{"title":"Whest | Vinyl Sound Toronto Canada","description":"\u003cp\u003eWhest Audio is a highly respected British company specializing in designing and building high-end phono preamplifiers (phonostages) for vinyl playback, used by audiophiles, mastering engineers, and studios for their accuracy, low noise, and musical transparency, offering exceptional detail and realism from turntables. They focus solely on phono stages, using advanced circuitry like dual-mono designs, hybrid technology, and discrete components for studio-grade performance in both professional and home audio systems. \u003c\/p\u003e","products":[{"product_id":"whesttwo-2-dual-mono-phonostage","title":"Whest Two.2 Dual Mono Phonostage","description":"\u003ch1\u003e\u003cstrong\u003eWhest Two.2 Dual Mono Phonostage\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions  – W252 x D250 x H60mm\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ewhestTWO.2  2020 spec\u003cbr\u003e\u003c\/strong\u003eIt’s just a small whestTHREE Signature.  Like all of the Whest Audio designs, the whestTWO.2 has been designed for use primarily for MC (moving coil) use. This means that to obtain the lowest possible noise levels and highest resolution, we recommend the use of medium to low output MC cartridges.During its development we used the following cartridges:\u003cbr\u003eOrtofon MC Anna, Denon DL 304 (0.18mv), EMT JSD6 (0.18mv), Lyra Delos (0.6mV) and the Dynavector XV1-T (0.35mV) for much of the listening tests and noise measurements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh resolution MM\u003c\/strong\u003e\u003cbr\u003eBecause of the ‘impressive’ neutrality of the whestTHREE Signature and the smaller sibling whestTWO.2 in MC mode, we know that absolutely ANY high-end high performance MC cartridge can be used.  For MM (moving magnet) use, the input capacitance has been trimmed to give the flattest response curve for\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003emost\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eof the new breed of high-performance moving magnets and moving irons on the market today.  Unheard of at this price range, the whestTWO.2 employs an ‘elevated power rail’ section which gives far greater dynamic performance as well as lower noise specs for ‘earth shattering’ micro detail resolving power.  Vinyl playback never sounded so good at this price level.  For listening in MM mode we used the Ortofon 2M RED and Black, Goldring 2500, Grado Reference 1 Phono and Audio Technica VM760SLC, VM AT440 MLA and AT95E, Rega Exact and the Roksan Corus Silver.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass-A output stage\u003cbr\u003e\u003c\/strong\u003eLike all Whest Audio phono stages, the whestTWO.2 also employs a fully discrete transistor Class-A high output current output stage.  This coupled with the high performance\/ high voltage power supply will give you a level of musical performance you thought was only possible well outside this price range.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBalanced outputs\u003cbr\u003e\u003c\/strong\u003eThe whestTWO.2 comes as standard fitted with true balanced outputs which are fed from the output of the Class-A stage.  While most manufacturers are content with using a 2.00 EUR\/ $2.00 IC chip to perform the balancing process and degrading the minute signal in the process, the whestTWO.2 processes the balanced signal exactly like many high-end microphones and mixing desks…this means a perfect balanced feed if you are using long signal lines.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoading options\u003c\/strong\u003e\u003cbr\u003eThe whestTWO.2 is equipped with 6 resistive load and 6 gain options for maximum flexibility with the wide range of cartridges available today.   The resistive load options are 100, 220, 470, 1k, 15k and 47k ohms.  MM gain is covered by 43dB. High output MC is covered by 50dB, 55dB while the low output MC sets are 60dB, 65dB and 72dB.  The standard ‘shipped’ setup is 65dB\/100ohms which will suite 95% of MC cartridges today.  For the other 5% it is just a matter of removing 2 small M3 screws under the head unit which will give you full access to both channels load and gain switches.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Power Supply\u003cbr\u003e\u003c\/strong\u003eThe high voltage power supply has been adopted and scaled down from the highly acclaimed whestTHREE Signature.  The voltage rail voltages are higher than most phonostages 2-3 times its price.  Why?  Because if properly designed a high voltage design will translate into better dynamic contrasts, better imaging and far better noise performance.  It’s good then that the power supply in the whestTWO.2 has a 12 year pedigree behind it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabling\u003cbr\u003e\u003c\/strong\u003eThe whestTWO.2 comes with its own RCA-RCA 1.2m OFC Audiophile interconnect and 3.5mm Jack to RCA interconnects for connecting to your audio system and connecting to your computer system for high resolution transfers.  