twin woofers, and dual rear-firing passive radiators per cabinet. It extends bass to 27 Hz, reaches a sensitivity of 91 dB, and handles up to 200 watts. Designed by Andrew Jones and refined with a hand-built Master Edition crossover, it is the most ambitious speaker in the MoFi Electronics SourcePoint lineup.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the SourcePoint V10 Master Edition compare to the Klipsch Forte IV and the KEF R11 Meta?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint V10 Master Edition occupies a distinct technical position relative to both competitors. Against the Klipsch Forte IV, the V10 matches horn-loaded efficiency with a high 91 dB sensitivity while delivering deeper low-frequency extension to 27 Hz versus the Forte IV's 34 Hz, and replaces the Forte's bass-reflex port with passive radiators for lower turbulence at high volumes. Compared to the KEF R11 Meta, which uses KEF's Uni-Q coaxial driver in a conventional two-way bass arrangement, the V10 Master Edition goes further with a full three-way architecture, ten total 10-inch drivers, and Andrew Jones's own evolution of the concentric driver concept he helped develop during his tenure at KEF. Both the Forte IV and R11 Meta are accomplished speakers, but neither pairs passive radiator bass technology with a large-format concentric midrange\/tweeter in a single tunable cabinet.\u003c\/p\u003e\n\n\u003ch3\u003eCan the SourcePoint V10 Master Edition be driven by a tube amplifier?\u003c\/h3\u003e\n\u003cp\u003eYes, the SourcePoint V10 Master Edition works well with tube amplifiers rated at 30 watts or more. Its 91 dB sensitivity means it reaches high listening levels from modest power output, and its nominal 6-ohm impedance with a 4.5-ohm minimum presents a manageable load for well-designed tube amplifiers with 4-ohm or 8-ohm taps. The tunable treble switch allows further matching to the tonal character of the amplifier in use.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a concentric driver and why does MoFi Electronics use one?\u003c\/h3\u003e\n\u003cp\u003eA concentric driver is a loudspeaker unit in which the tweeter is mounted at the acoustic center of the midrange cone, so both drivers radiate sound from precisely the same point in space. MoFi Electronics uses this approach in the SourcePoint V10 Master Edition because it eliminates the time-arrival errors and lobing artifacts that arise when a separate tweeter and midrange are offset from each other on a flat baffle. The result is a wider, more stable sweet spot, more consistent off-axis response, and more lifelike imaging than a conventional two-driver arrangement can achieve at the same crossover frequency.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does the tunable crossover do on the V10 Master Edition?\u003c\/h3\u003e\n\u003cp\u003eThe Master Edition crossover includes a rear-mounted three-position rocker switch that adjusts treble output by approximately 1 dB per step — low, mid, or high. This allows the SourcePoint V10 Master Edition to integrate properly into rooms with different acoustic treatments, and to match the tonal character of a wide range of amplifiers and source components. The crossover itself is built with polypropylene film capacitors, metalized-film resistors, and air-core inductors on separate bass, midrange, and high-frequency circuit boards for ultra-low distortion.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi Electronics SourcePoint V10 Master Edition in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Electronics SourcePoint V10 Master Edition is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer located in Toronto, Canada. Vinyl Sound carries the full MoFi Electronics speaker lineup and can arrange a listening demonstration for prospective buyers in the Toronto area.\u003c\/p\u003e\n\n\u003ch3\u003eWhat room size suits the SourcePoint V10 Master Edition?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint V10 Master Edition is designed for medium to large listening rooms where its bass extension to 27 Hz and wide dispersion can fully develop. At 48.8 inches tall and weighing 160 lbs per cabinet, each speaker requires adequate floor space and benefits from placement at least 2 to 3 feet from rear and side walls to allow the rear-firing passive radiators to breathe. The tunable treble control and 91 dB sensitivity give the V10 Master Edition a degree of acoustic flexibility that makes it usable in rooms that might otherwise overload with a similarly sized ported design.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the passive radiator system in the V10 Master Edition differ from a bass-reflex port?