If you would like to know more about the whestTWO.2 and how it will perform with your current turntable setup then just drop us an email.\u003c\/p\u003e","brand":"Whest","offers":[{"title":"Silver","offer_id":39266043068584,"sku":"","price":2995.0,"currency_code":"CAD","in_stock":true},{"title":"Black","offer_id":39266043101352,"sku":"","price":2995.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/new-whestTWO.2-DUALMONOPHONOSTAGE-VINYLSOUND.png?v=1614613758"},{"product_id":"whestthree-signature-dual-mono-phonostage","title":"Whest Three Signature Dual Mono Phonostage","description":"\u003ch1\u003e\u003cstrong\u003eWhest Three Signature Dual Mono Phonostage\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Resolution MC use\u003cbr\u003e\u003c\/strong\u003eThe whestTHREE Signature has been designed for ultra low noise at small signal levels from 7mV down to 0.1mV.  This means that to obtain the lowest possible noise levels and highest resolution, we recommend the use of low to medium output MC cartridges or MM\/MI cartridges from 7mV down to high output MC.\u003c\/p\u003e\n\u003cp\u003eDuring the development of the whestTHREE Signature we used these MCs:\u003cbr\u003eOrtofon MC ANNA (0.20mV), Denon DL 304 (0.18mv), EMT JSD6 (0.18mv), Lyra Delos (0.6mV) and the Dynavector XV1-T (0.35mV) for much of the listening tests and noise measurements.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh performance MM use\u003cbr\u003e\u003c\/strong\u003eBecause of the ‘impressive’ neutrality of the whestTHREE Signature in MC mode, we know that absolutely ANY high-end high performance MC cartridge can be used. For MM (moving magnet) use, the input capacitance has been trimmed to give the flatest response curve for many of the new breed of high-performance moving magnets and moving irons on the market today.  In MM mode the whestTHREE signature will easily ‘see off’ the competition even if the competition is running a 1500 EUR MC cartridge.  This is because apart from the trimmed input stage, the whestTHREE Signature also employs an ‘elevated power rail’ section unseen in a phono stage in this price range.  This gives a greater dynamic performance as well as lower noise specs for ‘earth shattering’ micro detail resolving power. Given a great MM cartridge, in MM mode the whestTHREE is spectacular.\u003c\/p\u003e\n\u003cp\u003eFor listening in MM mode we used the Ortofon 2M Black, Goldring 2500, Grado Reference 1 Phono and Audio Technica VM760SLC  AT440 MLA, Rega Exact and the 2014 Roksan Corus Silver.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eClass-A output stage\u003cbr\u003e\u003c\/strong\u003eLike all Whest Audio phono stages, the whestTHREE also employs a fully discrete Class-A high output current output stage. This coupled with the omission of an output capacitor means that the output from the unit is directly coupled to the following preamplifier. Even the very best ‘audiophile grade’ output capacitor would degrade the performance of whestTHREE output quality which is why the design ensures a far higher level of performance than what is normally expected at this price level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eBalanced outputs\u003cbr\u003e\u003c\/strong\u003eThe whestTHREE Signature comes as standard fitted with true balanced outputs which are fed from the output of the Class-A stage. While most manufacturers are content with using a 2.00 EUR\/ $2.00 IC chip to perform the balancing process and degrading the signal further, the whestTHREE Signature processes the signal exactly like many high-end microphones and mixing desks…..this means a perfect balanced feed if you are using long signal lines.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLoading options\u003cbr\u003e\u003c\/strong\u003eThe whestTHREE Signature is equipped with 8 resistive load and 8 gain options for maximum flexibility with the wide range of cartridges available today.\u003c\/p\u003e\n\u003cp\u003eThe resistive load options are 100, 220, 330, 470, 1k6, 15k and 47k ohms.\u003c\/p\u003e\n\u003cp\u003eMM gain is covered by 42dB and 46dB. High output MC is covered by 50dB, 53dB and 56dB while the low output MC sets are 60dB, 65dB and 72dB.\u003c\/p\u003e\n\u003cp\u003eThe standard ‘shipped’ setup is 65dB\/100ohms which will suite 95% of MC cartridges today. For the other 5% it is just a matter of removing 2 small M3 screws under the head unit which will give you full access to both channels load and gain switches.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHVDM power supply\u003cbr\u003e\u003c\/strong\u003eA new bespoke external power unit has be designed specifically for the whestTHREE signature. The HVDM (high voltage dual-mono) power supply utilises a ‘whest designed’ extremely low mechanical noise high current toroid transformer.  Unlike most other manufacturers today who use ‘off-the-shelf’ transformers to save on cost which also has a negative impact on audio quality, the HVDMs transformer has been designed in-house by whest audio for ultra low noise and low signal level use.  