\u003c\/h3\u003e\n\u003cp\u003eThe dual 10-inch rear-firing passive radiators in the SourcePoint V10 Master Edition move bass air through the cabinet wall using a mechanically tuned diaphragm rather than an open tube or slot. This approach produces the same low-frequency extension as a large bass-reflex port but avoids the port turbulence, chuffing, and group-delay artifacts that ported enclosures can exhibit at high listening levels. Each passive radiator is housed in its own isolated chamber, preventing bass energy from interfering with the woofers or midrange cavity and maintaining clarity throughout the frequency range.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Black","offer_id":48262076236028,"sku":null,"price":11995.0,"currency_code":"CAD","in_stock":true},{"title":"Walnut","offer_id":48262076268796,"sku":null,"price":11995.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/0005_MoFi_SourcePoint_V10_ME_Black_Pair.webp?v=1760719248"},{"product_id":"mofi-electronics-sourcepoint-888-floorstanding-speakers-pair","title":"Mobile Fidelity Electronics SourcePoint 888 Floorstanding Speakers (Pair)","description":"\u003ch1\u003eMobile Fidelity Electronics SourcePoint 888 Floorstanding Speakers at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe SourcePoint 888 is a flagship 3-way floorstanding loudspeaker from Mobile Fidelity Electronics (MoFi Electronics, USA), available at Vinyl Sound in Toronto, Canada. Designed by renowned audio engineer Andrew Jones — whose career spans KEF, Pioneer, TAD, and ELAC — the SourcePoint 888 builds on the acclaimed SourcePoint concentric driver platform by adding \u003cstrong\u003etwin 8-inch woofers\u003c\/strong\u003e in a vented enclosure, extending bass response down to \u003cstrong\u003e32 Hz\u003c\/strong\u003e while maintaining the point-source coherence of the concentric midrange\/tweeter assembly. With a \u003cstrong\u003e200-watt maximum power handling\u003c\/strong\u003e capacity and a sculpted multi-faceted baffle engineered to eliminate diffraction, the SourcePoint 888 delivers a seamless, room-filling soundstage from a furniture-grade real-wood veneer cabinet built to the standards of Mobile Fidelity Sound Lab's decades-long studio heritage.\u003c\/p\u003e\n\n\u003ch2\u003eConcentric Driver Design and Three-Way Architecture\u003c\/h2\u003e\n\u003cp\u003eThe heart of the SourcePoint 888 is Andrew Jones's concentric driver assembly: an 8-inch paper-cone midrange with a 1.25-inch wide-roll soft-dome tweeter mounted concentrically at its acoustic center. By sharing a single radiation point, both drivers eliminate the phase and time-arrival errors that conventional separated tweeter\/midrange arrangements produce, resulting in a wide and stable sweet spot with natural, lifelike imaging. Flanking the concentric unit are two dedicated 8-inch paper-cone woofers that handle bass duties from the crossover point at 130 Hz downward, operating in a tuned vented-box enclosure that extends low-frequency response to 32 Hz. Crossover points are set at 130 Hz and 1.6 kHz, handing off cleanly between the woofer section, the 8-inch midrange cone, and the soft-dome tweeter. This strict division of labor keeps each driver operating in its optimal range, preserving clarity and dynamic headroom across the full frequency band.\u003c\/p\u003e\n\n\u003ch2\u003eMulti-Faceted Baffle and Cabinet Construction\u003c\/h2\u003e\n\u003cp\u003eThe SourcePoint 888 cabinet is built from thick MDF panels with sophisticated internal bracing that suppresses resonance and prevents cabinet colorations from masking fine musical detail. The sculpted multi-faceted baffle uses strategically angled planes around each driver to scatter edge diffraction and eliminate the comb-filtering reflections common on flat-fronted enclosures, delivering smooth, even driver response with no interference from the cabinet boundary. A satin black painted baffle offsets the real-wood veneer body, giving the SourcePoint 888 a purposeful, modern aesthetic. Magnetic fabric-wrapped grilles clip on effortlessly for casual listening while retaining the baffle's distinctive contoured silhouette. Each cabinet is finished in furniture-grade real-wood veneer — Satin Walnut, Satin Black Ash, or the exclusive Satin White Ash — book-matched across both speakers for mirror-imaged grain patterns and a visually cohesive pair.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003e3-Way Vented Concentric Design:\u003c\/strong\u003e A dedicated concentric midrange\/tweeter unit combined with twin 8-inch woofers in a tuned vented enclosure creates a coherent, distortion-free soundstage with bass extension to 32 Hz.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eConcentric Midrange\/Tweeter Assembly:\u003c\/strong\u003e An 8-inch paper-cone midrange with a 1.25-inch wide-roll soft-dome tweeter at its acoustic center provides point-source imaging, wide dispersion, and a broad sweet spot throughout the listening room.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eTwin 8-Inch Paper-Cone Woofers:\u003c\/strong\u003e Dual dedicated bass drivers handle low frequencies below 130 Hz, delivering powerful, controlled bass without placing excessive demands on the concentric midrange unit.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMulti-Faceted Sculpted Baffle:\u003c\/strong\u003e Angled planes around each driver minimize edge diffraction and cabinet reflections, producing razor-sharp imaging and a smooth, even frequency response.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eHigh-Quality Crossover Network:\u003c\/strong\u003e Precision crossover components ensure seamless handoff between the woofer section, midrange, and tweeter at 130 Hz and 1.6 kHz for a cohesive, phase-accurate presentation.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree Real-Wood Veneer Finishes:\u003c\/strong\u003e Satin Walnut, Satin Black Ash, and the exclusive Satin White Ash are each finished in furniture-grade book-matched real-wood veneer for mirror-imaged grain patterns across the pair.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMagnetic Fabric Grilles:\u003c\/strong\u003e Tool-free magnetic attachment allows quick grille removal for critical listening while preserving the baffle's distinctive multi-faceted profile during casual use.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eRobust MDF Cabinet with Internal Bracing:\u003c\/strong\u003e Thick MDF walls and sophisticated internal bracing eliminate cabinet resonances and colorations, keeping the focus on the music rather than the enclosure.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e87 dB Sensitivity, 6-Ohm Nominal Impedance:\u003c\/strong\u003e A straightforward impedance load and moderate sensitivity make the SourcePoint 888 compatible with a wide range of solid-state and tube amplifiers rated at 30 watts or more.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e200-Watt Maximum Power Handling:\u003c\/strong\u003e Generous power capacity gives the SourcePoint 888 the dynamic headroom to handle demanding orchestral, rock, and electronic music at realistic listening levels.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSystem Type\u003c\/td\u003e\n      \u003ctd\u003e3-way vented box with concentric driver\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Range\u003c\/td\u003e\n      \u003ctd\u003e32 Hz to 30 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSensitivity\u003c\/td\u003e\n      \u003ctd\u003e87 dB (2.83 V \/ 1 m)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eNominal Impedance\u003c\/td\u003e\n      \u003ctd\u003e6 Ohms (4.5 Ohms minimum)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMaximum Power Handling\u003c\/td\u003e\n      \u003ctd\u003e200 Watts\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCrossover Frequencies\u003c\/td\u003e\n      \u003ctd\u003e130 Hz, 1.6 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTweeter\u003c\/td\u003e\n      \u003ctd\u003e1.25-inch wide-roll soft dome\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMidrange\u003c\/td\u003e\n      \u003ctd\u003e8-inch paper cone (concentric)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWoofers\u003c\/td\u003e\n      \u003ctd\u003e2 x 8-inch paper cone\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCabinet Construction\u003c\/td\u003e\n      \u003ctd\u003eThick MDF with internal bracing, vented enclosure\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBaffle Design\u003c\/td\u003e\n      \u003ctd\u003eSculpted multi-faceted baffle, satin black painted\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFinishes\u003c\/td\u003e\n      \u003ctd\u003eSatin Walnut, Satin Black Ash, Satin White Ash (real-wood veneer, book-matched)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions without Grille (H x W x D)\u003c\/td\u003e\n      \u003ctd\u003e42.13 x 12.6 x 16.14 inches (1070 x 320 x 410 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDimensions with Grille (H x W x D)\u003c\/td\u003e\n      \u003ctd\u003e42.13 x 12.6 x 16.73 inches (1070 x 320 x 425 mm)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eWeight\u003c\/td\u003e\n      \u003ctd\u003e96.2 lbs (43 kg) per cabinet\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eGrilles\u003c\/td\u003e\n      \u003ctd\u003eMagnetic, fabric-wrapped\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDesigner\u003c\/td\u003e\n      \u003ctd\u003eAndrew Jones (formerly KEF, Pioneer, TAD, ELAC)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eManufacturer\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics (MoFi Electronics), USA\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSold As\u003c\/td\u003e\n      \u003ctd\u003ePair\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eAwards and Critical Recognition\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eEditor's Pick\u003c\/strong\u003e — Audiograde, 2024: Reviewed as one of the best loudspeakers experienced at the price, describing the SourcePoint 888 as a speaker that \"ploughs its own furrow\" with beefy three-way performance and a distinctive sonic identity.