Low mechanical noise means less noise on the power rails and with ‘specific secondary outputs’ means the all important audio circuits in the whestTHREE Signature sees only what it ‘needs’ to see.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCabling\u003cbr\u003e\u003c\/strong\u003eTo connect the whestTHREE Signature to the HVDM power supply, Whest Audio had designed 2 special XLR cables capable of handling currents far higher that what is required for the whestTHREE Signature head unit. The whestTHREE Signature comes with its own RCA-RCA 1.2m OFC Audiophile interconnect and 3.5mm Jack to RCA interconnects for connecting to your audio system and connecting to your computer system for high resolution transfers.\u003c\/p\u003e\n\u003cp\u003eIf you would like to know more about the whestTHREE Signature and how it will perform with your current turntable setup then just drop us an email.\u003c\/p\u003e","brand":"Whest","offers":[{"title":"Default Title","offer_id":39266095792296,"sku":"","price":6195.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/files\/WHESTTHREESIGNATUREDUALMONOPHONOSTAGE_VINYLSOUND.webp?v=1700771238"},{"product_id":"whest-ps-40rdt-phonostage","title":"Whest Ps.40rdt Phonostage","description":"\u003ch1\u003e\u003cstrong\u003eWhest Ps.40rdt Phonostage\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003ePS.40RDT – a modern day classic\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eContinuing in the spirit of the TITAN Pro and a whole new chapter in the Whest Audio phono stage design range, comes the new 40 Series – the 40RDT and 40RDT Special Edition.\u003c\/p\u003e\n\u003cp\u003eGetting more resolution from vinyl isn’t easy and it certainly isn’t about the ‘KISS’ (keep it simple, stupid) principle.  Getting higher resolution from a phono stage and vinyl is much like getting higher resolution from an MRI scanner used in the medical field.  The reason why today’s MRI scanners are so much better than their early cousins is because of more processing power\/ more electronics.  A modern MRI machine has hundreds of times the processing power of its distant cousin.  The same goes for our phono stages.\u003c\/p\u003e\n\u003cp\u003eThe outgoing and multi-award winning 30 Series was a class leader in its price range for the whole time it was in production and still outperforms the latest products the competition have to offer!  It had amazing noise figures, class leading soundstage and musicality and it did this all in one neat package.\u003c\/p\u003e\n\u003cp\u003eThe 40 Series adds several layers of extra dimensional ‘space’ with greater instrument-harmonic resolution, ‘life like’ musicality and a ‘microscopic type’ of focus that the 30 Series electronics was incapable of.   The only way we found we could achieve this was to borrow much of the technology and ideas from the TITAN Pro which was designed to be the very best single box phono stage in the world, which it has accomplished, so we felt ‘why not just scale it down’ and use the essential parts to bring the TITAN Pro’s high-resolution sound to a market place that REALLY needs it.\u003c\/p\u003e\n\u003cp\u003eThe new 40 Series pushes the boundaries of what is capable at this price level.  No other phono stage in the world at this price range has the abilities of the 40 Series thanks to its BIG brother.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Chassis\u003c\/strong\u003e\u003cbr\u003eStarting with the chassis w430mm x d290mm x h78mm – is manufactured using the same precision computer controlled machining technique, hand-welded and finished seams to give it high rigidity as the TITAN Pro and MC REF V MK4.  Internally the chassis incorporates the suspension system used in the MC REF V Mk4.  The combination of this suspension system and ultra strong chassis means that all unwanted vibrations from airborne or structure sources are very well damped.\u003cbr\u003e\u003cstrong\u003e\u003cbr\u003eUltra Low noise Copper circuitry\u003c\/strong\u003e\u003cbr\u003eThe 40 Series circuit board uses ultra low impurity copper throughout and its copper weight is 4 times that used in nearly all audio electronics.  Small signal integrity is of the highest importance and with this in mind a new regulator system has been designed and employed for the 40RDT Special Edition.  The new discrete input stage for the\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e40RDT Special Edition\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis based ENTIRELY on the MC REF V MK4 input stage but has been ‘trimmed’ for the 40RDT Special Edition.  The input stage of the 40RDT uses an ultra low noise\/ hand-matched monolithic amplifier.  Because all of the major amplifying and filter sections of the 40 Series are channel matched, they are capable of incredible realism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIAA Hybrid Active Filtering\u003c\/strong\u003e\u003cbr\u003eThe hybrid RIAA filters have been kept in the 40 Series design because not only is it used throughout the full Whest Audio range, but in the 40 Series it is now trimmed to a far tighter tolerance for both curve and channel matching.  