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi Electronics SourcePoint 888?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 888 is a 3-way vented floorstanding loudspeaker from Mobile Fidelity Electronics (USA), featuring an 8-inch concentric midrange\/tweeter driver, twin 8-inch paper-cone woofers, and bass extension to 32 Hz. Designed by Andrew Jones and manufactured to the exacting standards of Mobile Fidelity Sound Lab's studio heritage, it is one of the most technically sophisticated floorstanders in its class and is available as a matched pair in three real-wood veneer finishes.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the SourcePoint 888 compare to the KEF R7 Meta and the Klipsch Forte IV?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 888 occupies a distinctive position against both competitors. Against the KEF R7 Meta — which uses KEF's 12th-generation Uni-Q coaxial driver in a two-and-a-half-way bass-reflex configuration — the SourcePoint 888 goes further with a true three-way architecture, dual dedicated 8-inch woofers, and Andrew Jones's own evolution of the concentric driver concept he helped develop during his time at KEF. Against the Klipsch Forte IV, which relies on horn-loaded compression drivers and a rear-firing passive radiator, the SourcePoint 888 offers a more traditional dynamic driver approach with a wider, more consistent dispersion pattern suited to a broader range of room types and amplifier pairings. Neither the R7 Meta nor the Forte IV combines a large-format concentric midrange unit with twin dedicated paper-cone woofers in a single vented enclosure at this size.\u003c\/p\u003e\n\n\u003ch3\u003eCan the SourcePoint 888 be driven by a tube amplifier?\u003c\/h3\u003e\n\u003cp\u003eYes, the SourcePoint 888 is compatible with tube amplifiers capable of delivering 30 watts or more into a 6-ohm load. Its 87 dB sensitivity allows it to reach comfortable listening levels with moderate power, and its nominal 6-ohm impedance with a 4.5-ohm minimum presents a manageable load for tube amplifiers with 4-ohm or 8-ohm output taps. High-power solid-state amplifiers will unlock the speaker's full dynamic potential at its 200-watt maximum power handling rating.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is a concentric driver and why does MoFi Electronics use one in the SourcePoint 888?\u003c\/h3\u003e\n\u003cp\u003eA concentric driver is a loudspeaker unit in which the tweeter is mounted at the acoustic center of the midrange cone, so both drivers radiate sound from the same point in space. MoFi Electronics uses this design in the SourcePoint 888 because it eliminates the time-arrival errors and lobing artifacts that arise when a separate tweeter and midrange are offset on a flat baffle. The practical result is a wider, more stable sweet spot, more consistent sound at all listening positions, and more natural imaging than a conventional two-driver mid\/treble arrangement can produce at the same crossover frequency.\u003c\/p\u003e\n\n\u003ch3\u003eWhat does the multi-faceted baffle do on the SourcePoint 888?\u003c\/h3\u003e\n\u003cp\u003eThe sculpted multi-faceted baffle on the SourcePoint 888 uses strategically angled planes around each driver to scatter sound energy that would otherwise diffract off the cabinet edges and re-radiate as delayed reflections. On a flat-fronted baffle, these reflections interfere with the direct sound from the driver, causing comb-filtering artifacts that smear imaging and color the frequency response. The multi-faceted design eliminates this problem, producing smooth, even driver output and razor-sharp stereo imaging across a wide listening area.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi Electronics SourcePoint 888 in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Electronics SourcePoint 888 is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer in Toronto, Canada. Vinyl Sound carries the complete MoFi Electronics loudspeaker lineup and can arrange a listening demonstration for customers in the Toronto area and across Canada.\u003c\/p\u003e\n\n\u003ch3\u003eWhat finishes are available for the SourcePoint 888 and how are they constructed?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 888 is available in three real-wood veneer finishes: Satin Walnut, Satin Black Ash, and the exclusive Satin White Ash, which is available only on the 888 model. Each cabinet uses furniture-grade veneer that is book-matched across the pair, meaning the grain pattern on one speaker mirrors the other for a visually cohesive appearance. All finishes are sealed under a durable satin clear coat that protects the wood surface while allowing the natural grain character to show through.\u003c\/p\u003e\n\n\u003ch3\u003eHow should the SourcePoint 888 be positioned in a listening room?\u003c\/h3\u003e\n\u003cp\u003eThe SourcePoint 888 benefits from placement at least 2 feet from rear and side walls to allow the vented enclosure to develop its full bass extension to 32 Hz without room-boundary reinforcement causing excessive low-frequency buildup. The concentric driver's wide dispersion means the speaker is less sensitive to toe-in angle than conventional separated-driver designs, and the broad sweet spot allows comfortable listening from multiple seating positions. Medium to large rooms are ideal for the SourcePoint 888's scale and dynamic range, though its tuned vented enclosure gives it more bass precision in real-room conditions than many similarly sized ported designs.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Black","offer_id":48262090096892,"sku":null,"price":7995.0,"currency_code":"CAD","in_stock":true},{"title":"White","offer_id":48262090129660,"sku":null,"price":7995.0,"currency_code":"CAD","in_stock":true},{"title":"Walnut","offer_id":48262090162428,"sku":null,"price":7995.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/0021_MoFi_SourcePoint_888_Loudspeakers_Black_Pair_Grille_A.webp?v=1760720120"},{"product_id":"mofi-electronics-studiodac-digital-to-analog-converter","title":"Mobile Fidelity Electronics StudioDAC Digital-to-Analog Converter","description":"\u003ch1\u003eMobile Fidelity Electronics StudioDAC Digital-to-Analog Converter at Vinyl Sound Toronto Canada\u003c\/h1\u003e\n\n\u003cp\u003eThe StudioDAC is a reference-grade digital-to-analog converter from Mobile Fidelity Electronics (MoFi Electronics, USA), available at Vinyl Sound in Toronto, Canada. Co-designed with Michal Jurewicz of Mytek Audio — one of the most respected engineers in professional and audiophile digital audio — the StudioDAC is manufactured in the USA and voiced by MoFi Electronics to honor the company's studio heritage and signal-purity philosophy. Built around an \u003cstrong\u003eESS9038Q2M DAC chip\u003c\/strong\u003e with full hardware MQA decoding and rendering, support for DSD64, DSD128, DXD, and PCM up to \u003cstrong\u003e32-bit\/384 kHz\u003c\/strong\u003e, and a low-noise precision clock generator with Apodizing Filter, the StudioDAC delivers a measured \u003cstrong\u003edynamic range of 115 dB\u003c\/strong\u003e and THD+N below 0.002%. An outboard 100-240V universal power supply is included, isolating the sensitive analog output stage from mains-borne noise and providing a path for future power supply upgrades.\u003c\/p\u003e\n\n\u003ch2\u003eESS9038Q2M Converter, Low-Noise Clock, and Apodizing Filter\u003c\/h2\u003e\n\u003cp\u003eThe StudioDAC is built around the ESS Technology ES9038Q2M, a high-performance stereo DAC chip from ESS's Sabre reference series, selected for its 115 dB dynamic range, sub-0.002% THD+N across the 20 Hz to 20 kHz band, and greater than 114 dB signal-to-noise ratio under A-weighting. Jitter — the primary source of digital-domain coloration in converter design — is addressed at its root by a low-noise precision clock generator that minimizes clock uncertainty before the signal reaches the conversion stage, rather than relying on software jitter correction after the fact. An Apodizing Filter is applied in the digital domain to eliminate the pre-ringing artifacts introduced by conventional brick-wall reconstruction filters, which produce audible time-domain smearing ahead of transient events. The Apodizing Filter trades a small amount of stopband attenuation for the removal of pre-ringing entirely, producing a more natural, analog-like presentation of leading edges and transient detail. Output is provided at a fixed 2.5 VRMS at 0 dBFS through a single RCA stereo pair, with an output impedance of 75 ohms suited to driving a wide range of integrated amplifiers and preamplifiers. Crosstalk at 10 kHz measures minus 110 dB, and linearity error remains below plus or minus 0.25 dB at minus 110 dB — figures that confirm the StudioDAC's ability to resolve the lowest-level musical information in high-resolution recordings.