Channel matching now is to within 0.12dB and RIAA curve accuracy to 0.15dB.  Both these figures are across a bandwidth with spans from 9Hz and 62KHz.  Any non-Whest Audio phono stage would be at least 4-6dB down at these extremes, but having experience in pro-audio, vinyl cutting and mastering means we at Whest Audio know what it takes to get the very best from playing back the vinyl format at al price levels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain and load\u003c\/strong\u003e\u003cbr\u003eThe selection is accessed under the chassis like all Whest Audio phono stages.  Maximum gain is 72dB and with the internals’ ultra low noise levels it means you will never be stuck for gain ever again!  All units are setup for standard low output moving coil (65dB\/100ohms with 91pf of input capacitance) but if you do want to experiment it just takes 30secs to change over.\u003cbr\u003eMM gain is at a very healthy and modern 43dB not the older 1970s standard 40dB like our competitors.  This with a\u003cstrong\u003e\u003cem\u003e\u003cspan\u003e \u003c\/span\u003etotal capacitance\u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003evalue of 91pf gives a beautifully flat response from your high performance MM cartridge and an unmatched sublime audio output that can only be achieved from a Whest Audio phono stage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal inputs and outputs\u003c\/strong\u003e\u003cbr\u003eThese are on ‘audiophile grade’ RCA and XLR connectors identical to that used in the MC REF V MK4.  Because Whest Audio phono stages are used in archiving both professionally and domestically we have included a second set of RCA outputs to allow the user to send the output to their computer for transfer while ‘monitoring’ the output through their main audio system.  This also means that the 40 Series can be permanently connected to the computer system and main audio system at ALL times, ready to transfer.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e24bit and 32bit digital\u003c\/strong\u003e\u003cbr\u003eThe 40 Series noise levels are so low that using 24bit or 32bit conversion is possible without the fear of unwanted signals getting to the soundcard.  With the PS.40RDT and PS.40RDT Special Edition we now have a new standard – no other company in the world designs with this much attention to detail for the end-user.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech stuff…\u003c\/strong\u003e\u003cbr\u003e40RDT –\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eR\u003c\/strong\u003eeference\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eD\u003c\/strong\u003eual\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eT\u003c\/strong\u003eransformer with an ultra low noise\/ hand-matched monolithic input amplifier.\u003c\/p\u003e\n\u003cp\u003e40RDT Special Edition – As above but with is an ALL discrete transistor design, further channel matching of critical transistor pairs and filter components, higher operating voltage throughout and power transformer matched pairs.\u003c\/p\u003e\n\u003cp\u003eUltra matching critical components in the audio and DC paths (40RDT Special Edition).  The\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ematching\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis by channel so that each channel behaves EXACTLY LIKE the other.   This is translated in far better stable, realistic and etched images with far far better musicality.\u003c\/p\u003e\n\u003cp\u003eThe\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003einternal cabling\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eborrowed from the TITAN Pro is high performance Pro-Audio grade OFC type designed for high-frequency stability and phase performance.\u003c\/p\u003e\n\u003cp\u003eHigh Voltage and elevated voltage rails means better dynamic range and contrasts.\u003c\/p\u003e\n\u003cp\u003eThe new input stage\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eZero Voltage Float\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emeans far better signal transfer tracking and a higher resolution signal into the discrete output stage.\u003c\/p\u003e\n\u003cp\u003eFor testing and listening we used the following cartridges:\u003c\/p\u003e\n\u003cp\u003eOrtofon MC Anna\u003cbr\u003eOrtofon MC A90\/A95\u003cbr\u003eLyra Atlas\u003cbr\u003eEMT JSD6\u003cbr\u003eOrtofon Cadenza Black\u003cbr\u003eLyra Kleos\u003cbr\u003eAudio Technica 50ANV\u003cbr\u003eAudio Technica ART 9\u003cbr\u003eTransfiguration Proteus\u003cbr\u003eDynavector DRTXV-1T\u003cbr\u003eVan Den Hul The Condor\u003c\/p\u003e","brand":"Whest","offers":[{"title":"Silver","offer_id":39288554520744,"sku":null,"price":9295.0,"currency_code":"CAD","in_stock":true},{"title":"Black","offer_id":39288554553512,"sku":null,"price":9295.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/whest40RDT-front-vinylsound.jpg?v=1614614493"},{"product_id":"whest-ps-40rdt-special-edition-phonostage","title":"Whest Ps.40rdt Special Edition Phonostage","description":"\u003cdiv class=\"col-sm-8\"\u003e\n\u003ch1\u003e\u003cstrong\u003eWhest Ps.40rdt Special Edition Phonostage\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003ePS.40RDT Special Edition\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContinuing\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the spirit of the TITAN Pro and a whole new chapter in the Whest Audio phono stage design range, comes the new 40 Series 40RDT Special Edition.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Technology\u003c\/strong\u003e\u003cbr\u003eGetting more resolution from vinyl isn’t easy and it certainly isn’t about the ‘KISS’ (keep it simple, stupid) principle.  Getting higher resolution from a phono stage and vinyl is much like getting higher resolution from an MRI scanner used in the medical field.   The reason why today’s MRI scanners are so much better than their early cousins is because of more processing power\/ more electronics.   A modern MRI machine has hundreds of times the processing power of its distant cousin. The same goes for our phono stages.\u003c\/p\u003e\n\u003cp\u003eThe outgoing and multi-award winning 30 Series was a class leader in its price range for the whole time it was in production and still outperforms the latest products the competition have to offer!   It had amazing noise figures, class leading soundstage and musicality and it did this all in one neat package.\u003c\/p\u003e\n\u003cp\u003eThe essential elements that make the Whest Audio phono stages world-renowned and loved are still retained in the 40 Series but the departure from the 30 Series starts right\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ehere\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eThe 40 Series adds several layers of extra dimensional ‘space’ with greater instrument-harmonic resolution, ‘life like’ musicality and a ‘microscopic type’ of focus that the 30 Series electronics was incapable of.   The only way we found we could achieve this was to borrow much of the technology and ideas from the\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003eTITAN Pro\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewhich was designed to be the very best single box phono stage in the world, which it has accomplished, so we felt ‘why not just scale it down’ and use the essential parts to bring the TITAN Pro’s high-resolution sound to a market place that REALLY needs it.\u003c\/p\u003e\n\u003cp\u003eThe new 40 Series pushes the boundaries of what is capable at this price level.   No other phono stage in the world at this price range has the abilities of the 40 Series thanks to its BIG brother.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Chassis\u003c\/strong\u003e\u003cbr\u003eStarting with the chassis w430mm x d290mm x h78mm – is manufactured using the same precision computer controlled machining technique, hand-welded and finished seams to give it high rigidity as the TITAN Pro and MC REF V MK4.  Internally the chassis incorporates the suspension system used in the MC REF V Mk4.  The combination of this suspension system and ultra strong chassis means that all unwanted vibrations from airborne or structure sources are very well damped.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra High Purity Copper\u003c\/strong\u003e\u003cbr\u003eThe 40 Series circuit board uses ultra low impurity copper throughout and its copper weight is nearly 4 times that used in nearly all audio electronics.   Small signal integrity is of the highest importance and with this in mind a new regulator system has been designed and employed for the 40RDT Special Edition.   The new discrete input stage for the 40RDT Special Edition is based ENTIRELY on the MC REF V MK4 input stage but has been ‘trimmed’ for the 40RDT Special Edition. The input stage of the 40RDT uses an ultra low noise\/ hand-matched monolithic amplifier. Because all of the major amplifying and filter sections of the 40 Series are channel matched, they are capable of incredible realism.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRIAA active filtering\u003c\/strong\u003e\u003cbr\u003eThe hybrid RIAA filters have been kept in the 40 Series design because not only is it used throughout the full Whest Audio range, but in the 40 Series it is now trimmed to a far tighter tolerance for both curve and channel matching.  Channel matching now is to within 0.12dB and RIAA curve accuracy to 0.15dB. Both these figures are across a bandwidth with spans from 9Hz and 62KHz.  Any non-Whest Audio phono stage would be at least 4-6dB down at these extremes, but having experience in pro-audio, vinyl cutting and mastering means we at Whest Audio know what it takes to get the very best from playing back the vinyl format at al price levels.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain and load selection\u003c\/strong\u003e\u003cbr\u003eThis section is accessed under the chassis like all Whest Audio phono stages.   