\u003c\/p\u003e\n\n\u003ch2\u003eFull MQA Hardware Decoding, DSD, and Multi-Format Input Support\u003c\/h2\u003e\n\u003cp\u003eThe StudioDAC provides full MQA decoding and rendering in hardware, meaning it performs both the first unfold that recovers the high-resolution audio data from an MQA stream and the final rendering step that applies the MQA reconstruction filter tuned to the specific DAC hardware — a process that software-only MQA decoders cannot complete. For non-MQA high-resolution sources, the StudioDAC accepts PCM up to 32-bit depth and 384 kHz sampling rate via USB 2.0, and 16 to 24-bit PCM at sampling rates from 32 kHz through 192 kHz via S\/PDIF coaxial and Toslink optical inputs. DSD64 and DSD128 are supported natively over USB, accommodating playback of SACD rips and DSD downloads without conversion to PCM. DXD — the 352.8 kHz PCM format used in professional DSD mastering workflows — is also supported via USB. LED indicators on the front panel display the incoming format and resolution in real time, confirming bit-perfect signal transmission from source to converter without software guesswork. The included outboard power supply accepts 100 to 240V AC at 50 or 60 Hz worldwide, delivering a regulated plus 12V DC output through a 5.5\/2.5mm barrel connector and isolating the StudioDAC's analog stage from the noise and interference of the mains supply.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n  \u003cli\u003e\n\u003cstrong\u003eESS9038Q2M Sabre DAC Chip:\u003c\/strong\u003e A high-performance stereo converter from ESS Technology's reference Sabre series, delivering 115 dB dynamic range, THD+N below 0.002%, and greater than 114 dB SNR across the full audio band.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eFull Hardware MQA Decoding and Rendering:\u003c\/strong\u003e Complete MQA unfold and DAC-specific rendering in hardware, recovering the full resolution of MQA-encoded streams from Tidal and other MQA sources.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDSD64 and DSD128 Support via USB:\u003c\/strong\u003e Native DSD playback over USB accommodates SACD rips and DSD downloads without PCM conversion.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e32-Bit\/384 kHz PCM via USB:\u003c\/strong\u003e Full high-resolution PCM support up to the limits of current high-resolution streaming and download formats.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDXD Support:\u003c\/strong\u003e 352.8 kHz DXD playback over USB for professional-format masters and DSD-origin recordings.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLow-Noise Precision Clock Generator:\u003c\/strong\u003e An ultra-low-jitter clock minimizes timing errors at the source of conversion, preserving timing accuracy and transient detail without reliance on software correction.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eApodizing Filter:\u003c\/strong\u003e A digital reconstruction filter that eliminates pre-ringing artifacts inherent in conventional brick-wall filters, producing a more natural, analog-like transient presentation.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eThree Digital Inputs:\u003c\/strong\u003e USB 2.0 Type B, S\/PDIF coaxial, and Toslink optical inputs provide flexible connection to computers, streamers, CD transports, and network audio devices.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eLED Format and Resolution Indicators:\u003c\/strong\u003e Front-panel LEDs display the incoming audio format and sample rate in real time for confirmation of bit-perfect playback.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003e2.5 VRMS Fixed Output Level:\u003c\/strong\u003e A generous fixed output voltage drives the majority of integrated amplifiers and preamplifiers to full level without gain matching issues.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eIncluded Outboard Power Supply:\u003c\/strong\u003e A universal 100-240V AC external power supply isolates the analog output stage from mains noise and provides a foundation for future power supply upgrades.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eDesigned with Mytek Audio, Manufactured in the USA:\u003c\/strong\u003e Co-engineered with Michal Jurewicz of Mytek Audio and manufactured domestically to MoFi Electronics' voicing and quality standards.\u003c\/li\u003e\n  \u003cli\u003e\n\u003cstrong\u003eMinus 110 dB Crosstalk at 10 kHz:\u003c\/strong\u003e Exceptional channel separation preserves the stereo image integrity of high-resolution recordings across the full frequency band.\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eTechnical Specifications\u003c\/h2\u003e\n\u003ctable\u003e\n  \u003ctbody\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDAC Chip\u003c\/td\u003e\n      \u003ctd\u003eESS9038Q2M (Sabre reference series)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDigital Inputs\u003c\/td\u003e\n      \u003ctd\u003e1x USB 2.0 Type B, 1x S\/PDIF coaxial, 1x Toslink optical\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePCM Sampling Rates (USB)\u003c\/td\u003e\n      \u003ctd\u003e32, 44.1, 48, 88.2, 96, 176.4, 192, 352.8, 384 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePCM Sampling Rates (Coax \/ Toslink)\u003c\/td\u003e\n      \u003ctd\u003e32, 44.1, 48, 88.2, 96, 176.4, 192 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBit Depth (USB)\u003c\/td\u003e\n      \u003ctd\u003e16 to 32 bits\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eBit