Maximum gain is 72dB and with the internals’ ultra low noise levels it means you will never be stuck for gain ever again!  All units are setup for standard low output moving coil (65dB\/100 ohms\/91pf ) but if you do want to experiment it just takes 30secs to change over.\u003cbr\u003e\u003cstrong\u003eMM gain\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis at a very healthy and modern 43dB not the older 1970s standard 40dB like our competitors.  This with a\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003etotal capacitance\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003evalue of 91pf gives a beautifully flat response from your high performance MM cartridge and an unmatched sublime audio output that can only be achieved from a Whest Audio phono stage.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal inputs and outputs\u003c\/strong\u003e\u003cbr\u003eThese are on ‘audiophile grade’ RCA and XLR connectors identical to that used in the TITAN Pro.  Because Whest Audio phono stages are used in archiving both professionally and domestically we have included a second set of RCA outputs to allow the user to send the output to their computer for transfer while ‘monitoring’ the output through their main audio system.  This means that the 40 Series can be permanently connected to the computer system and main audio system at ALL times, ready to transfer.  The 40 Series noise levels are so low that using 24bit or 32bit conversion is possible without the fear of unwanted signals getting to the soundcard.  With the PS.40RDT and PS.40RDT Special Edition we now have a new standard – no other company in the world designs with this much attention to detail for the end-user.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTech stuff…\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e40RDT –\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eReference Dual Transformer\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ewith an ultra low noise discrete MATCHED transistor input stage\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eALL discrete transistor design SE Pack\u003c\/strong\u003e, further channel matching of critical transistor pairs and filter components, higher operating voltage throughout and power transformer matched pairs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eUltra matching critical components\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003ein the audio and DC paths (40RDT Special Edition). The matching is by channel so that each channel behaves as closely as possible to the other (ALL). This is translated in far better stable, realistic and etched images with far far better musicality.\u003c\/p\u003e\n\u003cp\u003eThe internal cabling borrowed from the TITAN Pro is high performance\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003ePro-Audio grade OFC\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003etype designed for high-frequency stability and phase performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHigh Voltage and elevated voltage rails\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emeans better dynamic range and contrasts.\u003c\/p\u003e\n\u003cp\u003eThe new input stage\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eZero Voltage Float\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003emeans far better signal transfer tracking and a higher resolution signal into the discrete output stage.\u003c\/p\u003e\n\u003cp\u003eFor testing and listening we used the following cartridges:\u003c\/p\u003e\n\u003cp\u003eOrtofon MC Anna\u003cbr\u003eOrtofon A90\/A95\u003cbr\u003eLyra Atlas\u003cbr\u003eEMT JSD6\u003cbr\u003eOrtofon Cadenza Black\u003cbr\u003eLyra Kleos\u003cbr\u003eAudio Technica 50ANV\u003cbr\u003eAudio Technica ART 9\u003cbr\u003eTransfiguration Proteus\u003cbr\u003eDynavector DRTXV-1T\u003cbr\u003eVan Den Hul The Condor\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Whest","offers":[{"title":"Silver","offer_id":39288593416360,"sku":null,"price":13995.0,"currency_code":"CAD","in_stock":true},{"title":"Black","offer_id":39288593449128,"sku":null,"price":13995.0,"currency_code":"CAD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0116\/1773\/0617\/products\/WHEST40RDT-SE-VINYLSOUND.jpg?v=1614615891"},{"product_id":"whest-titan-pro-the-ultimate-1-box-phonostage","title":"Whest Titan Pro Phonostage","description":"\u003cdiv class=\"col-sm-8\"\u003e\n\u003ch1\u003e\u003cstrong\u003eWhest Titan Pro Phonostage\u003c\/strong\u003e\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eTITAN Pro\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cspan\u003eA whole new chapter in Whest Audio phono stage and small signal design starts here.  The TITAN Pro utilises all new technology borrowed from a new Whest Audio flagship that is due for release very soon.  The essential elements that make the Whest Audio phono stages world-renowned and loved are still retained such as unsurpassed musicality, high-resolution, ultra stable imaging and realism.   