Depth (Coax \/ Toslink)\u003c\/td\u003e\n      \u003ctd\u003e16 to 24 bits\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDSD Support (USB)\u003c\/td\u003e\n      \u003ctd\u003eDSD64, DSD128\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDXD Support (USB)\u003c\/td\u003e\n      \u003ctd\u003e352.8 kHz\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eMQA Support\u003c\/td\u003e\n      \u003ctd\u003eFull MQA decode and render (hardware)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eAnalog Output\u003c\/td\u003e\n      \u003ctd\u003e1x Fixed Level RCA stereo pair\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOutput Voltage\u003c\/td\u003e\n      \u003ctd\u003e2.5 VRMS at 0 dBFS\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eOutput Impedance\u003c\/td\u003e\n      \u003ctd\u003e75 Ohms (unbalanced)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFrequency Response\u003c\/td\u003e\n      \u003ctd\u003e20 Hz to 20 kHz, plus or minus 0.2 dB\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eTHD+N\u003c\/td\u003e\n      \u003ctd\u003eLess than 0.002% (20 Hz to 20 kHz)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eDynamic Range\u003c\/td\u003e\n      \u003ctd\u003e115 dB (A-weighted)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eSNR\u003c\/td\u003e\n      \u003ctd\u003eGreater than 114 dB (A-weighted)\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCrosstalk at 10 kHz\u003c\/td\u003e\n      \u003ctd\u003eMinus 110 dB\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eLinearity\u003c\/td\u003e\n      \u003ctd\u003eLess than plus or minus 0.25 dB at minus 110 dB\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eClock\u003c\/td\u003e\n      \u003ctd\u003eLow-noise precision clock generator\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eFilter\u003c\/td\u003e\n      \u003ctd\u003eApodizing Filter\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePower Supply\u003c\/td\u003e\n      \u003ctd\u003eExternal, 100-240V AC universal input, plus 12V DC 3.3A output\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003ePower Connector\u003c\/td\u003e\n      \u003ctd\u003e5.5\/2.5mm barrel connector, center positive\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCo-Designer\u003c\/td\u003e\n      \u003ctd\u003eMichal Jurewicz, Mytek Audio\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eCountry of Manufacture\u003c\/td\u003e\n      \u003ctd\u003eUSA\u003c\/td\u003e\n    \u003c\/tr\u003e\n    \u003ctr\u003e\n      \u003ctd\u003eManufacturer\u003c\/td\u003e\n      \u003ctd\u003eMobile Fidelity Electronics (MoFi Electronics), USA\u003c\/td\u003e\n    \u003c\/tr\u003e\n  \u003c\/tbody\u003e\n\u003c\/table\u003e\n\n\u003ch2\u003eFrequently Asked Questions\u003c\/h2\u003e\n\n\u003ch3\u003eWhat is the MoFi Electronics StudioDAC?\u003c\/h3\u003e\n\u003cp\u003eThe StudioDAC is a reference-grade digital-to-analog converter from Mobile Fidelity Electronics, co-designed with Mytek Audio engineer Michal Jurewicz and manufactured in the USA. It is built around an ESS9038Q2M Sabre DAC chip with a measured dynamic range of 115 dB and THD+N below 0.002%, supports full hardware MQA decoding and rendering, DSD64, DSD128, DXD, and PCM up to 32-bit\/384 kHz via USB, and features a low-noise precision clock generator, Apodizing Filter, and included outboard power supply. It is available at Vinyl Sound in Toronto, Canada.\u003c\/p\u003e\n\n\u003ch3\u003eHow does the StudioDAC compare to the Chord Qutest and the Schiit Bifrost 2?\u003c\/h3\u003e\n\u003cp\u003eThe StudioDAC occupies a distinct position against both competitors. Against the Chord Qutest, which uses Chord's proprietary FPGA-based conversion and Rob Watts' WTA filtering with no MQA support, the StudioDAC offers full hardware MQA decoding and rendering, DSD native support, and the ESS9038Q2M's measured 115 dB dynamic range, while the Qutest counters with Chord's unique pulse-array DAC architecture and a higher tap-length reconstruction filter. Against the Schiit Bifrost 2, which uses Schiit's own multibit DAC architecture and AK4490 or proprietary converter, the StudioDAC adds MQA hardware decoding, DSD128 native support, DXD capability, and the involvement of Michal Jurewicz — whose credentials in professional digital audio through Mytek are unmatched at this tier. Neither the Qutest nor the Bifrost 2 combines MQA hardware rendering, DSD128, DXD, 32-bit\/384 kHz PCM, and an outboard power supply in a USA-manufactured unit at the StudioDAC's specification level.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is an Apodizing Filter and why does the StudioDAC use one?