What the TITAN Pro adds is an MASSES of exra dimensional ‘space’ with greater instrument-harmonic resolution,  ‘life like’ musicality and a ‘microscopic type’ of focus that is totally unheard of at this price level and way above – the TITAN Pro pushes the boundaries of vinyl reproduction like no other phono stage.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStarting with the chassis\u003cbr\u003e\u003c\/strong\u003eAlthough the chassis is the same size as the 40 Series chassis (430mm x 290mm x 78mm) and manufactured using the same precision computer controlled machining, hand-welded and finished seams to give it high rigidity as the 40 Series.\u003cbr\u003eFor the interior, a new high-tech paint process has been added to effectively damp the casework to reduce unwanted ‘ringing’ aiding in greater levels of mid and high frequency resolution.  The paint process is unique to Whest Audio and is applied in the UK by a company regarded as the ‘specialists’ in paint technology.\u003cbr\u003eInternally the chassis incorporates a\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003esuspension system\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003efor the TITAN Pro’s circuit board.   The combination of this new suspension system and damped chassis means that all unwanted vibrations from airborne or structure sources are well damped.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe circuit board\u003cbr\u003e\u003c\/strong\u003eUses ultra low impurity copper throughout and its copper weight is approx twice that found in the majority of high-end preamplifiers and 4 times that of any other phonostage.  Small signal integrity is of the highest importance and with this in mind a new regulator system has been designed and employed for the all-new discrete technology input stage the TITAN Pro carries.  The new discrete input stage for the TITAN Pro is based on the MC REF V MK4 input stage but has been ‘trimmed’ to get the best from the new regulator system which powers it.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHybrid RIAA\u003c\/strong\u003e\u003cbr\u003eThis has been kept in the TITAN Pro design as not only is it tried and tested and used throughout the full Whest Audio range, but in the TITAN Pro is now trimmed to a far tighter tolerance for both curve and channel matching. Channel matching now is to within 0.12dB and RIAA curve accuracy to 0.18dB.  Both these figures are across a bandwidth with spans from 9Hz and 62KHz.   Any non-Whest Audio phono stage would be at least 2dB and even 3dB down at these extremes, but having experience in pro-audio, vinyl cutting and mastering, we have designed the TITAN Pro to be able to playback what your precious cartridge is capable to retrieving and often that is all the way up to 55-60KHz.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGain and load selection\u003c\/strong\u003e\u003cbr\u003eThis is accessed under the chassis like all Whest Audio phono stages but the TITAN Pro stretches the envelope further to give the end-user more flexibility with 8 selections.  Maximum gain now is 76dB and with the TITAN Pro’s ultra low noise levels it means you will never be stuck for gain ever again!  All units are setup for standard low output moving coil (64dB\/100 ohms) but if you do want to experiment it just takes 30secs to change over.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal inputs and outputs\u003c\/strong\u003e\u003cbr\u003eThese are on ‘audiophile grade’ RCA and XLR connectors identical to that used in the MC REF V MK4.  Because Whest Audio phono stages are used in archiving both professionally and domestically we have included a second set of RCA outputs to allow the user to send the output to their computer audio interface for transfer while ‘monitoring’ the output through their main audio system.  This means that the TITAN Pro can be permanently connected to the computer system and main audio system at ALL times, ready to transfer.   The TITAN Pro noise levels are so low that using 24bit or 32bit conversion is possible without the fear of unwanted signals getting to the soundcard.  The older 30 Series and now newer 40 Series have always been the vinyl lover’s choice for archiving, now we have a new standard in the TITAN Pro.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTITAN Pro\u003c\/strong\u003e\u003cbr\u003e– no other company in the world designs with this attention to detail.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTHE TITAN Pro 2019 \u003c\/strong\u003e\u003cbr\u003eThe TITAN Pro :’ultra matching’ critical components in the audio and DC paths.   The matching is by channel so that each channel behaves exactly like the other.  This is translated in far better and etched images, better low frequency tracking and rock solid and fluid stage imaging.  The internal cabling of the TITAN Pro is high performance OCC  . 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