\u003c\/h3\u003e\n\u003cp\u003eAn Apodizing Filter is a digital reconstruction filter designed to eliminate the pre-ringing artifacts that conventional brick-wall low-pass filters introduce into the time domain. Standard digital filters apply a mathematically steep cutoff above the audio band to remove aliasing, but in doing so they produce oscillations that appear before transient events in the reconstructed analog signal — a form of time-domain smearing that does not exist in the original analog recording. The Apodizing Filter on the StudioDAC removes these pre-ringing artifacts at the cost of a modest reduction in stopband attenuation, trading theoretical stopband rejection for a more natural, accurate representation of how transients and leading edges appear in the original recorded signal.\u003c\/p\u003e\n\n\u003ch3\u003eWhat is full hardware MQA decoding and how does it differ from software decoding?\u003c\/h3\u003e\n\u003cp\u003eFull hardware MQA decoding means the StudioDAC performs both stages of MQA processing in its own internal hardware rather than delegating either stage to a software application on a connected computer. The first stage — MQA unfolding — recovers the high-resolution audio data encoded within the MQA stream. The second stage — MQA rendering — applies a reconstruction filter specifically calibrated to the characteristics of the ESS9038Q2M DAC chip inside the StudioDAC, a step that requires knowledge of the specific converter hardware and cannot be performed correctly by a generic software decoder. The result is that MQA-encoded tracks from sources such as Tidal Master quality are decoded and rendered to their full intended resolution by the StudioDAC itself, with the front-panel LED confirming the MQA format in real time.\u003c\/p\u003e\n\n\u003ch3\u003eCan the StudioDAC be used with a turntable or only with digital sources?\u003c\/h3\u003e\n\u003cp\u003eThe StudioDAC is a digital-to-analog converter and accepts only digital audio signals through its USB, S\/PDIF coaxial, and Toslink optical inputs. It does not include a phono preamplifier and cannot accept the analog output of a turntable directly. In a complete MoFi Electronics system, the StudioDAC handles digital sources — streamers, computers, and CD transports — while a separate phono preamplifier such as the MoFi Electronics MasterPhono or StudioPhono handles the analog signal from a turntable such as the MasterDeck or UltraDeck before both signals are brought together at an integrated amplifier or preamplifier.\u003c\/p\u003e\n\n\u003ch3\u003eWhere can I buy the MoFi Electronics StudioDAC in Toronto or Canada?\u003c\/h3\u003e\n\u003cp\u003eThe MoFi Electronics StudioDAC is available at Vinyl Sound, an authorized Mobile Fidelity Electronics dealer in Toronto, Canada. Vinyl Sound carries the full MoFi Electronics electronics lineup and can assist customers across Toronto and Canada with system integration advice, source component pairing, and demonstration of the StudioDAC in a complete MoFi reference system.\u003c\/p\u003e\n\n\u003ch3\u003eWhat streamer or computer connection works best with the StudioDAC?\u003c\/h3\u003e\n\u003cp\u003eThe USB 2.0 input on the StudioDAC provides the highest-resolution connection, supporting PCM up to 32-bit\/384 kHz, DSD64, DSD128, and DXD, and is the recommended input for computers running Roon, HQPlayer, or any USB audio class 2.0 compatible playback software. Network streamers with USB audio output — including devices from Innuos, Lumin, Auralic, and Bluesound — connect directly to the USB input. The S\/PDIF coaxial and Toslink optical inputs support up to 192 kHz PCM and are suited to CD transports, network streamers with digital outputs, and televisions. For MQA decoding, the source must pass an undecoded MQA bitstream to the StudioDAC rather than performing its own software unfold first.\u003c\/p\u003e\n\n\u003ch3\u003eDoes the outboard power supply make a difference to sound quality?\u003c\/h3\u003e\n\u003cp\u003eYes. Separating the power supply from the main DAC chassis prevents the switching noise and mains-borne interference of the power conversion stage from reaching the analog output circuitry, which is the most noise-sensitive part of a DAC design. The StudioDAC's external 100-240V AC universal power supply delivers a regulated plus 12V DC feed through a 5.5\/2.5mm barrel connector, keeping the supply's thermal and electrical byproducts physically isolated from the ESS9038Q2M converter and output stage. The outboard supply also provides a straightforward upgrade path, as the 5.5\/2.5mm connector is a standard interface compatible with a range of audiophile-grade linear power supply aftermarket options.\u003c\/p\u003e","brand":"Mobile Fidelity","offers":[{"title":"Default Title","offer_id":48262423445756,"sku":null,"price":879.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/MoFi_StudioDAC_Top.webp?v=1760728541"}],"url":"https:\/\/vinylsound.ca\/collections\/mobile-fidelity\/turntables.oembed","provider":"Vinyl Sound Canada Inc.","version":"1.0","type":"link"}